Last week, the works of the celebrated Palestinian poet Mahmoud Darwish were removed from the Riyadh International Book Fair because they were ‘blasphemous’. A spokesperson for the Ministry of Culture and Information said the books “violated the kingdom’s laws”. This theological position comes about because in some of his work Darwish treats Judaism, Christianity and Islam as equivalents, which obviously upsets the fundamentalists.
I spoke to the Guardian about the ban and was quoted in their report:
But the writers’ group English PEN issued a stinging rebuttal to the move. “It is bizarre and disappointing that the government of Saudi Arabia has allowed a small group of people to censor one of the Islamic world’s most important modern poets. The Riyadh international book fair is supposed to promote culture and commerce in Saudi Arabia, but this incident has had precisely the opposite effect,” said its head of campaigns, Robert Sharp. He also pointed to the case of newspaper columnist Hamza Kashgari, who was imprisoned without trial in Saudi Arabia for two years after he posted a short series of tweets in which he imagined a dialogue with the Prophet Muhammad.
“Blasphemy laws stunt cultural development,” said Sharp. “If the government truly wishes Islamic art and culture to flourish in the Kingdom, it must urgently repeal these outdated laws.”
Just as we were discussing offence, blasphemy and Islam, a reminder that hard-line Muslims are not the only enemies of free speech. Index on Censorship reports that The Reduced Shakespeare Company has been forced to cancel its production of The Bible because of complaints from religious groups.
Maajid Nawaz, the author of Radical and the Liberal Democrat Prospective Parliamentary Candidate for Hampstead and Kilburn, has been at the centre of a controversy this week, after he tweeted a image from the satirical Jesus and Mo cartoon series. Maajid had been a guest on the BBC’s The Big Questions debate show, where the illustration had been discussed. He made the point that as a liberal Muslim, he found nothing offensive about the cartoon.
Cue an angry social media backlash. Many people tweeted their condemnations and threats over what they perceived as a blasphemy.
Following the news that two members of Pussy Riot have been sent to remote penal colonies in Russia, UCB Radio asked me on to Paul Hammond’s show on to discuss ‘Politics and the Pulpit’.
Is a church an appropriate place for political messages? There are two aspects to this question. The first is whether activists should protest in a Church. Was the uninvited ‘hooliganism’ of Pussy Riot justified? I cited the example of Jesus himself, who caused havoc in the Temple in what was surely a political as well as spiritual protest (see, for example, Mark 11-15). Continue reading
I really shouldn’t let the weekend start without jotting a few notes about the ongoing unrest in the Middle East, provoked by the YouTube video “The Innocence of Muslims” and fuelled by the French magazine Charlie Hebdo.
The protests have sparked another round of analysis of the the Muslim faith, with the predictable indictment of Islam as uniquely intolerant. The Onion published a very funny NSFW cartoon, blasphemous to all religions except Islam, with the headline ‘No-one Murdered Because of This Image’. Funny, yes, but not actually accurate as satire. The fundamentalist Hindus of India are not above threats and riots when their sacred images are appropriated. The internationally acclaimed artist MF Hussain spent his twilight years in exile because of threats made by his own countrymen, such was their dislike of his Mother India paintings. And Richard Gere’s effigy was burned by an angry mob after he kissed Shilpa Shetty.
The fact that Hindus riot too is instructive. When they do, it is at the encouragement of nationalists groups like Shiv Sena, who seek political power through demonisation and division. When Muslims riot, it is similarly due to local leaders seeking to win political support. Even the Salman Rushdie fatwā (also in the news this week due to the publication of Rushdie’s autobiography, Joseph Anton) was raised by Ayatollah Khomeini as part of a power-play. The old Ayatollah had been losing political support in the months leading up to Valentine’s Day 1989, when the infamous decree was issued. Continue reading