Tag Archives: Jurassic London

Photo by ElBidule on Flickr

(0,0) featured on Pornokitsch Weekly Fiction

To tie in with the announcement about The Good Shabti, my story (0,0) has been published on the Hugo-nominated Pornokitsch website, in their weekly fiction slot.  The story, you may recall, was originally published in the Crossroads anthology.

The story begins

Hi there, friend. Is this seat taken?

Click over to the Pornokitsch website to read the entire thing.

Announcing… The Good Shabti

Exciting news: Jurassic London have just announced the forthcoming publication of my novella, The Good Shabti. Here’s the beuatiful and incredibly scary cover art by award winning artist Jeffrey Alan Love.

shabti-frontFrom the publisher’s description:

The Good Shabti is a story that spans thousands of years. In the twilight days of Pharoah Mentuhotep, a slave stumbles into the path of imperial ambitions. And in contemporary times, a brilliant scientist and her ruthless companions come close to achieving the impossible: the revivification of an ancient mummy. The two stories weave together in a tale that combines science and myth, anticipation and horror…

I will almost certainly post some commentary and little nuggets of extra information about Pharaoh Mentuhotep IV or the writing process or something, between now and the launch in September.  You know, to create a buzz…

Those who have been really paying attention will recall that Jurassic London published a short story by me a little while ago.  if you wanted to read that story for free, well, if you subscribed to the Pornokitsch Weekly Fiction mailing list, then maybe , just maybe, something to your advantage will materialise in your inbox tomorrow morning.

Writing Process Blog Tour

My friend and colleague Mazin Saleem tagged me in the Writing Process Blog Tour, a sort of literary Ponzi Scheme where writers answer a few simple questions about their creative process.

Mazin’s post from last week is on his fine Tumblr, and you can click back from that page to see earlier stops on the tour. Its growing into a fascinating collection: Read Katriona Lewis who tagged Mazin, or Ross Hopkins, nominated by Mazin alongside yours truly.

What am I working on?

Nothing. Zilch. Nada.

That might not be literally true. I do have a couple of saved Word documents taunting me in in ‘Writing’ folder: murder mysteries, the pair. Both were good ideas when I began to write them. But both are now rapidly curdling, I fear.

This fact yields an unexpected insight that fits perfectly into a ‘writing process’ post—I work most effectively when there is a deadline looming. I suspect that is true of a lot of writers but I worry that it is symptomatic of a lack of discipline or maybe my immaturity as a writer. I also worry that the only way I would ever get an entire novel written is if someone commissioned me (unlikely, for a first time novel) or I did NaNoWriMo.

I really wish I was one of those writers (like Ross) who have characters bouncing around inside them, demanding to be written. Such authors seem to be able to just blurt out a novel. I find them infuriating! They are also a challenge to my own literary pretentions—If I do not always have a character or a plot or an idea tormenting my waking hours, am I really a writer?

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'Crossroads' Published! Buy Now for the Kindle


I am delighted to announce that Crossroads has today been published, and is available to purchase for the Kindle in the Amazon store.

Crossroads, you will recall, is a short anthology of new short stories, including a contribution from myself, entitled ‘(0,0)’. The plot involves a chance encounter, a missed opportunity, and some maths.

The other stories are ‘Prignitz Was An Innocent’ by Christian Fox, a dark, dark retelling of the Pied Piper færy tale; ‘Georgia’ by Jenni Hill, about a demon having a frustrating time at work (which made me smile); and ‘The Golds’ by Ian Whates, a tight fable about music and sacrifice. The noir cover illustration of Robert Johnson is by Vincent Sammy. ‘Tis an impressive group and I’m proud to make my literary debut on those (electronic) pages.

The publishers are Jurassic London, who are making a habit of publishing fantastic collections of genre fiction. Their recent Stories of the Smoke collection was timed to co-incide with the Dickens bicentenary and included a royalty donation to English PEN (which is how I came to meet them). Crossroads is actually a companion volume to the limited edition Lost Souls, a collection of ‘lost’ stories from writers such as Arthur Conan Doyle, Benjamin Disraeli, John Galsworthy and Amelia Edwards.

Buy Buy Buy! And/or: Come to the launch event tonight.

Crossroads cover
Crossroads (cover) by Vincent Sammy