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	<title>Comments on: Notes on Tintin in the Congo</title>
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	<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/</link>
	<description>Everyone has a right to my opinions</description>
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		<title>By: Chris Tregenza</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-93284</link>
		<dc:creator>Chris Tregenza</dc:creator>
		<pubDate>Sat, 04 Aug 2007 14:46:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-93284</guid>
		<description>Tintin in the Congo is racist but that isn&#039;t a reason to throw it out. 

Pretty much all the Tintin books are sexist (e.g. name two strong female characters) so should we throw the rest of the books out as well?

Owning books or art or anything that is offensive and doesn&#039;t fit in with what is currently acceptable doesn&#039;t make you a bad person as long as understand why its offensive. Having a copy of Tintin in the Congo isn&#039;t the act of a racist if you know that its racist and use it appropriately. e.g. don&#039;t give it your children until they are old enough to understand.

Self-censorship is just as bad as any other form of censorship. 

Chris</description>
		<content:encoded><![CDATA[<p>Tintin in the Congo is racist but that isn&#8217;t a reason to throw it out. </p>
<p>Pretty much all the Tintin books are sexist (e.g. name two strong female characters) so should we throw the rest of the books out as well?</p>
<p>Owning books or art or anything that is offensive and doesn&#8217;t fit in with what is currently acceptable doesn&#8217;t make you a bad person as long as understand why its offensive. Having a copy of Tintin in the Congo isn&#8217;t the act of a racist if you know that its racist and use it appropriately. e.g. don&#8217;t give it your children until they are old enough to understand.</p>
<p>Self-censorship is just as bad as any other form of censorship. </p>
<p>Chris</p>
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		<title>By: Matt Munro</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-91196</link>
		<dc:creator>Matt Munro</dc:creator>
		<pubDate>Fri, 20 Jul 2007 12:05:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-91196</guid>
		<description>I think the redeeming feature might be that the price of an original copy skyrockets !</description>
		<content:encoded><![CDATA[<p>I think the redeeming feature might be that the price of an original copy skyrockets !</p>
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		<title>By: Robert</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-90937</link>
		<dc:creator>Robert</dc:creator>
		<pubDate>Thu, 19 Jul 2007 14:27:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-90937</guid>
		<description>But the examples you mention do have some positive traits for society as a whole.  The arguments for and against are therefore complex, and to deny the history, and/or willfully ignore postive aspects of it, might be called airbrushing.

I&#039;m struggling to find any redeeming features in Tinin Au Congo, however.</description>
		<content:encoded><![CDATA[<p>But the examples you mention do have some positive traits for society as a whole.  The arguments for and against are therefore complex, and to deny the history, and/or willfully ignore postive aspects of it, might be called airbrushing.</p>
<p>I&#8217;m struggling to find any redeeming features in Tinin Au Congo, however.</p>
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		<title>By: Matt Munro</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-90921</link>
		<dc:creator>Matt Munro</dc:creator>
		<pubDate>Thu, 19 Jul 2007 12:25:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-90921</guid>
		<description>&quot;I hardly think that it is the purveyors of multiculturalism who are guilty of airbrishing history. Indeed, a central objection to multiculturalists is that they bang on about the evils of colonialism ad nauseum.&quot; 

