“My nephew Luke has no memory of a white male president” says Melissa Ryan. “Hillary Clinton just made history but for millions of children she won’t be the first woman president. She’ll just be the president.”
This is exactly right, I responded.
I was born right before Margaret Thatcher became the British Prime Minister and she remained so until I was nearly 11 years old. In my head, the word ‘Prime Minister’ was inherently gendered female and whenever, in fiction or historical context, the Prime Minister was referred to with the male pronouns he/him, it felt odd. Continue reading “How Margaret Thatcher Hacked My Brain And Made Me Slightly Less Sexist”
In the local church hall, the Girl Guides have put up a display of strange symbols.
In the local church hall, the Girl Guides have put up a display of strange symbols. A short tour of Google reveals them to be Adinkra Symbols from West Africa – specifically Ghana.
I’ve pasted some images below, but there are more on www.adinkra.org. My favourite is WO NSA DA MU A “If your hands are in the dish”, a symbol of participatory government, democracy and pluralism. Continue reading “Adinkra Symbols”
Solidarity and activism is not the only outcome of this writing—the cultural conversation is being advanced too
During my time working for English PEN I’ve often used the phrase ‘literary campaigning’ to describe our particular style of activism. Its a term that probably seems self evident: we use literature to draw attention to the situation of writers at risk. For example, we might read the writing of an imprisoned poet outside an embassy, or stage a world-wide reading at multiple locations around the world.
Its an approach that has value for several reasons. Not only is it non-violent, but it is also not particularly hostile or antagonistic to those who have imprisoned the writer or who are responsible for their persecution. So it has a diplomatic quality.
It also a fantastic act of solidarity for the embattled writer. Where they have been entirely censored through imprisonment (or even death) it is a way to give them a voice and restore to them some sort of expression. Continue reading “Literary Campaigning at its Best”
To what extent should people explain their culture to outsiders?
JK Rowling periodically releases short pieces of writing on her Pottermore site that build upon the Harry Potter world. She has recently published information on wizarding schools around the world, such as Uagadou in Uganda or Mahoutokoro in Japan. Its a clever way to engage fans from all over the world, bringing a little bit of the magic to those who might not readily see themselves reflected in Ron, Hermione and Harry.
But with her ‘History of Magic in North America‘ JK Rowling appears to have become unstuck. Her attempt to integrate the Native American community into her world building has drawn criticism… not least because she lumps the myriad tribes and Nations together under one ‘Native American community’ catch-all. Continue reading “Harry Potter and the Ethnographic Refusal”
photographs of human rights defenders which are taken and the person knows that this photo might be used at a later point in time to raise awareness, when he or she is in prison or vanished.
A while ago I posted on The Darker Side of Selfies, and the way in which the mainstream media illustrate the news of tragic young deaths with images from the victims’ social media accounts.
Whether it is a car accident, a drug overdose, a gang murder, or a bullying related suicide, the photo editors turn to the victim’s Facebook page or Twitter stream to harvest images. … Used in this new, unintended context, these images strike a discordant note. The carefree narcissism inherent in any selfie jars with the fact of the artist/subject’s untimely death.
The death of Terrie Lynch and Alexandra Binns this week is a good example. Continue reading “Photography Imbued with Sadness”
We should label sporting images NSFW
Here’s a timeline of Facebook censorship of breasts and other anatomical parts.
When I posted this to Facebook just now, I was going to add the abbreviation ‘NSFW’, Not Safe For Work. But that prompts two thoughts. The first is that my work actually involves looking at links and images like those displayed here! I often wonder if I have inadvertently shocked my colleagues who have accidentally wandered past my screen while I was reading some link about porn or violence or racism or something.
Second, its surely a problem that our culture, as reflected in the Facebook image usage policies, deems images such as masectomies, nude drawings, and breastfeeding as “NSFW” regardless of context. Why shouldn’t these images, undeniably in the public interest, be viewed at work?
I reckon we should start labelling images and GIFs from sporting events as ‘NSFW’ because surely that’s the number one content that should not be viewed at work, damging as it is to productivity.
