Incredibly, I've changed my twitter avatar, ahead of my novella launch: http://t.co/UVCyG2huX0
— robertsharp59 (@robertsharp59) January 17, 2015
Well, well, this is very exciting: The Bookseller is reporting that Jurassic London have an exclusivity arrangement with the Best Little Bookshop.
The two Jurassic London titles are The Good Shabti by Robert Sharp, a thriller that spans thousands of years, and The Reef by Mark Charan Newton, originally published in 2008 by Pendragon Press and described as “a tale of weird pulp adventure”.
The Good Shabti will be available as an exclusive limited, numbered edition with cover art by Jeffrey Alan Love, and a portion of all proceeds will be donated to the Egypt Exploration Society.
Are you interested in learning more about this project? I have recently established an announcement list so I can go stright to people’s inboxes with news about my writing. Sign up below! You may also wish/prefer to sign up for Jarassic London mailings, too.
To tie in with the announcement about The Good Shabti, my story (0,0) has been published on the Hugo-nominated Pornokitsch website, in their weekly fiction slot. The story, you may recall, was originally published in the Crossroads anthology.
The story begins
Hi there, friend. Is this seat taken?
Click over to the Pornokitsch website to read the entire thing.
Exciting news: Jurassic London have just announced the forthcoming publication of my novella, The Good Shabti. Here’s the beuatiful and incredibly scary cover art by award winning artist Jeffrey Alan Love.
The Good Shabti is a story that spans thousands of years. In the twilight days of Pharoah Mentuhotep, a slave stumbles into the path of imperial ambitions. And in contemporary times, a brilliant scientist and her ruthless companions come close to achieving the impossible: the revivification of an ancient mummy. The two stories weave together in a tale that combines science and myth, anticipation and horror…
I will almost certainly post some commentary and little nuggets of extra information about Pharaoh Mentuhotep IV or the writing process or something, between now and the launch in September. You know, to create a buzz…
Those who have been really paying attention will recall that Jurassic London published a short story by me a little while ago. if you wanted to read that story for free, well, if you subscribed to the Pornokitsch Weekly Fiction mailing list, then maybe , just maybe, something to your advantage will materialise in your inbox tomorrow morning.
My friend and colleague Mazin Saleem tagged me in the Writing Process Blog Tour, a sort of literary Ponzi Scheme where writers answer a few simple questions about their creative process.
Mazin’s post from last week is on his fine Tumblr, and you can click back from that page to see earlier stops on the tour. Its growing into a fascinating collection: Read Katriona Lewis who tagged Mazin, or Ross Hopkins, nominated by Mazin alongside yours truly.
What am I working on?
Nothing. Zilch. Nada.
That might not be literally true. I do have a couple of saved Word documents taunting me in in ‘Writing’ folder: murder mysteries, the pair. Both were good ideas when I began to write them. But both are now rapidly curdling, I fear.
This fact yields an unexpected insight that fits perfectly into a ‘writing process’ post—I work most effectively when there is a deadline looming. I suspect that is true of a lot of writers but I worry that it is symptomatic of a lack of discipline or maybe my immaturity as a writer. I also worry that the only way I would ever get an entire novel written is if someone commissioned me (unlikely, for a first time novel) or I did NaNoWriMo.
I really wish I was one of those writers (like Ross) who have characters bouncing around inside them, demanding to be written. Such authors seem to be able to just blurt out a novel. I find them infuriating! They are also a challenge to my own literary pretentions—If I do not always have a character or a plot or an idea tormenting my waking hours, am I really a writer?
I am delighted to announce that Crossroads has today been published, and is available to purchase for the Kindle in the Amazon store.
Crossroads, you will recall, is a short anthology of new short stories, including a contribution from myself, entitled ‘(0,0)’. The plot involves a chance encounter, a missed opportunity, and some maths.
The other stories are ‘Prignitz Was An Innocent’ by Christian Fox, a dark, dark retelling of the Pied Piper færy tale; ‘Georgia’ by Jenni Hill, about a demon having a frustrating time at work (which made me smile); and ‘The Golds’ by Ian Whates, a tight fable about music and sacrifice. The noir cover illustration of Robert Johnson is by Vincent Sammy. ‘Tis an impressive group and I’m proud to make my literary debut on those (electronic) pages.
The publishers are Jurassic London, who are making a habit of publishing fantastic collections of genre fiction. Their recent Stories of the Smoke collection was timed to co-incide with the Dickens bicentenary and included a royalty donation to English PEN (which is how I came to meet them). Crossroads is actually a companion volume to the limited edition Lost Souls, a collection of ‘lost’ stories from writers such as Arthur Conan Doyle, Benjamin Disraeli, John Galsworthy and Amelia Edwards.