Lavie Tidhar is a World Fantasy Award winning author. In the beforetimes, I was due to interview him at English PEN’s Literary Salon at the London Book Fair… but the event was cancelled because of the coronavirus. Instead, we conducted the interview online, and its just been published on PEN Transmissions.
Continue reading “Holding Up a Funhouse Mirror – My interview with Lavie Tidhar”
Yesterday, while blogging about the resignation of Theresa May, I mentioned her infamous ‘citizens of nowhere’ speech at the Conservative Party conference in 2016.
At the time, those words were seen as a clear attack on the pro-European, pro-EU, ‘Remain’ cosmopolitanism that many people were expressing after the referendum shock. Mrs May, it was judged, had taken a side in the culture war, and allying herself with a narrow nationalism.
Three years later, that phrase has become a damning shorthand for Theresa May’s hostility to migrants.
While writing my earlier blog post, I read the speech. And actually, the context of her ‘citizens of nowhere’ line is the culmination of an attack on… millionaire tax dodgers. Continue reading “Citizens of Nowhere: A revisionist history”
Writing in the Guardian last week, Carole Cadwalladr lamented the way in which Twitter catalyses and facilitates global bullying. This prompted a short exchange between me David Heinemann from Index on Censorship. We noted the betrayed promise of free speech for all that social media offers, and what—or rather, who—might solve the problem.
Continue reading “Twitter Betrays The Promise of Free Speech For All”
It is the Oscar’s this weekend and La La Land is favoured to win Best Picture.
In this op-ed piece for the Independent, Amrou Al-Kadhi laments the way Arab characters exist on the periphery of most Western cinema.
Stories onscreen have the rare ability to arouse empathy for diverse characters in audiences across the world, so leaving out Arab and Muslim voices in such a context of global Islamophobia is particularly damaging. With masterful directors, sublime works like Moonlight happen; now the story of gay black masculinity in the Miami ghetto has become that much more relatable and mainstream. It is my genuine belief that if the TV and film industry had been more diligent in representing Arab characters – with all our humane, complex, intersectional three-dimensionality – xenophobia would not be as pandemic as it is today.
Reading this challenge to the film industry, I naturally began to think of how the literary community measures up on the same issue. Although I don’t exactly work in the publishing industry, English PEN works closely with publishers and writers, and the debate over who gets published and what gets published is always close and loud. Continue reading “How Do We Make Diversity Scale?”
Bahar Mustafa, the welfare and diversity officer at Goldsmiths, is facing a petition for her removal after she allegedly used hate speech on social media. Apparently she used the hashtag #KillAllWhiteMen. Critics say this is inciting violence: “Too befuddled by theory to know that killing is wrong“.
Obviously, someone elected to a position of authority and responsibility should be more diplomatic in their use of language so its probably right that she should be asked to step down. But the story is a useful way to restate a point about ‘white privilege’ and ‘male privilege’ that I touched on a while back when Diane Abbott was accused of racism.
Its this: My white male privilege is such that when someone tweets #KillAllWhiteMen, I assume is a joke. I read the hashtag and my natural reaction is that she’s indulging in hyperbole. Banter. I get to make that assumption because I don’t live in a society that demeans or belittles me because of my race or gender. Nothing in the mainstream culture or media undermines me or makes me insecure because of my phenotype or chromosomes.
Black people do not get to make that assumption.
Women do not get to make that assumption.
LGBTQ people do not get to make that assumption.
When any of these people see comparable hashtags (posted, usually, by white men) the threat feels real, and their outrage in response to such message is real and justified. Conversely, when there is an angry backlash against people like Mustafa on petition sites and newspapers like The Daily Mail, the outrage seems (to my mind) quite false: a mask donned in order to better fight the culture war.
None of this is to defend Bahar Mustafa or to suggest that routinely posting antagonistic messages is admirable. Rather, its just to point out that context is important. While laws should be blind to race, gender and sexuality, our society and the interactions within it are not. Words that bite in one context may be toothless in another.
Indeed, changing contexts mean there will be situations where white men would indeed feel menanced by a hashtag. For example, if it were tweeted in Paris on 7th January, right after the Charlie Hebdo murders, messages like #KillAllWhiteMen would take on on a whole new meaning, and I’d think again.