There is an implication that Clinton is not winning on her own merits but because The Donald has thrown the election. Even as she prepares to become the first woman president, Hillary Clinton is still the victim of sexism
Despite having written very little on this blog about the United States Presidential election, I’ve been following it closely. My main source of news and commentary has been podcasts: The FiveThirtyEight weekly round-up in particular. But I’ve been reading mainstream news sites and blog commentary too.
Even as she makes history as the first woman to run for president, and even as she prepares to become the first woman to take the office, Hillary Clinton is still the victim of sexism. Most analyses attribute her lead to the to the failings of her opponent: Donald Trump is egotistical, misogynist, racist. He is under-prepared and has led a shambolic campaign. There is an implication that Clinton—a historically unpopular candidate—is not winning on her own merits but because The Donald has thrown the election to her. In another year (so goes the argument), against another candidate, she would lose. Continue reading “Why Hillary Clinton Will Win”
The CPS doesn’t keep track of the gender of victims in revenge porn prosecutions. Additional statistics for social media prosecutions are now essential.
Last month, the Crown Prosecution Service (CPS) published a report on Violence Against Women. It received significant pick-up in the media due to the high number of revenge porn prosecutions that have been brought since a new law was introduced.
I made a Freedom of Information request to the CPS, to ask whether they could tell me how many of the victims in the cases they prosecuted were women. I assumed they would have this information to hand.
Children as young as 3 can play with adults on an equal footing because the game is entirely based on chance.
Orchard Toys do a great line in table top games for kids. They include games of chance, strategy and memory using thick card and clear, colourful illustrations. I heartily recommend any of the line as good value for money birthday presents. (They also have a Pirate Memory Game, a fact which will be hilarious to fans of Little Britain).
One of their games is Where’s My Cupcake? Children as young as 3 can play with adults on an equal footing because the game is entirely based on chance. Players take turns to pick a cupcake card off a central pile, and see if it matches one of the cake cards laid out on the table. If it does, they add both cards to their pile. If it does not, they check to see if anyone has a matching card on the top of their pile, asking “would you like a cupcake?” If no-one claims the cupcake card, its placed on the table and the next person takes a turn. Play continues like that until the pile of cards are exhausted. The player with the most cupcake cards is the winner. Full instructions are here.
The only problem with the game is that because it is entirely based on chance, its actually very hard to let a very young person win, if you want them to! Sometimes, a string of bad luck can mean they miss several opportunities to put a cupcake on their plate, and they might lose several games in a row. For someone just learning how to share and play fair, this can be demoralising to the point where they refuse to play. It would be nice to be able to optimise their chance of victory.
Since the game is entirely procedural, the outcome of the game is pre-determined from the moment the cards are shuffled. However, the shuffling involves 30 cards with 10 designs on them, which means there are 4.39 x 1039 possible combinations. Even the fastest super computer in the world would take several millennia to evaluate every combination.
Nevertheless, I decided to script a virtual version of the game, so I could simulate many hundreds of games and discover which player is statistically most likely to win. Armed with that knowledge, I can ensure that the person I want to prevail is sat in that spot when the game is played, and thereby decrease the likelihood of tears before bedtime. Continue reading “So I Built A Cupcake Card Game Simulator”
The opportunistic words of one writer will mutate, and perhaps cripple, the literature of another.
The Italian journalist Claudio Gatti has caused controversy this week, with the publication of an article that claims to reveal the true identiy of the celebrated novelist Elena Ferrante. Published in English on the New York Review of Books blog, and simultaneously in German, Italian and French, the article sets out the evidence Gatti has found that points to a particular woman, who he names.1
You claim that Open Letter writers being presumptious, arrogant, cowardl and self indulgent. On all of these counts, you are mistaken.
Dear People Who Write Open Letters to People Who Write Open Letters —
As is customary with this form, I must begin by stating whether or not we have met. We have not. But in many ways, I feel like you. In fact, following my Open Tweet to People Who Write Open Letters this morning, it could be said that I am you. I share your concern that the Open Letter form has become a cliché, and your worry that we are reaching Peak Open Letter, bringing an ennui that can only be described as Open Letter Fatigue.
Time for a moratorium on "An Open Letter To…" think pieces? What does that style of writing achieve that a straight essay/op-ed does not?
I cannot account for why its taken me until now to blog about this, but last month I was invited onto Sky News to give the English PEN view on extremism, free speech, and the conviction of Anjem Choudhary.
The notorious Islamist preacher had been convicted of supporting terrorism on the basis of Tweets he had posted, pledging allegiance to ‘the’ Caliphate, rather than ‘a’ Caliphate. The prosecutors argued (successfully, as it turns out) that this constituted support for ISIS. Continue reading “Discussing Extremism and Free Speech on Sky News”
This multi-layered book is perfect for the 59 productions treatment
This week 59 Productions (the radical design and production company than I had a hand in setting up) announced their latest project. Its an adaptation of Paul Auster’s City of Glass by Duncan Macmillian, the acclaimed writer of People Places Things. The show is directed by my friend Leo Warner and is a co-production with Home and the Lyric Hammersmith.
City of Glass (part of Auster’s New York Triology) is an intriguing post-modern detective story that plays with ideas of reality, identity and imagination. I think its a perfect fit for the kind of art that Warner and the remarkable 59 Productions team create. In a recent interview with the Financial Times, he outlines their approach. Continue reading “59 Productions to produce City of Glass for the stage”