What photo will the media use in the event of your untimely death?
Via @Documentally’s excellent weekly newsletter, here’s a short Observer article by Eva Wiseman on the phenomenon of ‘killfies’. This is where a person’s attempt to take a selfie of themselves gets them killed.
Which led me to think, maybe we’ve been getting our fears wrong all along? What if the way technology destroys humanity is not with an uprising of robots, of toasters turning against their masters, of self-driving cars choosing a road trip less travelled, but with something as simple as a reflection? There is something so unashamedly ancient in these deaths that it almost seems gauche to point it out. The sirens singing on the rock, beckoning sailors towards their comprehensive display of filters. The boys drowning in their own image. The recording of a risk, the risk itself. …
And once you’ve learned about killfies, it’s very hard to unsee them. Every Instagram post suddenly reads a little like a suicide note.
Or, as a candidate for ‘the photo of you the media will use when they report on your untimely death’, the darker side to selfies that I wrote about a few years ago. In bygone eras, these images were usually school photos or wedding day pictures. Now they tend to be self-portaits. Continue reading “On Killfies and Campaign Photos”
photographs of human rights defenders which are taken and the person knows that this photo might be used at a later point in time to raise awareness, when he or she is in prison or vanished.
A while ago I posted on The Darker Side of Selfies, and the way in which the mainstream media illustrate the news of tragic young deaths with images from the victims’ social media accounts.
Whether it is a car accident, a drug overdose, a gang murder, or a bullying related suicide, the photo editors turn to the victim’s Facebook page or Twitter stream to harvest images. … Used in this new, unintended context, these images strike a discordant note. The carefree narcissism inherent in any selfie jars with the fact of the artist/subject’s untimely death.
The death of Terrie Lynch and Alexandra Binns this week is a good example. Continue reading “Photography Imbued with Sadness”
There is something strange and sad about the fact that these modern death masks are self-portraits.
A little while back, the Independent ran a feature on ‘the selfie’, that genre of modern self-portrait taken with a smart phone. Hilary and Chelsea Clinton had published a selfie, which signalled the form’s crossover from youth culture to the mainstream.
When we discuss social media, the usual insight is that it allows people (whether they are public figures like Hilary Clinton or Rhianna, or just ordinary members of the public) to communicate without having to go through the established media corporations. But I think the great significance of social media is that the traditional media outlets have completely co-opted it into their coverage. The mainstream media’s tracking of Edward Snowden’s escape from Hong Kong to Russia was powered by Twitter. Sports reporters quote Tweets from players and managers to gain insights into their state of mind or the state of their transfer deal.
And selfies are now routinely used by the newspapers to illustrate tragic young deaths. Whether it is a car accident, a drug overdose, a gang murder, or a bullying related suicide, the photo editors turn to the victim’s Facebook page or Twitter stream to harvest images. The latest example of this is Hannah Smith, who committed suicide last week. I noted a couple of years ago how they were used to report the overdose of Issy Jones-Rielly. And the reporting on the joint-suicide of Charleigh Disbrey and Mert Karaoglan in June was heavy with ‘selfies’. Continue reading “The Darker Side of 'Selfies'”