At a museum in Haifa, Israel, a sculpture called McJesus has been removed from display.
The name of piece by Jani Leinonen tells you exactly what it looks like and also gives heavy clues as to why it is controversial: it is the crucifixion of Ronald McDonald.
There have been angry protests against the sculpture by Israeli Christians who consider it offensive and blasphemous. There were threats of fire bombing.
The sculpture brings to mind another crucifixion mash-up, Immersion (Piss Christ) by Andreas Serrano (1987). I also think of The Holy Virgin Mary by Chris Ofili (1996), a picture painted using elephant dung and which features pornographic imagery. Rudi Giuliani, then mayor of New York, called it ‘sick’ when the painting was exhibited there in 1999.
Continue reading “Hey, Haifa! 1999 called and it wants it’s controversy back!”
The propaganda website InfoWars has been banned from Facebook, the Apple iTunes podcasting platform, and Spotify. Most people have welcomed the fact that these technology companies have finally acted to enforce their own terms and conditions, though others (including, obviously, InfoWars itself) says that this is an infringement of free speech.
I was invited onto the BBC Victoria Derbyshire TV programme today to discuss the issue, alongside Karin Robinson from Democrats Abroad; and Neil Heslin, whose son was murdered at Sandy Hook Elementary School, and who has been taunted and harassed by the InfoWars website and its supporters. Continue reading “Discussing InfoWars and Free Speech on the BBC Victoria Derbyshire Programme”
This blog may give the impression that I am certain in my views, especially about freedom of expression.
But that’s not the case. Especially about freedom of expression.
As Robert Sharp of English Pen told me – just when you think you’ve settled your mind on all the arguments surrounding free speech and censorship, along comes an argument to throw you completely off again.
That’s from a blog post by Ben Please of the Bookshop Band, who are doing a marvellous project on censorship with the V&A, which has just acquired the archives of Oz Magazine. I hope I can go to their event on 20/21 April.
The Daily Mail is angry because Virgin Trains has decided not to stock the paper on its trains any more. The paper has accused the train company of ‘censorship’.
First of all, Virgin is a private company. Ultimately, it has a right to stock whatever it wants in the shops on its trains, and enter into the deals it wants to regarding distribution of free copies to its first class passengers. As Jane Fae says in a column for the Guardian, clearly the company has decided that the Daily Mail is not ‘on brand’.
Continue reading “Not Quite Censorship, but…”
A controversy has erupted around the Whitney Biennial in New York. Protestors have demanded that a Dana Schutz painting of murder victim Emmett Till be removed from the exhibition with the further recommendation that it be “destroyed and not entered into and any museum or market”. This is a clear call for censorship.
Emmett Till was an 14 year old African-American, murdered in Mississippi in 1955 after being accused of flirting with a white woman. His killers were acquitted of the crime by an all-white jury.
Till’s mother Mamie famously requested an open casket, so the terrible disfigurement of her son could be witnessed by everyone. This decision exposed to the world the brutality of lynchings and lack of civil rights for black people. Continue reading “Open Casket: Cultural Appropriation or Secular Blasphemy?”
I was quoted in The Bookseller today. The report by Katherine Cowdrey gives all the context.
English PEN has said Milo Yiannopoulos’ right to freedom of expression must be respected, amid the furore surrounding the far-right editor’s lucrative book deal with Simon & Schuster US.
“Offensive ideas should be debunked and discredited, not censored,” said Robert Sharp, head of campaigns and communications for the free speech organisation. He added that demands for S&S US to cancel the deal were tantamount to “censorship”.
“The right of Mr Yiannopoulos to write and to offend is integral to the principle of freedom of expression,” said Sharp. “Likewise, Simon & Schuster US has the right to make an editorial judgment over whether to publish his book. Demanding that the publisher cancels the book deal amounts to a call for censorship, and should be resisted.”
