Is publishing the true cultural engine of our time?

The release today of The Reluctant Fundamentalist, based on Mohsin Hamed’s brilliant novel, reminded me to post this article I wrote for InPrint, the magazine of the Society of Young Publishers.  It was published last month, in the issue timed to co-incide with the London Book Fair.


Who drives our culture? Conventional wisdom says it is Hollywood. After all, it is the film industry that produces the most highly paid artistes and the most visible ‘A listers’. Film is a visual medium and it churns out icons at a steady, lucrative rate. The four-hour Oscars telecast is beamed live around the world.

By contrast, the announcement of the Man Booker Prize does not even get its own TV slot in schedules. The announcement is allowed to interrupt the news broadcasts, but the analysis and reactions are made to wait until a scheduled bulletin and it’s never the lead story.

Film claims global relevance, whereas publishing is parochial. Film claims to be popular, whereas publishing is elitist. Continue reading

Tap Essays: Native Internet Art

I enjoyed this short essay promoting Lauren Leto’s book. It’s honest and (I assume) true to the book it seeks to promote.

It’s also presented in an interesting manner, native to the digital world. I wonder if would be as engaging if it were on a couple of pages (either printed or HTML). Probably not.

This type of presentation is not new. Last year Robin Sloane created a ‘tap essay’ called Fish that was published as an iPhone app. Like Leto’s essay, there is no back button, which (according to this Wired review by David Dobbs) provokes the reader to read more closely.

I would say this is another type of native Internet art… although the tap essay format is analogous to picture books that have few words to a page, or stylised essays like Marshall Mcluhan’s The Medium is the Massage. Continue reading

Why video games will never be ‘culture’

Listening to the Overthinkers over-think video game culture (last week) and films (this week), I have begun to worry that video games will never be ‘culture’. More generously, I am concerned that video games will never attain the same cultural currency as other art forms.

This is because people do not absorb the culturally significant video games of the past, as they do with significant literature, film, and music. Continue reading

Synecdoche, New York and Directing our own lives

I watched Charlie Kaufmann’s Synecdoche, New York the other day. It is at times compelling, hilarious, and mysterious.

The story follows a theatre director, played by Philip Seymour Hoffman. Awarded a grant to produce a expansive artwork, he recreates scenes from his own life inside a huge warehouse. But of course, after a while, his own life revolves around producing the theatre piece… So that gets recreated inside the warehouse too. He has to recruit an actor to play himself, and eventually an actor to play the actor that plays himself! Likewise with the other important people in his life and the production. The play becomes more and more recursive, in the manner of Borges’ The Circular Ruins (a dream within a dream).

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The anti-solipsism of the London Underground

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I have only just got around to reading John Lanchester’s delightful meditation on the London Underground. I missed it when it was published in the newspaper, but enough people shared it on social media that Twitter saw fit to e-mail it to me as a recommended story.

The essay deals with the rich topic of how we manage to be ‘alone’ in public places. Lanchester describes of the masques we wear and the techniques we use to create mental space to dwell within even though our physical personal space is invaded by other people at rush-hour.

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The Kitschies and Progressive Fiction

Nick Harkaway with his Red Tentacle. Photo by Sarah McIntyre

Nick Harkaway with his Red Tentacle. Photo by Sarah McIntyre

This week I was at The Kitschies, a set of awards for “progressive, intelligent and entertaining genre literature.”  Its creators, Jared and Anne of the Pornokitsch website and Pandaemonium Fiction (my publishers, no less) rightly eschew the word ‘best’ when giving the awards.  ‘Best’ is a devalued term in when it comes to awards, as implies an objectivity that a judging panel cannot possibly hope to achieve.

I compiled a Storify summary of the event, pulling photos and comments from social media.

The winner of the Red Tentacle award for a novel was Nick Harkaway for his book Angelmaker.  On his blog, Nick has posted a long article on what he thinks ‘progressive’ might mean in terms of fiction in general, and sci-fi/fantasy genre literature in particular. He says that such progressive fiction “It is a fiction which connects the inner human future with everything it must have around it, and recognises that the two develop together.”

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On Borrowing and Buying e-Books

More on the trend towards the digitisation of books and what that means for culture, politics and society… this time, from George Orwell.

Given a good pitch and the right amount of capital, any educated person ought to be able to make a small secure living out of a bookshop…. Also it is a humane trade which is not capable of being vulgarized beyond a certain point. The combines can never squeeze the small independent bookseller out of existence as they have squeezed the grocer and the milkman.

Orwell did not forsee the rise of the Amazon behemoth!  Nevertheless, his 1936 essay ‘Bookshop Memories’ is still relevant today (indeed, one might argue that Orwell’s nack for remaining relevant is the source of his greatness).  Our current appeals to tactility-as-a-virtue are there, alongside concerns that the public generally has a taste for low-brow thriillers and romances, rather than classics from the canon.

Elsewhere, he mentions the fact that bookshops were also lending libraries.  In this, I wonder if there is a parallel with Amazon?  Since the early days of the Kindle, we have known that books one ‘buys’ for the machine are actually just licenced.  Three years ago, Amazon remotely deleted all copies of Nineteen Eighty-Four from Kindle devices, a manoever that was at once horrifying and hilarious.  Last month, a Norwegian woman was declared a persona non grata by the company, and all her purchases were deleted from her device without warning. Continue reading

Two e-Books

Last week, I published two e-Books for English PEN.

