I’m really enjoying Periscope, the new app from Twitter that allows live broadcasts direct from your phone. It was launched very soon after its rival Meerkat and has, I think, better sharing and comment functionality.
Both apps, however, offer something utterly compelling — a live window into someone else’s world. In 5 minutes on Periscope, you can jump accross continents, watching forest fires in the Rockies, a sunset over the Pont Neuf in Paris, dinner with a family in Pakistan, or a toddler in Canberra learning to walk. Its magic, in the Arthur C Clarke sense.
With other forms of communication, the most fascinating developments come when the users push the platform in ways the developers had not anticipated. For example, the @ and # functionality in Twitter was something developed by the users and not by Twitter. Continue reading #Periscope needs a ‘handover’ function
There’s a new app in town, called Meerkat. It allows you to stream live video direct from your mobile phone or tablet, with the link appearing in your Twitter stream.
Dan Pfeiffer, a former senior advisor to Barack Obama, writes:
If 2004 was about Meetup, 2008 was about Facebook, and 2012 was about Twitter, 2016 is going to be about Meerkat (or something just like it).
(He is of course talking about US politics). I wonder whether that’s true though: I fancy there may be a premium on asynchronicity—sending messages to people to read when they have time, rather than in the moment. How much value is there in This Is Happening Literally Right Now over the Twitter news model of This Just Happened? Meerkat does not seem to have any catch-up functionality—if you click on a link to a stream that has ended, there’s no way to view it back. Other services like Ustream and Google Hangouts do offer that functionality and I bet the Meerkat devs are beavering away (or whatever it is a meerkat does) to get this feature into the app. Continue reading Why not do an extra leaders’ debate via #Meerkat?
Last week the Kingdom of Saudi Arabia hit back at those who have been voicing their dismay at the hideous and inhuman sentence handed down to liberal blogger Raif Badawi.
The Kingdom cannot believe and strongly disapproves what has been addressed in some media outlets about the case of Citizen Rai’ef Mohammed Badowi and the judicial sentence he has received.
While we regret the aggressive attacks these media have leveled against the Kingdom and its Judiciary system, the Kingdom assures at the same time that it rejects in shape and form any interference in its internal affairs.
Blaming the ‘media’ is a well worn cliché that oppressive regimes like to deploy when seeking to play down their human rights abuses. In this case, however, it’s just flat out wrong. Yes, the media have reported on the Raif Badawi case and published scathing op-eds from the likes of yrstrly. But the bulk of the outcry has been on social media, where hundreds of thousands of people are voicing their distaste for Wahhabi justice.
There is also this:
… the Kingdom unequivocally rejects any aggression under the pretext of Human Rights; after all, the constitution of the Kingdom originates from the Islamic Sharia which enshrines one’s sacred rights to life, property, honor, and dignity.
The Kingdom of Saudi Arabia has been one of the first States to promote and support human rights and has on this regard respected all international conventions congruent with the Islamic Sharia.
This is just delusional. By no stretch of the imagination can flogging someone for peaceful political speech be considered a protection of “honour and dignity” or human rights.
Lest we forget, Article 5 of the Universal Declaration of Human Rights States:
No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.
Together in my timeline last week, two tweets on memory:
Ben Philips had all his creative work deleted by hackers. Continue reading On memory, mind, death and teleportation
In my essay for the Sunday Herald I made the case for the necessity of the swearing and offensive chatter that makes up much of the dialogue in Black Watch:
They are working class, inarticulate and insecure boys with no prospects other than the army. And when these men speak, they swear. It is integral to their vernacular. To sanitize their words would be to silence them.
Unfortunately the constraints of the page forbade me from elaborating on this point…. but luckily, I have a blog.
The swearing of the enlisted men is also important because of the contrast it presents with the officer class, and the politicians who have sent Scottish soldiers into harm’s way for centuries. The show has a marvellous musical number where Lord Elgin, in full highland dress and regalia, prances around the stage, beckoning the young men to sign-up: “hurrah, hurrah!” He speaks the Queen’s English, and he is as mendacious as they come (“did I mention it would be all over by Christmas” he says as he sends the soldiers off to Flanders in 1914). In this context, the Fifer accents of the soldiers are a necessity. Homogenising the language would be an act of class warfare.
To my mind, the final genius of Black Watch lies in the juxtaposition between the coarse language and the stunning physical theatre. One reason why Steven Hoggett’s choreography is so powerful is because the precise and often tender movements emerge from characters who have been f-ing and c-ing just moments before. The combination jars the audience and is compelling, and it is the rude words that tee-up this possibility.
Ever since the ISIS murderer and propagandist ‘Jihadi John’ was revealed to be a British engineering graduate called Mohammed Emwazi, our news media has been saturated with reports about his school days, his personality, and the possible causes of his radicalisation: he ran into a goalpost as a kid; he went to school with Tulisa…
The coverage grates. Its full of cod-psychological comments from former pupils at his school, noting the fact that he was a ‘loner’. Reading these quotes, I’m reminded of one of the insights from Serial, the podcast phenomenon about the murder of a Baltimore schoolgirl Hae Min Lee in 1999. That series makes the point that people are susceptible to a confirmation bias in their memories. When told that someone is a murderer, people naturally recall those incidents where the person acted weird or like a ‘loner’. But alternatively, those who are convinced that the convicted person is innocent remember him as friendly and outgoing. Continue reading Building the Mythology of Jihadi John
I was listening Magic 105.4 earlier. They played Papa Don’t Preach by Madonna. The girl in the song pleads with her Dad to let her see someone he disapproves of.
Next in the playlist was Uptown Girl by Billy Joel. A young man laments that the woman he has fallen for is from a different social class.
It occurs to me that these two songs are Pop Pairs. They could be two views on the same relationship.
My sense is that you could probably make a Pop Pair out of any two songs where the singer declares their love for someone else. But the really great pop pairs will be two songs that present two sides of a less conventional relationship. For example, Young Girl by Gary Puckett, paired with Born Too Late by the Poni-Tails; or Money Money Money by ABBA, paired with Gold Digger by Kanye West.
Alternatively, where the sentiment is quite specific: The particular question asked by the Shirelles in Will You Still Love Me Tomorrow is answered quite specifically by the Waterboys in How Long Will I Love You?
Eternal Flame by the Bangles paired with Firestarter by Prodigy.
To be 95% certain of getting the last character you need from the Crossy Road vending machine, you’ll need 19,100 coins. (Jump to the full table.)
Let me explain.
Crossy Road is a game for iOS and Android. It’s been described as ‘endless frogger‘. You begin playing as a chicken, and you have to cross a road and other obstacles.
For extra fun, the game offers additional characters to replace the chicken. At the time of writing there are 72 characters: farm-yard animals, jungle frogs, ghosts, zombies, robots, aliens and fauna from the Australian outback. You can even play as humans in the form of the game’s three creators. Continue reading How many coins do I need to get all the characters in Crossy Road?
Three schoolgirls from East London have left the UK to join ISIS, and everyone has an opinion. Some people say they are no better than Jihadi John, and that joining the fighters for Islamic state is tantamount to participating in the beheading of aid workers. they should be considered enemy combatants and we should not care one joy for their safety.
Other people say that these girls are victims: of brainwashing, of a culture that doesn’t value them, or of a society that offers the youth no aspirations. They’re essentially kidnap victims and we should mobilise to secure their safe return.
Here’s an idea: perhaps they’re both? Fully culpable genocide-enablers; and victims.
Continue reading These jihadi brides are fully culpable victims