British Yiannopoulos is an editor at Breitbart News based in the US, known as a publisher of “alt-right” articles, and was a vocal supporter of Donald Trump in the run-up to the presidential elections. He was banned from Twitter for the racist trolling of Ghostbusters actor Leslie Jones, reportedly received a $250,000 advance from S&S US for his book Dangerous, according to the Hollywood Reporter. It will be published by Threshold Editions, an imprint of Simon & Schuster US in March 2017, but there are no plans for the UK arm to publish it, The Bookseller reported last week.
Sharp emphasised the difference between criticism of the deal and calls for the book deal to be reversed. The latter, he argued, would set a terrible example to authoritarian governments.
“However, we must remember not everyone expressing dismay is asking for the book deal to be reversed,” said Sharp. “Many have simply expressed a negative opinion about Mr Yiannopolous writing and politics. Outrage is not in itself a form of censorship – it is also a manifestation of free speech.
“PEN campaigns for the victims of censorship in many countries around the world. Often, the people we seek to support have been branded as ‘dangerous’ or corrupting to society. If we seek to silence people like Milo Yiannopolous on the same grounds, then we set a terrible example to more authoritarian governments.
“Anyone angered by this decision should use their own free speech to counter the ideas they disagree with. Offensive ideas should be debunked and discredited, not censored.”
A few people were dismayed by this statement, saying that English PEN should not be giving me support or succour to the alt.right. I hope to write more on this in the coming week.
You’re all aware of the controversy surrounding the Cecil Rhodes statue at Oxford University, right?
To recap: Cecil Rhodes (1853-1902) was the colonialist, businessman and white supremacist whose career in Southern Africa had huge impact on the continent. The celebrated Rhodes Scholarship programme at Oxford University was established by his estate. As such, there is a statue of him at Oriel College at Oxford. Some current students are campaigning to have the statue removed on the grounds that Rhodes was a racist and not someone who should be glorified in stone.
This campaign is happening in a milieu of renewed debates about freedom of expression and decency at universities. I am against ‘no platform’ policies, and against the abuse of useful innovations such as Safe Spaces and Trigger Warnings as a way to shut down offensive speech. Continue reading “Rhodes, Political Correctness and the Censorship of History”
Here’s a timeline of Facebook censorship of breasts and other anatomical parts.
When I posted this to Facebook just now, I was going to add the abbreviation ‘NSFW’, Not Safe For Work. But that prompts two thoughts. The first is that my work actually involves looking at links and images like those displayed here! I often wonder if I have inadvertently shocked my colleagues who have accidentally wandered past my screen while I was reading some link about porn or violence or racism or something.
Second, its surely a problem that our culture, as reflected in the Facebook image usage policies, deems images such as masectomies, nude drawings, and breastfeeding as “NSFW” regardless of context. Why shouldn’t these images, undeniably in the public interest, be viewed at work?
I reckon we should start labelling images and GIFs from sporting events as ‘NSFW’ because surely that’s the number one content that should not be viewed at work, damging as it is to productivity.
Well, that was a short lived celebration, wasn’t it? After a just week, the Sun has reversed its editorial policy, and the topless models are back on Page 3.
This rather dates my post from only yesterday, which begins talking about the ‘success’ of the No More Page 3 campaign.
I stand by the post itself, though, and repeat the core point: no law, no police, no threat of violence were part of the decision over whether the pictures should be published. The choice to publish or not remains free. Freedom of expression prevails! Note that the Sun suffers no sanction as it resumes publication. All this gives the lie to the ridiculous idea that this country had succumbed to politically correct censorship. We had not.
Though I remain of the view that Page 3 is a bad thing for society and am privately disappointed that it has returned, one cannot help but be wryly amused at the Sun’s tactics here. What label should we give it? ‘Machiavellian’? ‘A false retreat’? Trolling? The editors must be laughing their bellies off right now.
Happily, the No More Page 3 campaign understands that the debate is unlikely to end in the near term. They are happy to deploy their own right to free expression to continue their campaign. Here they are on Twitter, promoting their petition and welcoming new followers.