In 2004, the writer Orhan Pamuk gave the inaugural Arthur Miller Freedom to Write lecture, at the Prague Writer’s Festival. Among his remarks, he said this:
I have personally known writers who have chosen to raise forbidden topics purely because they were forbidden. I think I am no different. Because when another writer in another house is not free, no writer is free. This, indeed, is the spirit that informs the solidarity felt by PEN, by writers all over the world.Orhan Pamuk
I would often use the highlighted bit of that quote in English PEN’s marketing communications. I thought it would appeal to the worldliness of other writers, their solidarity and empathy with fellow wordsmiths.
But occasionally I would worry that the proper meaning of that quote was properly understood. Because taken literally, it’s obviously untrue. The fact that Ahmet Altan (to pick another Turkish novelist) is currently in prison and censored does not stop me writing my derivative science fiction or my bad poetry. Continue reading “COVID19, Free Speech and the Right to Receive Information”
The idea of human rights being valuable in themselves doesn’t wash with a lot of people. Instead, they want to see a practical benefit to rights. Seeing horrible people benefit from the same rights as the rest of us undermines people’s support for such rights.
I worry about this a lot.
This attitude is particularly apparent this week due to the horrific knife attack in Streatham, which mirrored the awful murders at the Fishmonger’s Hall in December. In both cases the perpetrator had been released from prison following a conviction for terrorism, and so now there is discussion about retrospectively changing the release and parole procedures for such criminals. Continue reading “When Defending Human Rights, We Must Tell Pragmatic Stories That Appeal To Self Interest”
Over the years, the exercise of free speech by cartoonists has been a recurring theme on this blog. All the way back in 2006 I discussed the infamous Mohammed cartoons published by Jyllands Postern, and of course the output of Charlie Hebdo has been examined and defended on several occasions. Meanwhile, the free speech of cartoonists around the world is often something that English PEN has to defend.
Continue reading “Chinese Cartoons, Free Speech and Offence”
It’s been an exciting few months for anyone who is enthusiastic about space exploration. On 26th November the NASA InSight lander arrived on Mars (those tense landing moments are always worth a watch). Then on 13th December Virgin Galactic’s WhiteKnightTwo aircraft reached an altitude of 50 miles, the so-called ‘edge of space’. On 2 January, the New Horizons Probe flew past Ultima Thule, producing the clearest image yet of one of the most distant known objects in our solar system (its about 4 billion miles away).
And of course the Chinese Space Agency put a probe onto the far side of the moon. It’s part of a grand plan for Chinese space exploration, including a permanent lunar base which can itself facilitate exploration to Mars. Continue reading “China’s Moon Landing: When an Oppressive Regime Does Something Amazing”
Last week, the award-winning Indian playwright Abhishek Majumdar posted a disconcerting message on Facebook, regarding his play Pah-la.
My dear Tibetan Friends, in Tibet and in exile, who have contributed extensively to the writing of Pah-la, I regret to inform you that the play has hit a roadblock again.
It was supposed to open on 4th October 2017, at the Royal Court Theatre, in London, with its poster printed and rehearsals fixed, when the British Council China pressurised the theatre to withdraw it from opening because of a program in China that they were running together.
Continue reading “Quoted in the Observer, Discussing Artistic Freedom”