I’m pleased to announce that a new short story of mine has been published over on Pornokitsch, the genre-loving, BFS Award-winning, Hugo-nominated and entirely-safe-for-work-despite-the-name online magazine.
My story is titled ‘01001001 01000011 01000101’. Its inspired in equal parts by Ray Bradbury, Tom Stoppard, Shelley’s ‘Ozymandias’ and the 2004 Dennis Quaid / Jake Gyllenhaal disaster movie The Day After Tomorrow. It begins like this:
The book was big and heavy, which meant it would burn well.
Click here to read the whole thing. When you have finished you might like to tweet about it or share it on Facebook. If you’re still on Facebook, of course. Continue reading “New Story: 01001001 01000011 01000101”
This blog may give the impression that I am certain in my views, especially about freedom of expression.
But that’s not the case. Especially about freedom of expression.
As Robert Sharp of English Pen told me – just when you think you’ve settled your mind on all the arguments surrounding free speech and censorship, along comes an argument to throw you completely off again.
That’s from a blog post by Ben Please of the Bookshop Band, who are doing a marvellous project on censorship with the V&A, which has just acquired the archives of Oz Magazine. I hope I can go to their event on 20/21 April.
The racist far right group Britain First have been banned from Facebook. BBC South East reported the story and interviewed yrstrly for English PEN. Here’s what I said:
We abhor what Britain First stands for, but nevertheless there are some unintended consequences with this move. Shutting down speech you don’t like is deeply problematic—It means that countries around the world can use it as an excuse to shut down speech they don’t like. And it also alienates certain sections of the British population, [with whom] we really need to have a dialogue…
Obviously this is just a small excerpt from a longer interview I gave to the news team. There is a lot more to say about this issue, in particular about how we appear to have ceded most of our political discourse to private companies running social media platforms. There is also a real issue surrounding the efficacy of counter-speech, and what both social media and the traditional broadcasters might do in order to give better, bigger platforms to the kind of options that can counter and neutralise the far right threat. I will post more on this soon.
In the meantime, the entire South East Today programme for 14th March is currently available on the BBC iPlayer.
On Sunday morning, I was delighted to be invited on to Jumoké Fashola’s BBC Radio London Breakfast show, to discuss free speech.
This week, the Daily Mail columnist Richard Littlejohn caused outrage with a typically controversial column. Olympic diver Tom Daly had shared an ultrasound image on social media – he and his partner Dustin Lance Black are expecting a baby via a surrogate mother.
“Pass the sick bag, Alice” wrote Littlejohn. “I still cling to the belief that children benefit most from being brought up by a man and a woman.”
Continue reading “Discussing Free Speech and Richard Littlejohn on BBC Radio London”
Last week, the award-winning Indian playwright Abhishek Majumdar posted a disconcerting message on Facebook, regarding his play Pah-la.
My dear Tibetan Friends, in Tibet and in exile, who have contributed extensively to the writing of Pah-la, I regret to inform you that the play has hit a roadblock again.
It was supposed to open on 4th October 2017, at the Royal Court Theatre, in London, with its poster printed and rehearsals fixed, when the British Council China pressurised the theatre to withdraw it from opening because of a program in China that they were running together.
Continue reading “Quoted in the Observer, Discussing Artistic Freedom”
The Royal Court Theatre has cancelled a revival of Rita, Sue and Bob Too, Andrea Dunbar’s 1982 play about grooming and sexual exploitation. The cancellation came after it was revealed in October that Max Stafford-Clark, who directed the original production and co-directed the revival, had been forced to resign as creative director of Out of Joint due to multiple allegations of ‘inappropriate behaviour.’
The venue had recently staged No Grey Area, an event in which 150 stories of sexual abuse and exploitation were shared over the course of an afternoon. The Royal Court’s artistic director Vicky Featherstone has called for the British theatre community to reckon with the abuses of power, just as Hollywood is doing now that the extent of Harvey Weinstein’s monstrous behaviour has been revealed. In this context, says the theatre, staging Rita, Sue and Bob Too is “highly conflictual.”
I spoke to New York Times correspondent Anna Codrea-Rado about the cancellation and am quoted in her report: Continue reading “Quoted in the New York Times discussing the cancellation of Rita, Sue and Bob Too”
To coincide with the publication of Free and Fair, HuffPost UK published an edited version of my chapter on their politics homepage.
Here’s the central message of the piece:
How can FCO diplomats credibly oppose the sinister monitoring of online discussion in China, when GCHQ is running a comparable mass data collection programme in the UK? How can NGOs credibly protest the prosecution of Cumhuriyet journalists Can Dündar and Erdem Gül in Turkey for ‘revealing state secrets’ when our own Law Commission has proposed that the UK adopt a similar law? And how can activists effectively protest the treatment of writers like Raif Badawi in Saudi Arabia, imprisoned for merely imagining a new political system, when the UK Home Office is cooking up mechanisms to shut up our own radicals?
You can read the whole thing on HuffPost UK.
I’m pleased to announce that I’ve written a chapter for Fair and Free: Labour, Liberty and Human Rights, the latest policy pamphlet from the Fabian Society.
Naturally, my section is on freedom of expression and privacy. The hope is always that Fabian pamphlets present ideas that the Labour Party could implement, if elected. I recommend that the next Labour Government should: reform the deeply illiberal Investigatory Powers Act; introduce a public interest defence to Offical Secrets laws; and abandon Home Office attempts to shut down non-violent radical speech. I also recommend that Labour tie any post-Brexit trade deals to respect for human rights. Doing business with rights abusing regimes ultimately makes us all less safe. Continue reading “Fair and Free: Labour, Liberty and Human Rights”
This blog is useful for many things: a jotter where I can experiment with half formed ideas; an outlet to vent my frustration at some form of shoddy public thinking; to impart advice or recommendations; or simply a place to marvel at the wonderful things that humanity or nature has created.
Today, however, it serves the useful purpose of providing l’espirit d’escalier—an opportunity to add to a conversation, after it has concluded!
The new Labour MP for Kensington & Chelsea is Emma Dent Coad, and she has caused controversy at the Labour Party conference by being rude about the royal family. Some of the things she said about Prince Harry have turned out to be false, but she also made some pertinent points about how they spend taxpayers money. This has prompted a conversation about the limits of civil and respectable speech, and echoes some of the discussion in the USA right now, about whether athletes who #TakeAKnee during the national anthem are showing this respect, and if so, to whom.
All this is ripe for discussion on a call-in radio show. Eddie Nestor was leading the debate on his BBC drive time show yesterday, and I went on air to make an uncompromising case for free speech. You can listen to the entire show again on the BBC iPlayer, either on the web or on the app, for the next thirty days. You can also listen to my contribution on SoundCloud, or via the player below. Continue reading “Discussing the Royals, Hate Speech and Free Speech on the BBC London Drive Time Show with Eddie Nestor”
A few years ago the Russian government introduced a set of ridiculous regulations on how art can be produced in the country. It prohibited swearing in films and TV shows, and mandated that books containing LGBTQ content be sold in plastic wrappers.
Insisting that such books are packaged like this introduces a stigma. It places LGBTQ literature into the same conceptual category as pornography which makes it less likely that readers will buy the books, or that readers will have the books bought for them.
Naturally, this affects book sales for Russian publishers, and some have taken extreme steps to avoid having their books placed in the stigmatised category. Last week, fantasy author Victoria Schwab revealed that her Russian publisher had bowdlerised the translation of her Shades of Magic series. Continue reading “Quoted in the Guardian, condemning homophobic publishing laws in Russia”