Robert Sharp

I recently attended the opening of Running Amok/Ambling Along, an exhibition by a friend and colleague of mine, Tommy Perman. His work centres around the idea of urban spaces, and how mandkind interacts with these environments.

At the event I was reminded of the organic nature of cities. I am entertained the thought of one set of people building something; then some other people extending it in a different archtectural style; and yet some more people knocking half the walls to reuse the space for something else. These mutated forms are what humanity has created as a collective, over centuries. They are as much a part of our history as the perfectly preserved stately homes under the control of Historic Scotland and English Heritage.

I enjoy revelling in these thoughts when I look at the antiquated prints one finds on the walls of pubs (which are themselves buildings that have gone through many uses and users). I like picking out the landmarks which remain, and the features which have been pushed aside due to the march of progress.

I see Tommy’s drawing in this tradition. Perhaps future generations will look at them, then close their eyes, and try to imagine what life was like in the twenty-first century, “the olden days”.

This was the Star Letter in the July 2005 issue of Creative Review.

If the websites showcased recently in Creative Review are any guide to the industry as a whole, our definition of what constitutes a good website design is far too narrow. The emphasis at present seems to be purely on the visual, with websites being laid out using exactly the same rules as print design. Focus is given to ‘wow’ technologies such as Flash, while the basic rules of accessibility are ignored.

A film with immaculate cinematography may be totally let down by poor narrative structure or sound-track. Likewise, a website with an pleasing and original visual style will be let down by invalid markup, slow download times, and a lack of accessibility features (such as ‘title’ and ‘alt’ attributes to aid site visitors).

Examining the Aardman and Nike websites, showcased in the 2005 Annual, we see that neither site validates for HTML or CSS, and all the copy is presented as images - not searchable by Google or Yahoo - with no textual alternative. I can’t remember the last site featured in CR that was NOT designed to fixed dimensions, which reduces accessibility for those who may wish to enlarge the site on their screen. The end result of all these choices is that the key messages are communicated less efficiently to less people.

Designing good website visuals is not the same as designing a good website. I would encourage readers of CR to read one of the countless guides to website accessibility that exist online, and design accordingly. The ability to separate content from presentation is one of the positive aspects of the Internet. The web should be treated as a medium in itself, and not a metaphor for print.