I’m delighted and honoured to have been nominated for the Shirley Jackson Award, for my novella The Good Shabti, published by Jurassic London. However, there are four good reasons why I probably won’t win.
The first reason is the Ceremony of Flies by Kate Jonez (DarkFuse). Our protagonist, who calls herself Emily, is an unreliable cocktail waitress, an unreliable road-trip buddy and definitely an unreliable narrator. We meet her serving drinks in a Las Vegas casino, but before long she is on the run in a 1971 Pontiac Convertible, driven by an equally dubious gambler named Rex. Their journey takes them from the bright lights of Sin City, via suburban Barstow, to ever more remote and decaying locales, until she arrives at what might just be the end of the world.
Jonez’s parched descriptions of this doomed trajectory are fantastic. There are Joshua Trees and Stucco churches, and flies everywhere. The soaring temperature is evoked so well I thought my Kindle might overheat. And there is no let up—Every apparent relief, every opportunity for a cool breeze or a quenching of thirst, is just a further heightening of the characters desperate plight. Is this Emily’s personal hell for the many crimes she has committed? Or some wider vengeance? Continue reading Four reasons why I probably won’t win the Shirley Jackson Award→
My bit begins at around 16 minutes into the show, but that really shouldn’t stop you listening to Ed and his co-hosts Ninfa Hayes and A.L. Johnson chatting about tea and reviewing a whole lot of genre literature.
Something I have always found inspiring is the short acceptance speech made by Steven Soderberg in 2001, when he collected an Oscar for directing Traffic.
What I want to say is, I want to thank anyone who spends part of their day creating. I don’t care if its a book, a film, a painting, a dance, a piece of theatre, a piece of music… anybody who spends part of their day sharing their experience with us, I think this world would be unlivable without art, and I thank you…
As is my wont, I made a book to illustrate this. Physical objects are useful props in debates like this: immediately illustrative, and useful to hang an argument and peoples’ attention on.
James Bridle is probably best known as the artist who first articulated ‘The New Aesthetic‘, but he has run many projects on books and technology. His project ‘The Iraq War‘ is a favourite of mine – the entire Wikipedia Edit History of the ‘Iraq War’ article, from 2005-2009, which stretches to twelve volumes. He’s also the creator of a Book of Tweets.
James’ projects are the inspiration of one of my own – The Defamation Act 2013: Complete & Unabridged. It collects together, in chronological order, every single parliamentary document published during the passage of the recent reform of our libel law. These include the various versions of the Bill (which I have previously published in a spliced together version, ‘Tracked Changes in the Defamation Bill‘), the parliamentary Hansard transcripts of the debates; and the amendment papers. Continue reading The Defamation Act 2013: Complete & Unabridged→
Who drives our culture? Conventional wisdom says it is Hollywood. After all, it is the ﬁlm industry that produces the most highly paid artistes and the most visible ‘A listers’. Film is a visual medium and it churns out icons at a steady, lucrative rate. The four-hour Oscars telecast is beamed live around the world.
By contrast, the announcement of the Man Booker Prize does not even get its own TV slot in schedules. The announcement is allowed to interrupt the news broadcasts, but the analysis and reactions are made to wait until a scheduled bulletin and it’s never the lead story.
This week I was at The Kitschies, a set of awards for “progressive, intelligent and entertaining genre literature.” Its creators, Jared and Anne of the Pornokitsch website and Pandaemonium Fiction (my publishers, no less) rightly eschew the word ‘best’ when giving the awards. ‘Best’ is a devalued term in when it comes to awards, as implies an objectivity that a judging panel cannot possibly hope to achieve.
The winner of the Red Tentacle award for a novel was Nick Harkaway for his book Angelmaker. On his blog, Nick has posted a long article on what he thinks ‘progressive’ might mean in terms of fiction in general, and sci-fi/fantasy genre literature in particular. He says that such progressive fiction “It is a fiction which connects the inner human future with everything it must have around it, and recognises that the two develop together.”
More on the trend towards the digitisation of books and what that means for culture, politics and society… this time, from George Orwell.
