There’s a new app in town, called Meerkat. It allows you to stream live video direct from your mobile phone or tablet, with the link appearing in your Twitter stream.
Dan Pfeiffer, a former senior advisor to Barack Obama, writes:
If 2004 was about Meetup, 2008 was about Facebook, and 2012 was about Twitter, 2016 is going to be about Meerkat (or something just like it).
(He is of course talking about US politics). I wonder whether that’s true though: I fancy there may be a premium on asynchronicity—sending messages to people to read when they have time, rather than in the moment. How much value is there in This Is Happening Literally Right Now over the Twitter news model of This Just Happened? Meerkat does not seem to have any catch-up functionality—if you click on a link to a stream that has ended, there’s no way to view it back. Other services like Ustream and Google Hangouts do offer that functionality and I bet the Meerkat devs are beavering away (or whatever it is a meerkat does) to get this feature into the app. Continue reading Why not do an extra leaders’ debate via #Meerkat?→
Last week the Kingdom of Saudi Arabia hit back at those who have been voicing their dismay at the hideous and inhuman sentence handed down to liberal blogger Raif Badawi.
The Kingdom cannot believe and strongly disapproves what has been addressed in some media outlets about the case of Citizen Rai’ef Mohammed Badowi and the judicial sentence he has received.
While we regret the aggressive attacks these media have leveled against the Kingdom and its Judiciary system, the Kingdom assures at the same time that it rejects in shape and form any interference in its internal affairs.
Blaming the ‘media’ is a well worn cliché that oppressive regimes like to deploy when seeking to play down their human rights abuses. In this case, however, it’s just flat out wrong. Yes, the media have reported on the Raif Badawi case and published scathing op-eds from the likes of yrstrly. But the bulk of the outcry has been on social media, where hundreds of thousands of people are voicing their distaste for Wahhabi justice.
There is also this:
… the Kingdom unequivocally rejects any aggression under the pretext of Human Rights; after all, the constitution of the Kingdom originates from the Islamic Sharia which enshrines one’s sacred rights to life, property, honor, and dignity.
The Kingdom of Saudi Arabia has been one of the first States to promote and support human rights and has on this regard respected all international conventions congruent with the Islamic Sharia.
This is just delusional. By no stretch of the imagination can flogging someone for peaceful political speech be considered a protection of “honour and dignity” or human rights.
In my essay for the Sunday Herald I made the case for the necessity of the swearing and offensive chatter that makes up much of the dialogue in Black Watch:
They are working class, inarticulate and insecure boys with no prospects other than the army. And when these men speak, they swear. It is integral to their vernacular. To sanitize their words would be to silence them.
Unfortunately the constraints of the page forbade me from elaborating on this point…. but luckily, I have a blog.
The swearing of the enlisted men is also important because of the contrast it presents with the officer class, and the politicians who have sent Scottish soldiers into harm’s way for centuries. The show has a marvellous musical number where Lord Elgin, in full highland dress and regalia, prances around the stage, beckoning the young men to sign-up: “hurrah, hurrah!” He speaks the Queen’s English, and he is as mendacious as they come (“did I mention it would be all over by Christmas” he says as he sends the soldiers off to Flanders in 1914). In this context, the Fifer accents of the soldiers are a necessity. Homogenising the language would be an act of class warfare.
To my mind, the final genius of Black Watch lies in the juxtaposition between the coarse language and the stunning physical theatre. One reason why Steven Hoggett’s choreography is so powerful is because the precise and often tender movements emerge from characters who have been f-ing and c-ing just moments before. The combination jars the audience and is compelling, and it is the rude words that tee-up this possibility.
Ever since the ISIS murderer and propagandist ‘Jihadi John’ was revealed to be a British engineering graduate called Mohammed Emwazi, our news media has been saturated with reports about his school days, his personality, and the possible causes of his radicalisation: he ran into a goalpost as a kid; he went to school with Tulisa…
The coverage grates. Its full of cod-psychological comments from former pupils at his school, noting the fact that he was a ‘loner’. Reading these quotes, I’m reminded of one of the insights from Serial, the podcast phenomenon about the murder of a Baltimore schoolgirl Hae Min Lee in 1999. That series makes the point that people are susceptible to a confirmation bias in their memories. When told that someone is a murderer, people naturally recall those incidents where the person acted weird or like a ‘loner’. But alternatively, those who are convinced that the convicted person is innocent remember him as friendly and outgoing. Continue reading Building the Mythology of Jihadi John→
I was listening Magic 105.4 earlier. They played Papa Don’t Preach by Madonna. The girl in the song pleads with her Dad to let her see someone he disapproves of.
Next in the playlist was Uptown Girl by Billy Joel. A young man laments that the woman he has fallen for is from a different social class.
It occurs to me that these two songs are Pop Pairs. They could be two views on the same relationship.
My sense is that you could probably make a Pop Pair out of any two songs where the singer declares their love for someone else. But the really great pop pairs will be two songs that present two sides of a less conventional relationship. For example,Young Girl by Gary Puckett, paired with Born Too Late by the Poni-Tails; or Money Money Money by ABBA, paired with Gold Digger by Kanye West.
Three schoolgirls from East London have left the UK to join ISIS, and everyone has an opinion. Some people say they are no better than Jihadi John, and that joining the fighters for Islamic state is tantamount to participating in the beheading of aid workers. they should be considered enemy combatants and we should not care one joy for their safety.
Other people say that these girls are victims: of brainwashing, of a culture that doesn’t value them, or of a society that offers the youth no aspirations. They’re essentially kidnap victims and we should mobilise to secure their safe return.
The year 2015 has begun with a great deal of debate about free speech. The fanatics who murdered the Charlie Hebdo cartoonists saw to that—their sympathisers in Copenhagen have kept the fire burning.
The discussion has largely been about what one can say about your ideological opponents. Is it Okay to blaspheme? What are the limits to giving offence? When does criticism of one group or another slide into hate speech and incitement. In these examples we usually debate whether the law can interfere with our speech.
The Scottish Law Commission has said it will include a review of the defamation law in its ninth programme of reform. That’s fantastic news for those of us in the Libel Reform Campaign who want to ensure that the space for free speech is just as wide in every corner of the United Kingdom.
David Leask at the Daily Heraldreported the story and his article puts the review in context. Yrstrly is actually quoted briefly in the piece, but I prefer this quote from my colleagues at Scottish PEN:
We’re not just campaigning on this to plug a loophole – we’re trying to put in place a structure that supports a healthier media landscape in Scotland.