One of the most pernicious, lazy and irritating arguments for mass surveillance is “if you have nothing to hide you have nothing to fear”. I’ve dealt with cursory responses to this before: “Why do you have curtains, then?” is the best short response, in my opinion.
But behind the glib cliche is a more subtle argument. Politicians, in arguing for surveillance, seek to reassure us that the powers they seek (and have recently awarded themselves) would never be used against ‘ordinary’ people. They hope that we have forgotten Paster Neimoller’s ‘And Then They Came For Me’ poem… or that we assume it does not apply to us. They want us to believe that their power of surveillance is so they can keep an eye on other people. In this manner, the public consent to more powers, and barely notice when the security services abuse these powers to attack the free press.
Here are two sophisticated arguments against even responsible governments having mass surveillance powers. First, the philosopher Quentin Skinner, in conversation with journalist Richard Marshall. I quote at length without apology: Continue reading →
Both readers of my blog were subjected to a significant amount of London Book Fair comment and linkage last month. I was asked to give opinions on the controversial China Market Focus programme.
During the Book Fair I gave an interview to an Australian radio station, 2ser 107.3, based in Sydney. I’ve only just discovered the link to the archive of the interview – My contribution is the first segment of the show. Hilariously, I was credited as John Sharp!
This week English PEN has been at the London Book Fair. China was the ‘Market Focus’ country and as such, there were a lot of Chinese state-run stands at the fair.
I joined with activists from the Tibet Society and the Independent Chinese PEN Centre to stage a poetry protest in front of the Chinese Government stands. The poetry we recited earned their authors a ten year prison sentence.
Later, GAPP officials used a load of pull-up conference banner stands to block the protest from view. “The Great Pull-Up Banner Wall of China”. Not a good look, in a trade fair designed to promote openness.
I was also reprimanded by the security guards for holding up a sign saying ‘Free Speech is not a crime’ on carpet owned (or at least, paid for) by the Chinese government.
When I do a post for Comment is Free, I like to do a round-up here of pertinent and impertinent comments that appear below it.
My piece on Gunter Grass pulled in 298 comments, which is a record for me, but sadly nothing to do with my prose. They are the predictable result of writing anything about Israel – partisans of both sides come out in force.
The equivalence drawn here with the Habima theatre situation is entirely spurious.
The Habima theatre has performed to illegal colonists in the West Bank. Those colonies are maintained through a system of brutal repression (including the denial of many democratic rights, such as free expression) of the indigenous population.
Individuals and institutions are 100% entitled, as a matter of conscience, to choose not to work with Habima for that reason, and to encourage others to take a similar position. There is no question of censorship. To decline to associate with someone on moral grounds is a democratic choice.
No one has suggested that Jews or Hebrew speakers should be excluded blanket-fashion. The insinuation that this is what the proposed cancellation of Habima amounts to is an outrageous slur. Would anyone object to a performance by a Hebrew speaking theatre group made up of people who had never and would never perform in the illegal colonies? Everyone knows the answer to that. Everyone knows that those calling for Habima to be cancelled would welcome such an alternative performance with absolute delight.
So there is no comparison here to the Grass case, where a state (the one which criminally maintains the colonies mentioned above) has declared an individual persona non grata because he has expressed an opinion that the state disapproves of. That is dictionary-definition undemocratic behaviour.
I think that’s true, and my piece should have taken more care not to draw direct equivalence. I was merely trying to make the point that it should be left to individuals as to whether to engage with any piece of art. User silverchain took issue with Wearing, pointing out that plenty of other languages in the Shakespeare festival are represented by countries such as China and Turkey who also abuse human rights.