The Needle Returns To The Start Of The Song And We All Sing Along Like Before

The same cycle of news, analysis and meta-analysis, and nothing changes

Hideous news from Las Vegas. It’s the deadliest mass shooting in the history of the United States.

Reading the coverage and the commentary, I’m reminded of the song ‘Nothing Ever Happens‘ by the Scottish band Del Amitri.

The song is 28 years old now.  Some of the lyrics I find too simplistic, like a sixth former berating the world (“Ignorant people sleep in their beds, like the doped white mice in the college lab”). But in other ways it feels contemporary:

Nothing ever happens / Nothing happens at all / The needle returns to the start of the song and we all sing along like before

Continue reading “The Needle Returns To The Start Of The Song And We All Sing Along Like Before”

We’re All Puritans Now

The distinguishing feature of puritanism is ‘an intense sense of responsibility for one’s conscience’

Its Banned Books Week, a time for all the family to gather round the dinner table to discuss free speech and censorship. One book that often comes up in such conversations is Lady Chatterley’s Lover by D.H. Lawrence, which was the subject of a famous obscenity trial in the 1960s.

I have been reading the Wikipedia page for the trial, and found this marvellous section on the testimony of academic Richard Hoggart, who was subjected to a snide cross-examination by the prosecuting barrister, Mervyn Griffith-Jones: Continue reading “We’re All Puritans Now”

Quoted in the Guardian, condemning homophobic publishing laws in Russia

Even ostensibly benign restrictions on freedom of expression can have significant knock-on effects

A few years ago the Russian government introduced a set of ridiculous regulations on how art can be produced in the country. It prohibited swearing in films and TV shows, and mandated that books containing LGBTQ content be sold in plastic wrappers.

Insisting that such books are packaged like this introduces a stigma. It places LGBTQ literature into the same conceptual category as pornography which makes it less likely that readers will buy the books, or that readers will have the books bought for them.

Naturally, this affects book sales for Russian publishers, and some have taken extreme steps to avoid having their books placed in the stigmatised category. Last week, fantasy author Victoria Schwab revealed that her Russian publisher had bowdlerised the translation of her Shades of Magic series. Continue reading “Quoted in the Guardian, condemning homophobic publishing laws in Russia”

White Comedy and the Prejudice of Language

Inequalities buried deep

Most people bristle at being told that they have a subconscious prejudice, but we’re all a little bit racist.

A couple of months ago I wrote about how deliberately or accidentally obscuring or flipping the attirbution of a quote can reveal our own (or others’) biases. Related: @Eastmad recently guided me to a poem by Benjamin Zephaniah, ‘White Comedy’, that elegantly reveals the way our language is stacked against people of colour. Continue reading “White Comedy and the Prejudice of Language”

17776: Native Internet Art

An appreciation of our planet and what it means for humans to play in it.

At the beginning of this month, the U.S. sports website SBnation.com surprised its readers with an unexpected meditation on the game of (American) football. A piece titled ‘17776: What Football Will Look Like In The Future’ was posted to the site, alongside the usual results and recaps of recent baseball and basketball games. But when curious readers clicked on the headline, they were transported fifteen thousand years into the future, and billions of miles into deep space. Over the following weeks, new chapters to the story drew readers into writer Jon Bois’s appreciation of our planet and what it means for humans to play in it.

The characters in the world are very old, possibly immortal. They use their new-found longevity to play and watch long and complex games, usually based around what we 21st century denizens recognise as gridiron football. Several far-future nationwide football games are described, all with a lineage that can be traced back to those we watch today. But all the games a far more extreme and heightened, having evolved over millennia. Just as, with biological evolution, the essential components of a given animal order, family or genus are revealed as they become more pronounced, so those aspects American football that are at the core of the sport are revealed when the future-humans iterate it to a ridiculous degree.

Football's different things to different people. | see this kind of football, the open-world kind, as its end state. The old grid football, the hundred- yard kind, was basically just training wheels. The game was always all about the field, of course. The ground, the Earth. And it was kind of like,
A monologue by Ten, one of the extra-terrestrials
As well as the idea of play, Bois invites us to revel in the vastness and complexity of our planet, and the unique history of each patch of earth. In one particular sequence, I thought of the art of the Boyle Family, who pick random points on the globe and precisely reproduce the square metre of ground that they find there.
World Series
Two panels from the Boyle Family’s ‘World Series’ depicting studies of The Hague (left) and the Central Australian Desert. Installed at the Scottish National Gallery of Modern Art, 2003
I wonder if there's a single place in the whole world that's never had a story. I bet not. I just about guarantee you there's no places like that in America. Every little square of it, every place you stomp your foot, that's where something happened. Something wild, maybe something nobody knows about, but something. You can fall out of the sky and right into some forgotten storybook.    -- recognized by
Another of Ten’s monologues
 
The format goes beyond what one might expect from a piece of online writing. It’s a collision of YouTube video animation, chat room text, and Google Earth renderings. One thought I had after reading a couple of chapters was that it should not be surprising that the format is surprising. Modern technology offers countless ways to render a narrative, and all Bois has done is to take a fairly well established format—a chat room script—and illustrate it with animations from a common online tool. It is not particularly radical, but the way we publish online (both the format of digital content, and it’s graphic design) has become so formulaic that even small and obvious departures from the norm suddenly feel innovative. In a Q&A, the author himself puts it very well:

I could go really, really long on this answer. I’ll keep it short: There are countless different ways to write, and things and ideas to write about. And the Internet offers a kaleidoscope of different formats, media, tools, sights, and sounds to tell your stories. And most of us are not even trying to scrape the surface of any of it. We’ve got to start thinking of the Internet as something more than a glow-in-the-dark newspaper.

