My bit begins at around 16 minutes into the show, but that really shouldn’t stop you listening to Ed and his co-hosts Ninfa Hayes and A.L. Johnson chatting about tea and reviewing a whole lot of genre literature.
My friend and colleague Mazin Saleem tagged me in the Writing Process Blog Tour, a sort of literary Ponzi Scheme where writers answer a few simple questions about their creative process.
Mazin’s post from last week is on his fine Tumblr, and you can click back from that page to see earlier stops on the tour. Its growing into a fascinating collection: Read Katriona Lewis who tagged Mazin, or Ross Hopkins, nominated by Mazin alongside yours truly.
What am I working on?
Nothing. Zilch. Nada.
That might not be literally true. I do have a couple of saved Word documents taunting me in in ‘Writing’ folder: murder mysteries, the pair. Both were good ideas when I began to write them. But both are now rapidly curdling, I fear.
This fact yields an unexpected insight that fits perfectly into a ‘writing process’ post—I work most effectively when there is a deadline looming. I suspect that is true of a lot of writers but I worry that it is symptomatic of a lack of discipline or maybe my immaturity as a writer. I also worry that the only way I would ever get an entire novel written is if someone commissioned me (unlikely, for a first time novel) or I did NaNoWriMo.
I really wish I was one of those writers (like Ross) who have characters bouncing around inside them, demanding to be written. Such authors seem to be able to just blurt out a novel. I find them infuriating! They are also a challenge to my own literary pretentions—If I do not always have a character or a plot or an idea tormenting my waking hours, am I really a writer?
Vladimir Putin has this week signed into a law some measures to ban swearing in films, books and music. Films with obscene content will not be granted a distribution certificate and exisiting books and music with foul language will have to be sold in special wrapping.
I spoke to Alison Flood of the Guardian about the new law, and what it says about the state of Russian politics:
Writers’ group English PEN has already condemned the move. Robert Sharp, its head of campaigns, says: “Swear words exist in every language and are part of everyday speech. Russian artists will no longer be able reflect genuine, everyday speech. Instead, they will have to sacrifice authenticity in order to please a committee of censors. This new law sends the signal that law-makers want to sanitise and silence the voice of ordinary Russians.”
In recent years, Sharp adds, we have witnessed Russia’s slow slide into authoritarianism, with impunity for the killers of Anna Politkovskaya, the prosecution of Pussy Riot, and the ban on discussing homosexuality. “These things have all squeezed the space for free speech in Russia. The government claims it is ‘protecting and developing culture’, but the effect will be to ensure that culture becomes staid, uniform and boring.”
Today I was interviewed by Pete Woods for Good Cause TV. We discussed English PEN’s campaign to reverse the Ministry of Justice’s ridiculous restrictions on sending books into prisons. We discussed the ‘Catch-22′ aspects to the policy, and the idea that literature should be a human right.
Last week The Bookseller reported on a furore in the world of e-Book publishing. Erotic self-published novels appeared next to children’s literature in the WH Smith online store, which is powered by Kobo.
This looks to me like a technical mistake, but the occurence provoked outrage. The store was taken offline for a while and many books were removed from sale. I spoke to The Bookseller about the controversy: Continue reading
The headteacher at the Harris Academy in London has banned the pupils from using slang. This is not a new thing: Earlier this year, a school in Sheffield did the same thing, the Manchester Academy in Moss Side introduced a similar policy in 2008… and its exam results increased the following year.
What I want to say is, I want to thank anyone who spends part of their day creating. I don’t care if its a book, a film, a painting, a dance, a piece of theatre, a piece of music… anybody who spends part of their day sharing their experience with us, I think this world would be unlivable without art, and I thank you…
A battered side street in the old part of Buenos Aires. The tarmac seems pockmarked. Parts of the curb are missing, and the serrated edge of the paving slabs are exposed, like the diseased gums of an old Gaucho.
A modest cafe. It seems rooted to the sidewalk, like the weeds. Other shops have long since shuttered, and their proprietors have escaped to the suburbs. But this establishment persists.
I scrape back one of the metal chairs.
“Un cafe, por favor?” The young waiter rolls his eyes. Is he annoyed that I have not ordered more, or is he casting judgement on my formal, European Spanish? Whatever: He clearly understands, and he slopes inside.
To my left, a croak. “English?”
I turn my head. A man sits alone, his mouth drawn down on one side. A stroke, perhaps?
“Yes,” I reply. “London.”
“Where else!” he replies. And now a smile. So no, not a stroke, just a crooked face. But he does not look straight at me. He cannot see very well. Continue reading
As is my wont, I made a book to illustrate this. Physical objects are useful props in debates like this: immediately illustrative, and useful to hang an argument and peoples’ attention on.
James Bridle is probably best known as the artist who first articulated ‘The New Aesthetic‘, but he has run many projects on books and technology. His project ‘The Iraq War‘ is a favourite of mine – the entire Wikipedia Edit History of the ‘Iraq War’ article, from 2005-2009, which stretches to twelve volumes. He’s also the creator of a Book of Tweets.
James’ projects are the inspiration of one of my own – The Defamation Act 2013: Complete & Unabridged. It collects together, in chronological order, every single parliamentary document published during the passage of the recent reform of our libel law. These include the various versions of the Bill (which I have previously published in a spliced together version, ‘Tracked Changes in the Defamation Bill‘), the parliamentary Hansard transcripts of the debates; and the amendment papers. Continue reading
The release today of The Reluctant Fundamentalist, based on Mohsin Hamed’s brilliant novel, reminded me to post this article I wrote for InPrint, the magazine of the Society of Young Publishers. It was published last month, in the issue timed to co-incide with the London Book Fair.
Who drives our culture? Conventional wisdom says it is Hollywood. After all, it is the ﬁlm industry that produces the most highly paid artistes and the most visible ‘A listers’. Film is a visual medium and it churns out icons at a steady, lucrative rate. The four-hour Oscars telecast is beamed live around the world.
By contrast, the announcement of the Man Booker Prize does not even get its own TV slot in schedules. The announcement is allowed to interrupt the news broadcasts, but the analysis and reactions are made to wait until a scheduled bulletin and it’s never the lead story.
Film claims global relevance, whereas publishing is parochial. Film claims to be popular, whereas publishing is elitist. Continue reading