Indeed they do - but they also seek to avoid any reference to it in current culture.  Here in Bristol there was a major kerfuffle over the naming of a new shopping centre.  The original intention was to call it &quot;Merchants Quarter&quot;  which seemed an apt decription, encapusalting both the nature of the place, and the historic use of the land where it is built (adjacent to the old trading quarter next to the docks).  However, the ubiqitous &quot;community leaders&quot; decided that was too reminiscent of the City&#039;s slave past (Bristol was built on the back of 18th and 19thC maritime trade, in part the slave trade)  and kicked up a fuss.  This forced the council and the developers to rethink and  following a public consultation it reverted to its old 1970s name. 
There have been similar rumblings over the planned redevelopment of a 1950s concert hall (Colston Hall)  named after a prominent merchant and city benefactor, who almost certainly prospered, in part, from slavery.   Local band, Massive Attack, who you may have heard of, have always refused to play there for that reason alone.  The idea being mooted is that on redeveopment it also be renamed something less contentious.  I&#039;m digressing into local history. 
Anyway my point is how is applying social pressure on an organisation to refuse to stock legal cultural artefacts any different to airbrushing, when the outcome is the same ?  And how does that square with multiculturalism, which is basically applied cultural relativism ?</description>
		<content:encoded><![CDATA[<p>&#8220;I hardly think that it is the purveyors of multiculturalism who are guilty of airbrishing history. Indeed, a central objection to multiculturalists is that they bang on about the evils of colonialism ad nauseum.&#8221; </p>
<p>Indeed they do &#8211; but they also seek to avoid any reference to it in current culture.  Here in Bristol there was a major kerfuffle over the naming of a new shopping centre.  The original intention was to call it &#8220;Merchants Quarter&#8221;  which seemed an apt decription, encapusalting both the nature of the place, and the historic use of the land where it is built (adjacent to the old trading quarter next to the docks).  However, the ubiqitous &#8220;community leaders&#8221; decided that was too reminiscent of the City&#8217;s slave past (Bristol was built on the back of 18th and 19thC maritime trade, in part the slave trade)  and kicked up a fuss.  This forced the council and the developers to rethink and  following a public consultation it reverted to its old 1970s name.<br />
There have been similar rumblings over the planned redevelopment of a 1950s concert hall (Colston Hall)  named after a prominent merchant and city benefactor, who almost certainly prospered, in part, from slavery.   Local band, Massive Attack, who you may have heard of, have always refused to play there for that reason alone.  The idea being mooted is that on redeveopment it also be renamed something less contentious.  I&#8217;m digressing into local history.<br />
Anyway my point is how is applying social pressure on an organisation to refuse to stock legal cultural artefacts any different to airbrushing, when the outcome is the same ?  And how does that square with multiculturalism, which is basically applied cultural relativism ?</p>
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		<title>By: Colin Campbell</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-90832</link>
		<dc:creator>Colin Campbell</dc:creator>
		<pubDate>Wed, 18 Jul 2007 22:03:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-90832</guid>
		<description>Borders have banned it from the children&#039;s section in Australia now.</description>
		<content:encoded><![CDATA[<p>Borders have banned it from the children&#8217;s section in Australia now.</p>
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		<title>By: Robert</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-90808</link>
		<dc:creator>Robert</dc:creator>
		<pubDate>Wed, 18 Jul 2007 17:38:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-90808</guid>
		<description>I hardly think that it is the purveyors of multiculturalism who are guilty of airbrishing history.  Indeed, a central objection to multiculturalists is that they bang on about the evils of colonialism ad nauseum.  