On Facebook, a friend of mine writes:

it is such a brilliant piece of work, creative and touching and imaginative and smart, and it could only work here, in this medium. Is there anything else like that? I’m not sure.

There are precedents. First, in the Q&A, Bois cites Calvin and Hobbes as an influence on his writing. And there are moments in 17776 that feel exactly like Bill Watterson’s comic strip. In particular, the way in which the three narrators revel in the beauty of (in turn) the Earth, human endeavour and the game of American football, could easily be something Calvin comes out with on one of his meditative sledge rides.

Calvin and Hobbes, 9 November 1987. Bill Watterson

I think a better comparison than Calvin and Hobbes is with the xkcd web comic. If Jon Bois is not a fan of Randall Munroe’s twice-weekly panels, I’d be astonished. xkcd characters often manifest the same geeky wonder at creation that Ten, Juice and finally Nine profess in 17776.

But there is more: xkcd also regularly experiments with form too: 1446: ‘Landing’ and 1190: ‘Time’ are long form animation; while 1110: ‘Click and Drag’ is a 10 gigapixel image. 1416: ‘Pixels’ plays with the idea of fractals in order to sell us a book.

From the stories, I expected the world to be sad...
The first three panels from xkcd ‘Click and Drag’.

When ‘Click and Drag’ was first published, I wrote:

This is art that is native to the internet, and therefore still relatively rare. While most art we see online (photography, film, creative writing) can actually be viewed in other media (on a wall, in a book, on TV), this piece of art only works online. The clicking-and-dragging is inherent to experiencing of the art.

We can call 17776 ‘native’ internet art too, I think. The combination of text, GIFs and video only really work when read in a browser. I suppose it could be translated into a single YouTube video but that would be an act of adaptation, just as the ‘whole world’ images that xkcd fans have created of comic 1110 are an adaptation (and a spoiler) for the online version.

Projects like 17776 remind us that while the game of football may be old, the Internet is still a very new medium. It’s a delight to live in this moment of innovation, and to watch artists experiment within it.

I regret not being more experimental myself.

Quoted in The Bookseller Condeming a Visa Refusal

The rigid UK visa requirements can prove an impossible hurdle for some artists

An Iranian childrens’ book illustrator Ehsan Abdollahi has been denied a visa to visit the Edinburgh International Book Festival. Publishers have branded the decision “disgusting”.

The Bookseller broke the story and I’m quoted in Heloise Wood’s report, commenting for English PEN. Continue reading “Quoted in The Bookseller Condeming a Visa Refusal”

The Thirteenth Doctor

The Doctor always subverts our assumptions. Now she will do this in new ways.

Jodie Whittaker has been cast as the next star of Doctor Who—the first woman to play the rôle. There has been much discussion about the significance of this: Of the slow but noticeable trend towards more female characters leading major science fiction and fantasy stories; and about the backlash from those men who oppose this trend in general, and the casting of a female Doctor in particular. Continue reading “The Thirteenth Doctor”

I Supported These Two Publishers On Kickstarter And You Should Too

We all spend a lot of time moaning about the inequalities of ‘mainstream’ culture. Often, it is the small independents who counter this trend.

I’ve just made small donations to Kickstarter projects run by two UK-based, independent international publishers.

First: Make Influx Press Bigger and Better.

Influx are responsible for the sui generis creative non-fiction book Imaginary Cities by Darran Anderson, a sweeping take on how architecture affects our minds and how our minds affect architecture. The book is great and (with hindsight) it would have made money for whoever published it. But that was by no means apparrent before publication and it was the Influx team who took the risk. I’m supporting their funding drive so that they can put more literature like that into the world… and of course to get one of their forthcoming publications as a ‘reward’ for my support. Continue reading “I Supported These Two Publishers On Kickstarter And You Should Too”

On Killfies and Campaign Photos

What photo will the media use in the event of your untimely death?

Via @Documentally’s excellent weekly newsletter, here’s a short Observer article by Eva Wiseman on the phenomenon of ‘killfies’. This is where a person’s attempt to take a selfie of themselves gets them killed.

Which led me to think, maybe we’ve been getting our fears wrong all along? What if the way technology destroys humanity is not with an uprising of robots, of toasters turning against their masters, of self-driving cars choosing a road trip less travelled, but with something as simple as a reflection? There is something so unashamedly ancient in these deaths that it almost seems gauche to point it out. The sirens singing on the rock, beckoning sailors towards their comprehensive display of filters. The boys drowning in their own image. The recording of a risk, the risk itself. …

And once you’ve learned about killfies, it’s very hard to unsee them. Every Instagram post suddenly reads a little like a suicide note.

Or, as a candidate for ‘the photo of you the media will use when they report on your untimely death’, the darker side to selfies that I wrote about a few years ago. In bygone eras, these images were usually school photos or wedding day pictures. Now they tend to be self-portaits. Continue reading “On Killfies and Campaign Photos”

Fighting the Fundamentalists: More Books Please

Let’s lob literary ordinance into Iran

In a report about Ayatollah Khameni’s regressive and anti-Semitic views on feminism, this nugget:

Earlier this month, Khamenei issued a speech warning that “cultural attacks by the enemy are more dangerous than military attacks”, hitting out at human rights groups and think tanks.

The speech itself concerns the Iran-Iraq war. Khameni believes that intensive discussion and celebration of the ‘Sacred Defence Era’ will culturally fortify Iranians against the pernicious influence of Iran’s enemies. His definition of ‘culture’ is of course extremely narrow. But there is nevertheless something refreshing about the idea that cultural influence is more important and effective than military force! Continue reading “Fighting the Fundamentalists: More Books Please”