The first is Catechism: Poems for Pussy Riot, edited by Mark Burnhope, Sarah Crewe and Sophie Mayer. This is a fantastic piece of literary campaigning for three prisoners of conscience. The government of Vladimir Putin, in collaboration with the Russian Orthodox church, have sought to censor the satire and criticism directed at them by the punk art collective Pussy Riot, by convicting three of them on a charge of ‘hooliganism’.

There is little English PEN or I can do to help with the legal battle. But what we can do is ensure that the feminist poetry and the dissident message is not suppressed. Catechism amplifies what Putin sought to silence.

Download the eBook or buy a printed copy now! You can even make a donation if you feel so inclined.

The other project is PEN Atlas: 10 Literary Dispatches from Around the World. It has been published to coincide with the international translation day conference taking place today in London. It is a re-packaging off some of the best content from our PEN Atlas online project.

Download the e-book now!

In creating these publications, I applied some of the lessons learned during the course of my Insignificant Woman project. I also advanced my knowledge a bit too.

I had been using the EPUB conversion cool within Lulu.com to create my e-book files. This tool is simple and easy to use (you just upload a Word Document) but is somewhat limited. For example, when you want to place two headings adjacent to each other in the text, it creates unnecessary page breaks. However, by good fortune I happened across the Sigil tool on the Google Project Hosting repository. It is not an entry-level program, but it is perfect for someone like me, who has basic knowledge of HTML and CSS. I used it to tweak an existing EPUB file for Catechism, but then used Sigil to create the PEN Atlas file entirely from scratch. Later, I used Calibre to convert and EPUB file into a Kindle ready eBook.

Do Blogs Harm Literature?

“Books bloggers are harming literature” says Peter Stothard.  He is Chair of the Booker Prize, and editor of the Times Literary Supplement.  I am reminded of the comments of Helen Mirren and Andrew Marr, who have both previously complained about how the Internet is sending culture to the dogs.

From my vantage point, working on the edge of the literary sector, I don’t think Stothard’s analysis is true.  There is indeed a mass of blogged criticism online, just as there is a large amount of self-published literature.  However, authors and publishers of every size still seek reviews and approval from the prestigious literary journals like the London Review of Books and Stothard’s TLS.  An approving quote from a broadsheet critic will find its way onto the cover of the book; a similarly gushing endorsement from an individual blogger will not.  An essay in the established press will provoke a conversation and a public debate.  An piece of writing that is similarly erudite, but published on someone’s personal website will not have the same reach, nor puncture the public consciousness, in the same manner.  This is simply a question of reach and brand.

Of course, a few blogs transcend their medium and become credible sources for literary criticism:  Dovegreyreader springs to mind.  But this rise to credibility and influence is as a result of the quality of the literary criticism.  That is a good thing for literature – The poacher always turns gamekeeper, so-to-speak.  Contrast this to newspapers or some literary magazines, kept afloat as a loss-leader by rich patrons or media groups.  In such cases, their influence has effectively been bought, and their critics are more susceptible to the influence of the market and the quest for commerical readability.  It is this segment of the literary criticism ecosystem that should concern Mr Stothard.

In fact, in the niche of genre-literature, it is the bloggers who catalyse the art-form.  For example, the Pornokitsch website that puts out much more quality literary criticism than the Guardian, which can only muster a single monthly round-up of the latest sci-fi.  Who is doing more for that kind of literature?

Perhaps Stothard is actually conflating bloggers with the reviewers on Amazon and elsewhere, who often write batshit crazy reviews, giving five stars or one star, without having read the book.  This is indeed a problem, as it ruins the Amazon product review system.  However, I doubt that the few people who find such comments credible have much in common with those who read the TLS or the LRB.  More to the point, I can’t believe that the product reviews on e-commerce sites have provoked a single authors into changing the way they write, or what they choose to write about.

 

‘Crossroads’ Published! Buy Now for the Kindle


I am delighted to announce that Crossroads has today been published, and is available to purchase for the Kindle in the Amazon store.

Crossroads, you will recall, is a short anthology of new short stories, including a contribution from myself, entitled ‘(0,0)’. The plot involves a chance encounter, a missed opportunity, and some maths.

The other stories are ‘Prignitz Was An Innocent’ by Christian Fox, a dark, dark retelling of the Pied Piper færy tale; ‘Georgia’ by Jenni Hill, about a demon having a frustrating time at work (which made me smile); and ‘The Golds’ by Ian Whates, a tight fable about music and sacrifice. The noir cover illustration of Robert Johnson is by Vincent Sammy. ‘Tis an impressive group and I’m proud to make my literary debut on those (electronic) pages.

The publishers are Jurassic London, who are making a habit of publishing fantastic collections of genre fiction. Their recent Stories of the Smoke collection was timed to co-incide with the Dickens bicentenary and included a royalty donation to English PEN (which is how I came to meet them). Crossroads is actually a companion volume to the limited edition Lost Souls, a collection of ‘lost’ stories from writers such as Arthur Conan Doyle, Benjamin Disraeli, John Galsworthy and Amelia Edwards.

Buy Buy Buy! And/or: Come to the launch event tonight.

Crossroads cover

Crossroads (cover) by Vincent Sammy