This multi-layered book is perfect for the 59 productions treatment
This week 59 Productions (the radical design and production company than I had a hand in setting up) announced their latest project. Its an adaptation of Paul Auster’s City of Glass by Duncan Macmillian, the acclaimed writer of People Places Things. The show is directed by my friend Leo Warner and is a co-production with Home and the Lyric Hammersmith.
City of Glass (part of Auster’s New York Triology) is an intriguing post-modern detective story that plays with ideas of reality, identity and imagination. I think its a perfect fit for the kind of art that Warner and the remarkable 59 Productions team create. In a recent interview with the Financial Times, he outlines their approach. Continue reading “59 Productions to produce City of Glass for the stage”
The theology of the cartoon is clearly homophobic. On social media people are calling it disturbing, bigoted, creepy and hateful. But I think the parenting depicted in the video is to be applauded and encouraged, for several reasons.
First published on the Huffington Post. After this was published I received some challenging, passionate and extremely useful discussions about it on Facebook. I will add some more thoughts about the video and my article in a separate post.
The Jehovah’s Witnesses are going viral. Social media users have discovered ‘One Man One Woman‘, a short animation about same-sex marriage.
In the clip, a mother tells her daughter, Sophia, that only straight marriage is in Jehovah’s ‘plan’ and that people should abide by those rules if they want to reach paradise. The sequence ends with the little girl revising bible quotes so she can explain to Carrie, her school-friend with two Moms, the true path to paradise. Continue reading “The Homophobic Jehovah’s Witness Video Teaches Us Lessons in Parenting and Pluralism”
I wonder what Lord Bell thinks of Sony’s decision to cancel screening of ‘The Interview’?
Earlier this year, the Tory peer said that author Hilary Mantel should be investigated by the police after she wrote a short story called (and about) ‘The Assassination of Margaret Thatcher – August 6th 1983’.
It was a silly thing to say but free speech groups like English PEN (for whom I work) cexpressed concern at his words. Artists should be free to imagine and to fantasise, and equating a fictional murder of a head of state with actual incitement is not only fallacious, but gives dictators around the world yet another reason to shut down any kind of expression that portrays them in an impregnable light.
Which brings us on to The Interview, a comedy film in which Seth Rogan and James Franco star as two journalists who set out to assassinate Kim Jong Un. The government of North Korea called the film “an act of war” and threatened “bitter reprisals”. This week, Sony pictures announced that it would be withdrawing the release of The Interview after pro-regime activists calling themselves Guardians of the Peace hacked Sony’s computer systems, leaked embarrassing e-mails, and threatened attacks on cinemas showing the film.
Now, Lord Bell’s suggestion that Mantel receive a visit from the police is not equivalent to North Korean activists threatening violence. But Lord Bell’s idea – that fictionalised assassination of an already dead Maggie Thatcher is incitement, is surely equivalent to the idea that ‘The Interview’ is incitement. Of course, I think both ideas are false… but when a member of the House of Lords peddles the first idea, it rather gives credence to the second. Continue reading “Fictionalised Assassinations”
The government claims it is ‘protecting and developing culture’, but the effect will be to ensure that culture becomes staid, uniform and boring.
Vladimir Putin has this week signed into a law some measures to ban swearing in films, books and music. Films with obscene content will not be granted a distribution certificate and exisiting books and music with foul language will have to be sold in special wrapping.
I spoke to Alison Flood of the Guardian about the new law, and what it says about the state of Russian politics:
Writers’ group English PEN has already condemned the move. Robert Sharp, its head of campaigns, says: “Swear words exist in every language and are part of everyday speech. Russian artists will no longer be able reflect genuine, everyday speech. Instead, they will have to sacrifice authenticity in order to please a committee of censors. This new law sends the signal that law-makers want to sanitise and silence the voice of ordinary Russians.”
In recent years, Sharp adds, we have witnessed Russia’s slow slide into authoritarianism, with impunity for the killers of Anna Politkovskaya, the prosecution of Pussy Riot, and the ban on discussing homosexuality. “These things have all squeezed the space for free speech in Russia. The government claims it is ‘protecting and developing culture’, but the effect will be to ensure that culture becomes staid, uniform and boring.”
Brindelli reminds us that Charlie Chaplin’s work is a challenge to the elites – not only in 1914, when Chaplin first appeared on film, but in the modern era when the establishment is engaged in whitewashing and revising our history.
Remember that anti-war cinefilm footage I posted to YouTube last year? I’m pleased to say that people are beginning to find a use for it. Film-maker Jack Brindelli included the footage in his fascinating video essay, The True Little Tramp. Continue reading “The True Little Tramp”
Something I have always found inspiring is the short acceptance speech made by Steven Soderberg in 2001, when he collected an Oscar for directing Traffic.
What I want to say is, I want to thank anyone who spends part of their day creating. I don’t care if its a book, a film, a painting, a dance, a piece of theatre, a piece of music… anybody who spends part of their day sharing their experience with us, I think this world would be unlivable without art, and I thank you…
Continue reading “Soderberg on Creativity, Movies, and Cinema”
Where are ﬁlm’s ideas coming from? The answer is: the publishing industry.
The release today of The Reluctant Fundamentalist, based on Mohsin Hamed’s brilliant novel, reminded me to post this article I wrote for InPrint, the magazine of the Society of Young Publishers. It was published last month, in the issue timed to co-incide with the London Book Fair.
Who drives our culture? Conventional wisdom says it is Hollywood. After all, it is the ﬁlm industry that produces the most highly paid artistes and the most visible ‘A listers’. Film is a visual medium and it churns out icons at a steady, lucrative rate. The four-hour Oscars telecast is beamed live around the world.
By contrast, the announcement of the Man Booker Prize does not even get its own TV slot in schedules. The announcement is allowed to interrupt the news broadcasts, but the analysis and reactions are made to wait until a scheduled bulletin and it’s never the lead story.
Film claims global relevance, whereas publishing is parochial. Film claims to be popular, whereas publishing is elitist. Continue reading “Is publishing the true cultural engine of our time?”
You will be fascinated by this video from Fifty Nine Productions, detailing their role creating the film and video elements of that show.
Do you remember the London 2012 Olympics opening ceremony? You know, that show directed by Danny Boyle at the start of the sporting fortnight? You do? Well, in that case, you will be fascinated by this video from Fifty Nine Productions, detailing their role creating the film and video elements of that show. Continue reading “Video design for the London 2012 Olympic opening ceremony”
How to explain his multiple faces and extraordinary long career? James Bond’ is just the name that MI6 bestows on whoever is designated 007 at the time.
Although I support the message behind this James Bond Supports International Women’s Day video, I’m not really a fan of the video itself. I don’t really see how having Daniel Craig as James Bond just stand there for a bit, and then return in drag, adequately conveys the inequality between the way men and women are treated in society. Surely having a woman (say, Naomie Harris) perform Bond’s lines, while Daniel Craig delivers the Miss Moneypenny lines, would better convey how men and women are treated differently in all walks of life?
Could there ever be a female James Bond? This may seem like a silly question: That James Bond is a man (a womanising man, no less) seems to be a ‘defining feature’. Continue reading “James Bond is just a code name”
Video game business models prevent a deep and meaningful video-game culture from developing in a way that will be sustainable over the generations.
Listening to the Overthinkers over-think video game culture (last week) and films (this week), I have begun to worry that video games will never be ‘culture’. More generously, I am concerned that video games will never attain the same cultural currency as other art forms.
This is because people do not absorb the culturally significant video games of the past, as they do with significant literature, film, and music. Continue reading “Why video games will never be 'culture'”