Given a good pitch and the right amount of capital, any educated person ought to be able to make a small secure living out of a bookshop…. Also it is a humane trade which is not capable of being vulgarized beyond a certain point. The combines can never squeeze the small independent bookseller out of existence as they have squeezed the grocer and the milkman.
Orwell did not forsee the rise of the Amazon behemoth! Nevertheless, his 1936 essay ‘Bookshop Memories’ is still relevant today (indeed, one might argue that Orwell’s nack for remaining relevant is the source of his greatness). Our current appeals to tactility-as-a-virtue are there, alongside concerns that the public generally has a taste for low-brow thriillers and romances, rather than classics from the canon.
Elsewhere, he mentions the fact that bookshops were also lending libraries. In this, I wonder if there is a parallel with Amazon? Since the early days of the Kindle, we have known that books one ‘buys’ for the machine are actually just licenced. Three years ago, Amazon remotely deleted all copies of Nineteen Eighty-Four from Kindle devices, a manoever that was at once horrifying and hilarious. Last month, a Norwegian woman was declared a persona non grata by the company, and all her purchases were deleted from her device without warning. Continue reading On Borrowing and Buying e-Books→
Back in 2006 or so, when blogging was The Next Big Thing That Everyone Was Doing, there was much discussion over whether a blog could kickstart a literary or journalistic career. Writers News even commissioned me to write an article about it, in which I quoted the economist and blogger Tim Worstall:
Tim Worstall, editor of the anthology 2005: Blogged, agrees. “I’m not sure that it is possible to make a living from blogging,” wrote Worstall, in his Second Anniversary blog post. “But”, he continued, “it is entirely possible to make a living out of having blogged.” Worstall sees blogging as an alternative to apprenticeships and unpaid internships, a route to paid writing.
Another route is that taken by the creators of the Pornokitsch Blog, which takes the transatlantic Science Fiction & Fantasy culture as its beat. They have used their blog as a springboard into the publishing world, leveraging using the contacts and credibility developed over four years of blogging, to produce a series of short story collections. The blog as route not into journalism, but publishing.
And who should be one of the authors they publish? None other than… yrstrly. My story (0,0) is in the Crossroads anthology, released on the Kindle in August 2012. Its a companion book to Lost Souls, “tales of woe and angst, loneliness, redemption and humour” including stories by Arthur Conan-Doyle, Benjamin Disraeli and Mary Coleridge. If you order the limited edition copy of Lost Souls, you get Crossroads on the Kindle for free. You cannot say fairer than that.
Over the past year, I’ve been working on a creative publishing challenge I set myself. It’s time to blog about it here and draw a line under the project.
A few years ago, my parents showed me a faded typed manuscript of a memoir, The World of an Insignificant Woman. It was written in the mid 1980’s by my grandfather’s sister, Catherine Thackray, about their parents and family. It is based in a large part on the handwritten memoirs and letters of my great-grandmother, Hilda Marjory Sharp (born 1882).
In recent years I’ve taken a particular interest in new forms of publishing. I drink in the columns of Cory Doctorow and the experiments of James Bridle (two London-based thinkers I have had the pleasure of meeting a few times, through English PEN and Free Word Centre activities). The potential of print-on-demand and eBook publishing is huge, and I had begun to think seriously about getting in on the micro-publishing action.
I know I should be glued to #Leveson analysis, just have the feeling that it will all play out as it should without me. Passive politics.
A few people asked me about this, and suggested I should care more about this most important of issues.
To be clear, I was not doubting how important the Leveson Inquiry is, or the significance of the scandal(s) he is investigating. Rather, I just have a sense that the issue has reached something of an apotheosis, and that a better order of things will now inevitably result. Henry Porter’s column today captures my thinking:
We can take heart that Murdoch is already finished as a political force here, that the record of his morbid influence is being settled and serious crimes will be prosecuted. What we have to focus on now is protecting our democracy from the influence of such a character again.
Porter goes on to say that there are still questions left unanswered – for Alex Salmond and for Jeremey Hunt, in particular – but I think we can now be confident that those charged with getting to the bottom of this now have the political and moral clout to pursue these issues to their conclusion. A far cry from the days when Tom Watson MP was mocked for his obsession with phone-hacking at News of the World.