Tag Archives: publishing

We Need To Talk launched for The Eve Appeal


b0328d09-393b-4fe7-a646-36c6ecb8cf2bI’m delighted to have a story featured in the anthology We Need to Talk, launched yesterday.  The publisher is Jurassic London—here’s the blurb from their website:

All of us, at some point, are involved in difficult conversations. Whether that’s tough talks with clients or bosses, or break-ups, or coming out, or telling someone you love them, or giving advice to that friend who just doesn’t want to hear it. Some conversations are even more difficult, as sufferers of any potentially serious illness will know.

But one thing’s for sure, these conversations are fascinating. So much so that we’ve teamed up with Kindred and The Eve Appeal, to launch a writing competition on the theme of difficult conversations.

My story is called ‘Frozen Out’, an awkward conversation between a husband and wife.  Its inclusion in the anthology is all the sweeter because the other eighteen stories are uniformly excellent. Continue reading We Need To Talk launched for The Eve Appeal


The No More Page 3 Campaign is a Victory for Free Speech But Not For Feminism

At first blush, the success of the No More Page 3 campaign does not look like a victory for free speech. After all, a thing that was being published, is no longer being published. The prudish censors have prevailed, right?

Look again. No law has been invoked to stop Rupert Murdoch from printing nipples on Page 3 (or, for that matter, Page 4 or 5). MPs did not vote on a new Bill. No lawyers have filed a complaint, no judge has granted an injunction. The law is not involved. Freedom of speech means a choice over whether to publish, and Mr Murdoch has chosen not to publish pictures of topless women any more. Continue reading The No More Page 3 Campaign is a Victory for Free Speech But Not For Feminism

Announcing… The Good Shabti

Exciting news: Jurassic London have just announced the forthcoming publication of my novella, The Good Shabti. Here’s the beuatiful and incredibly scary cover art by award winning artist Jeffrey Alan Love.

shabti-frontFrom the publisher’s description:

The Good Shabti is a story that spans thousands of years. In the twilight days of Pharoah Mentuhotep, a slave stumbles into the path of imperial ambitions. And in contemporary times, a brilliant scientist and her ruthless companions come close to achieving the impossible: the revivification of an ancient mummy. The two stories weave together in a tale that combines science and myth, anticipation and horror…

I will almost certainly post some commentary and little nuggets of extra information about Pharaoh Mentuhotep IV or the writing process or something, between now and the launch in September.  You know, to create a buzz…

Those who have been really paying attention will recall that Jurassic London published a short story by me a little while ago.  if you wanted to read that story for free, well, if you subscribed to the Pornokitsch Weekly Fiction mailing list, then maybe , just maybe, something to your advantage will materialise in your inbox tomorrow morning.


Jail Verse: Poems from Kondengui Prison

The latest act of literary campaigning from English PEN is to publish Jail Verse: Poems from Kondengui Prison by Enoh Meyomesse.

Enoh has been an opposition activist in Cameroon for decades. In 2012 he stood in the presidential elections against authoritarian strong-man Paul Biya. Soon after he was arrested for apparently trying to organise a coup. The authorities later dropped that accusation, and instead manufactured trumped up charges of robbery.  There were no witnesses to this alleged crime, yet he was convicted anyway.  PEN International consider the conviction and imprisonment to be a violation of Enoh Meyomesse’s right to freedom of expression.

While in prison, Enoh was able to write and publish Poème Carcéral, a collection of poetry.  We at PEN put a call out to our members for volunteer translators, and managed to get the book translated into English.  This month I designed a cover graphic, and published the book as a print-on-demand paperback, available from Lulu.com.  E-book versions (both ePub and Kindle) are also available for download.

I am particularly pleased that we were able to publish the book under a creative commons licence.  Enoh Meyomesse is in prison and this publication is intended to give him a voice once more.  The creative commons licence encourages further translation, remixing and performance of the poems, amplifying what once was censored.


Tweets from Tahrir

I am surprised I missed this as the time: Tweets from Tahrir. Its a compilation of tweets from Tahrir Square during the Arab Spring uprisings, edited by Nadia Idle and Alex Nunns.  During the protests I suggested that the protestors in ‘the world’s biggest think-tank’ publish their hopes for the future of Egypt and that new technologies could help them do it very quickly.  Idle and Nunns appear to have got this precise project published within a month.

