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Tag: design (Page 1 of 4)

Andrei Aliaksandrau is Free

When I worked for English PEN there were occasions where someone for whom we had campaigned, whose face I had printed onto hundreds of banners and posters, would walk into our office, free. It was a jarring experience, like seeing a celebrity on the tube.

A campaigner holds a poster of Syrian political prisoner Mazen Darwish
An English PEN campaigner holds a poster of Syrian political prisoner Mazen Darwish, London 19 May 2015.
Robert Sharp and Mazen Darwish at the Free Word Centre, London, 18 July 2016.

When I met the Syrian journalist Mazen Darwish, I wrote:

I’ll also say that it’s a strange experience to meet in person someone for whom one has campaigned. We used the same old photo of Mazen for all our tweets and news releases and posters. The person becomes a symbol, an icon, a cipher. When I saw him sitting on the bench chuckling and smoking a cigarette, sweating a little in the London heat, there was a moment of dissonance, as if a fictitious character had become incarnate.

It’s different for him, of course. Even while unseen in Adra prison, Mazen was always very real, all flesh, vulnerable to torture, at risk of death. And Yara, so used to her husband’s physical presence in their house and their work, must have felt his absence deeply.

With Andrei Aliaksandrau it was different. A flesh and blood man who I had campaigned alongside, drank pints with, bantered with, suddenly two-Dimensional on a campaign poster. It’s fantastic to hear that he has been released from prison in Belarus, and that perhaps we will one day see him in three dimensions again.

Andrei and his wife Irina, following their release. 16 September 2026.

59 Productions and the creative Large Hadron Collider

My goodness.

When I started this blog in 2005, it was an experiment. The software was new technology and there were many people eager to get their hands on it — to see what they could do with it and how it might change society. In my early posts I tried out different styles of writing and different topics to write about. I made friends and received praise for my output. It was in the back-and-forth of blogging that I learnt to write clearly and persuasively, which has led to a weird, varied and rewarding career.

The impetus to experiment with new technology came out of the milieu in which I was working at the time, in the office of 59 Productions in Edinburgh. Collaboration was highly valued: the idea that creative people would, together, be more than the sum of their talents. Digital technology was becoming cheaper, and we adopted guerrilla approach to film-making and theatre. Where the tech did not yet exist, we chained together disparate components and made-for-other-purposes software to produce the desired effect.

Scotland was the perfect incubator: host to internationally famous festivals, and yet small enough that the most influential and creative people in Scottish film and theatre were usually only a phone call or a five minute walk away.

We made some marvellous things.

Continue reading

Mickey Ears

I’ve been at Disneyland Paris this week, and it’s compelling. Every element, whether it is the sight lines, the architecture, or the set dressing in the queuing areas, has been carefully ‘imagined’ to create an immersive experience.
And yet the same time the place is weirdly discordant, because the spaces are too close to their Platonic ideal. The real ‘wild west’ could never have been as co-ordinated and compact as Frontierland; and the actual Paris, just a few miles away, has far less consistent architecture than the Ratatouille-themed Parisian square in Walt Disney Studios.
I think these contradictions are what fuels so many people’s obsession with the Disney theme parks (there are four five, the others being in Los Angeles, Orlando, Tokyo and Hong Kong). That, and the non-trivial logistics required to move and cater for thousands of visitors while staging a daily carnival and a several Broadway calibre song-and-dance shows, seven days a week.
Amid the co-ordination of the cast and the chaos of the crowds, I latched onto an obsession of my own—specifically the way in which an iconic design element can iterate its form and its meaning. I am of course talking about the Mickey Ears. Continue reading

Framing

A simple twitter bot made by Russel Neiss does one thing: convert each of President Donald Trump’s tweets into the format of an official presidential statement. Here’s one where which confirms that his Executive Orders are indeed intended to be a ‘Travel Ban’ (which is odd because his own Justice Department are currently embroiled in a court case arguing that they are not).
https://twitter.com/RealPressSecBot/status/871674468896194560
This speaks to last week’s post about content shorn of attribution. How information is presented is crucial to how the message is interpreted. And tweaking the way in which something is presented might actually reveal an hypocrisy or two. Continue reading

59 Productions to produce City of Glass for the stage

This week 59 Productions (the radical design and production company than I had a hand in setting up) announced their latest project.  Its an adaptation of Paul Auster’s City of Glass by Duncan Macmillian, the acclaimed writer of People Places Things.  The show is directed by my friend Leo Warner and is a co-production with Home and the Lyric Hammersmith.
City of Glass (part of Auster’s New York Triology) is an intriguing post-modern detective story that plays with ideas of reality, identity and imagination.  I think its a perfect fit for the kind of art that Warner and the remarkable 59 Productions team create.  In a recent interview with the Financial Times, he outlines their approach. Continue reading

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