Either way, choosing not to sell or buy a book, or choosing to remove a book from your own shelf, is not the same as a government censoring/banning/changing a book.</description>
		<content:encoded><![CDATA[<p>I hardly think that it is the purveyors of multiculturalism who are guilty of airbrishing history.  Indeed, a central objection to multiculturalists is that they bang on about the evils of colonialism ad nauseum.  </p>
<p>Either way, choosing not to sell or buy a book, or choosing to remove a book from your own shelf, is not the same as a government censoring/banning/changing a book.</p>
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		<title>By: Matt Munro</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-90430</link>
		<dc:creator>Matt Munro</dc:creator>
		<pubDate>Mon, 16 Jul 2007 11:40:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-90430</guid>
		<description>I don&#039;t beleive in airbrushing history.  Just because an aspect of historic culture does not accord with current sensibilities it does not follow that it should be erased.  If that attitude had been adopted towards the holocaust of WW2, it would be called denial, a criminal offence in most europoean countries.
I could go into a long rant here about the Ministry of Truth and recount how Winston Smith&#039;s job in 1984 was to airbrush printed news stories, such that the parties version of history was always conistent with the present, but I won&#039;t.  
Airstrip 1 is multicultural, airsptrip 1 has always been multicultural, airstrip 1 will always be multicultural........</description>
		<content:encoded><![CDATA[<p>I don&#8217;t beleive in airbrushing history.  Just because an aspect of historic culture does not accord with current sensibilities it does not follow that it should be erased.  If that attitude had been adopted towards the holocaust of WW2, it would be called denial, a criminal offence in most europoean countries.<br />
I could go into a long rant here about the Ministry of Truth and recount how Winston Smith&#8217;s job in 1984 was to airbrush printed news stories, such that the parties version of history was always conistent with the present, but I won&#8217;t.<br />
Airstrip 1 is multicultural, airsptrip 1 has always been multicultural, airstrip 1 will always be multicultural&#8230;&#8230;..</p>
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		<title>By: Scottish Roundup &#187; Blog Archive &#187; Blog Life After John Smeaton</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-90266</link>
		<dc:creator>Scottish Roundup &#187; Blog Archive &#187; Blog Life After John Smeaton</dc:creator>
		<pubDate>Sun, 15 Jul 2007 11:31:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-90266</guid>
		<description>[...] Addressing issues of cultural perception Robert Sharp has some thoughts on the non PC aspects of Tintin. Based on his writing, Tintin was pretty progressive compared to my grandparents generation. The current Australian Labor leader, Kevin Rudd is very succesfully portrayed as Tintin by Bill Leak, one of the leading cartoonists here in Australia. I am not sure that he would share Tintin’s political outlook however. [...]</description>
		<content:encoded><![CDATA[<p>[...] Addressing issues of cultural perception Robert Sharp has some thoughts on the non PC aspects of Tintin. Based on his writing, Tintin was pretty progressive compared to my grandparents generation. The current Australian Labor leader, Kevin Rudd is very succesfully portrayed as Tintin by Bill Leak, one of the leading cartoonists here in Australia. I am not sure that he would share Tintin’s political outlook however. [...]</p>
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		<title>By: Colin Campbell</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-90180</link>
		<dc:creator>Colin Campbell</dc:creator>
		<pubDate>Sat, 14 Jul 2007 22:18:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-90180</guid>
		<description>Seems to me that the issue is more to do with the impact that these books can have on children. Were they to be a contemporary resource for teaching then I would have more of a concern. I doubt that they would have a very telling impact on this generation of adults. I would keep it as a fond memory of a time when this kind of thinking pervaded our world view.</description>
		<content:encoded><![CDATA[<p>Seems to me that the issue is more to do with the impact that these books can have on children. Were they to be a contemporary resource for teaching then I would have more of a concern. I doubt that they would have a very telling impact on this generation of adults. I would keep it as a fond memory of a time when this kind of thinking pervaded our world view.</p>
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		<title>By: Robert</title>
		<link>http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/comment-page-1/#comment-89888</link>
		<dc:creator>Robert</dc:creator>
		<pubDate>Fri, 13 Jul 2007 01:37:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertsharp.co.uk/2007/07/12/tintin-in-the-congo/#comment-89888</guid>
		<description>I suppose there&#039;s banning and there&#039;s banning.  On the one hand, the government could force shops to stop selling it.  Or the shops could make the decision themselves not to stock it.  I think that is what the CRE spokesperson was suggesting.  As I say, I don&#039;t think there&#039;s any value on it being on my bookshelf.  I&#039;ve learnt all I can from it about the time that it was a product of...</description>
		<content:encoded><![CDATA[<p>I suppose there&#8217;s banning and there&#8217;s banning.  On the one hand, the government could force shops to stop selling it.  Or the shops could make the decision themselves not to stock it.  I think that is what the CRE spokesperson was suggesting.  As I say, I don&#8217;t think there&#8217;s any value on it being on my bookshelf.  I&#8217;ve learnt all I can from it about the time that it was a product of&#8230;</p>
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