Quoted in the New York Times discussing the cancellation of Rita, Sue and Bob Too

The Royal Court Theatre has cancelled a revival of Rita, Sue and Bob Too, Andrea Dunbar’s 1982 play about grooming and sexual exploitation. The cancellation came after it was revealed in October that Max Stafford-Clark, who directed the original production and co-directed the revival, had been forced to resign as creative director of Out of Joint due to multiple allegations of ‘inappropriate behaviour.’

The venue had recently staged No Grey Area, an event in which 150 stories of sexual abuse and exploitation were shared over the course of an afternoon. The Royal Court’s artistic director Vicky Featherstone has called for the British theatre community to reckon with the abuses of power, just as Hollywood is doing now that the extent of Harvey Weinstein’s monstrous behaviour has been revealed. In this context, says the theatre, staging Rita, Sue and Bob Too is “highly conflictual.”

I spoke to New York Times correspondent Anna Codrea-Rado about the cancellation and am quoted in her report: Continue reading “Quoted in the New York Times discussing the cancellation of Rita, Sue and Bob Too”

Invincible

Over the weekend I went to see Invincble at the Orange Tree in Richmond, a new play by Torben Betts.  Its the kind of theatre I prefer: intimiate scenes in-the-round, teasing apart something relevant about contemporary life.

This one centres on an upper middle-class couple, Oliver and Emily, with a tragedy in their past and an warped sense of social responsibility.  They have chosen to live among ‘ordinary’ people in the North of England.  Rather than live in a middle-class ghetto and contribute to the extortionate London housing bubble, they profess a desire to improve this community.  Emily plans to become a school governor and says she is setting up an Amnesty group and an artists’ collective. Continue reading “Invincible”