An extremely odd and disconcerting story was reported in the Guardian this week, regarding a National Youth Theatre play that has abruptly cancelled, just two weeks before its opening night. There are fears that ‘Homegrown’ was pulled due to the sensitive subject matter: young people drawn to ISIS.
I spoke to the Huffington Post about the issues raised for English PEN: Continue reading “Quoted in the Huffington Post discussing ‘Homegrown’”
A decade ago, I was pretty down on the whole idea of marriage.
Hooray for five ninths of the Supreme Court of the United States of America! Today the Court ruled that bans on same sex marriage are unconstitutional. Same-sex marriage, which was already legal in many states, is now legal throughout the USA.
Blogger and gay marriage advocate Andrew Sullivan has returned to blogging to welcome the news. He’s been agitating for this since 1989.
Opponents of same sex marriage often claim that it will somehow undermine straight marriage. That’s nonsense. In fact, I think the opposite is true. Here’s why. Continue reading “How Gay Marriage Persuaded Me To Get A Straight Marriage*”
A well-designed flag could be seen as an indicator of how a city considers all of its design systems: its public transit, its parks, its signage.
Flags are symbols, full of historical meaning. Just ask Emily Thornberry.
Following the despicable shootings in Charleston, South Carolina last week, there has been renewed debate over the Confederate Flag, the banner under which the secessionist Southern states fought the American Civil War. Some people claim that the flag is simply a symbol of Southern culture and ‘heritage’— that flying that flag is merely an expression of an independent, libertarian spirit. But that is disingenuous. The Confederate cause was explicitly racist, about fighting for the right to subjugate black people. Ta-Nehisi Coate catalogues the unequivocal words of those men who rallied their fellows to the ideology of white supremacy, and argues “Take Down The Confederate Flag—Now“. The recent discussion has unearthed this article by Christopher Hitches from 2008, where he excorates the former Governor of Arkansas and (at the time) Presidential Candidate Mick Huckabee for lauding those who would fly the Confederate flag. A “straightforward racist appeal” for votes, Hitchens called it.
On a more positive note, watch this wonderful TED Talk, done in the style of a radio show, by Roman Mars (my favourite podcaster). His show, 99% Invisible, is all about design, and the talk is about the importance of flag design.
Roman outlines the principles of good flag design, draws attention to some good city flags, some bad city flags, and some truly terrible city flags. He also explains why we should care.
A well-designed flag could be seen as an indicator of how a city considers all of its design systems: its public transit, its parks, its signage. It might seem frivolous, but it’s not. .. Often when city leaders say, “We have more important things to do than worry about a city flag,” my response is, “If you had a great city flag, you would have a banner for people to rally under to face those more important things.”
To my mind, the final genius of Black Watch lies in the juxtaposition between the coarse language and the stunning physical theatre.
In my essay for the Sunday Herald I made the case for the necessity of the swearing and offensive chatter that makes up much of the dialogue in Black Watch:
They are working class, inarticulate and insecure boys with no prospects other than the army. And when these men speak, they swear. It is integral to their vernacular. To sanitize their words would be to silence them.
Unfortunately the constraints of the page forbade me from elaborating on this point…. but luckily, I have a blog.
The swearing of the enlisted men is also important because of the contrast it presents with the officer class, and the politicians who have sent Scottish soldiers into harm’s way for centuries. The show has a marvellous musical number where Lord Elgin, in full highland dress and regalia, prances around the stage, beckoning the young men to sign-up: “hurrah, hurrah!” He speaks the Queen’s English, and he is as mendacious as they come (“did I mention it would be all over by Christmas” he says as he sends the soldiers off to Flanders in 1914). In this context, the Fifer accents of the soldiers are a necessity. Homogenising the language would be an act of class warfare.
To my mind, the final genius of Black Watch lies in the juxtaposition between the coarse language and the stunning physical theatre. One reason why Steven Hoggett’s choreography is so powerful is because the precise and often tender movements emerge from characters who have been f-ing and c-ing just moments before. The combination jars the audience and is compelling, and it is the rude words that tee-up this possibility.