This book obviously owes something to James Bridle’s TweetBook.  It is also a companion to books like We Are Iran and Diaries of an Unfinished Revolution, two collections drawn from blogs and activists, and supported by English PEN’s Writers in Translation programme.


Is publishing the true cultural engine of our time?

The release today of The Reluctant Fundamentalist, based on Mohsin Hamed’s brilliant novel, reminded me to post this article I wrote for InPrint, the magazine of the Society of Young Publishers.  It was published last month, in the issue timed to co-incide with the London Book Fair.

Who drives our culture? Conventional wisdom says it is Hollywood. After all, it is the film industry that produces the most highly paid artistes and the most visible ‘A listers’. Film is a visual medium and it churns out icons at a steady, lucrative rate. The four-hour Oscars telecast is beamed live around the world.

By contrast, the announcement of the Man Booker Prize does not even get its own TV slot in schedules. The announcement is allowed to interrupt the news broadcasts, but the analysis and reactions are made to wait until a scheduled bulletin and it’s never the lead story.

Film claims global relevance, whereas publishing is parochial. Film claims to be popular, whereas publishing is elitist. Continue reading Is publishing the true cultural engine of our time?

To ‘publish’ means giving up control

I had not read the term ‘fauxtroversy’ before now, but I think Dorian Lynskey uses it perfectly in his New Statesman article about the Kent Youth Commissioner Paris Brown. 17 year-old Paris has been forced to resign from her appointment, following ‘exposure’ of inappropriate tweets… Some written years ago. The views expressed would be surprising coming from the feed of, ooh, let us say, a thirty-something blogger and campaigner for PEN. But not from a young teenager. Outbursts, inarticulacy, immature, ill-thought-out and prejudiced views are as much a part of adolescence as spots, puberty, resentment of your parents, and fancying inappropriate, unattainable people.

The great thing about voicing ridiculous and ill-considered political views, is that people challenge them. There is nothing like being scrutinised on a stupid, unsophisticated political position to realise that life and politics are nuanced and complex.

Continue reading To ‘publish’ means giving up control


Huckleberry Finn and Politically Correct Revisionism

The great thing about having an all-purpose blog is that you can write about things that are not in the news, and have no relation to current affairs. In this case, I thought I would post something I should have written a few weeks ago.

On the 14 of January, I was delighted to speak at the AGM of the Society of Young Publishers. The theme was banned books, and censorship. One of the questions was regarding Mark Twain’s book Huckleberry Finn. Apparently an academic in the USA named Alan Gribben decided to re-publish the book, replacing the word ‘Nigger’ throughout. What did I think of this?

This is quite possibly the perfect question for this blog, focusing as I do with questions of free expression and political correctness, and also how digital technologies affect publishing. How to reconcile the rights of people to publish what they want, with the uncomfortable Orwellian overtones that happens when you replace one word for another in a text? How to reconcile the bullying and harm that the dreaded ‘N-word’ can cause, with the historical context?

Continue reading Huckleberry Finn and Politically Correct Revisionism

Get Yourself A Cheap #Leveson Report

Leveson Report
Leveson Report, printed via Lulu.com. The pretty spectrum of blue hues is an intentional difference from the official version.

The Leveson Report is over two thousand pages long, and is published in four volumes. You can download the forty-two page Executive Summary and the four large PDFs that make up the full report from the National Archives (at the grandly named official-documents.gov.uk doman).

If you want a hard copy of the report, The Stationery Office will charge a whopping £250.

However, there is a cheaper option to get a printed version of the report. I have taken the four PDFs and uploaded them to Lulu.com, the print-on-demand website. Each document (I, II, III, IV) costs around £12, and so (with delivery included) one may obtain the entire report for under £60.

Is this legal? Yes. The Leveson Report carries an Open Government Licence (a variation on a Creative Commons Licence) which states that anyone is free to “copy, publish, distribute and transmit the Information”. There is no creator mark-up on the documents (i.e. I do not make any money), so ordering them in this way is analagous to clicking ‘print’ on the PDFs and feeding two-thousand sheets of paper into your office printer!

Why is there such a disparity in price? The answer is colour. The design of the report available via The Stationery Office is printed with a blue spot colour, used in various tints throughout the report. In the cheaper Lulu versions, the content is simply black-and-white.