In 2004, the writer Orhan Pamuk gave the inaugural Arthur Miller Freedom to Write lecture, at the Prague Writer’s Festival. Among his remarks, he said this:
I have personally known writers who have chosen to raise forbidden topics purely because they were forbidden. I think I am no different. Because when another writer in another house is not free, no writer is free. This, indeed, is the spirit that informs the solidarity felt by PEN, by writers all over the world.Orhan Pamuk
I would often use the highlighted bit of that quote in English PEN’s marketing communications. I thought it would appeal to the worldliness of other writers, their solidarity and empathy with fellow wordsmiths.
But occasionally I would worry that the proper meaning of that quote was properly understood. Because taken literally, it’s obviously untrue. The fact that Ahmet Altan (to pick another Turkish novelist) is currently in prison and censored does not stop me writing my derivative science fiction or my bad poetry. Continue reading “COVID19, Free Speech and the Right to Receive Information”
Last week I posted a quote from Dr Alex Mills of University College London, on Facebook’s woefully inadequate Terms & Conditions that related to defamation. That was drawn from a panel discussion I participated in on 22 March 2018 hosted by UCL’s Institute of Advanced Studies, entitled ‘Defamation – A Roundtable on Lies and the Law‘.
Here again is the audio of the panel discussion, and for for completeness I have pasted my remarks below too. The other participants were by Dr Alex Mills (UCL Laws), Prof Rachael Mulheron (Queen Mary Law) and Dr Judith Townend (Sussex Law). The discussion was chaired by Harry Eccles-Williams, Associate at Mischon de Reya. Continue reading “My remarks at the UCL Institute for Advanced Studies round-table on ‘Lies and the Law’”
PEN Transmissions is English PEN’s new online magazine dedicated to international writing. The latest issue is on the theme ‘Writing the Past’ and features my interview with the Kenyan novelist Peter Kimani, whose most recent book Dance of the Jakaranda was published by Telegram in March 2018.
Peter was a fascinating interviewee. We discussed the idiosyncratic structure of his novel, the challenges of ‘writing the other’, the need for Kenya to invest more in developing Swahili and Gikuyu literature, and the perilous state of freedom of expression in Kenya.
The past and the present side by side: a conversation with Peter Kimani
Last month I was honoured to be in the audience as the Northern Irish poet Michael Longley received the 2017 PEN Pinter Prize, and to hear his address, ‘Songs for Dead Children: Poetry in Violent Times.’ The entire event, including Longley’s speech, is available to listen to online.
The speech is a generous and lyrical discussion of how poets and artists can respond, with the appropriate outrage and humanity, to violent acts. Longley makes a eloquent point about the importance of literature to the ideas of free speech and democracy: Continue reading “Michael Longley on Poetry and Propaganda”
In March, I was honoured and delighted to be asked to give the keynote speech at the University of Roehampton’s Creative Writing Soiree, an annual evening of fiction, memoir and poetry readings done by the English and Creative Writing students. The suggested title of my talk was ‘The Writer in the World’ which gave me the chance to speak about creativity, literature and the work of English PEN in broader and grander terms than the speeches I am usually asked to give.
I confess to being quite pleased with the end result. Not, I must stress, in the delivery, which comes across as extemporised rather than pre-planned. But rather, the broad idea of what it means to be a ‘writer in the world’ and the pragmatic suggestions for how one might go about living as such a writer.
The speech included a potted history of English PEN, some thoughts on the moral obligations of free speech, my earliest memories of learning to read, and the grind and grit required to be ‘creative’. Its a good statement of what I believe. Continue reading “The Writer in the World”
Today I was honoured to meet Ensaf Haidar – author, activist and wife of imprisoned Saudi blogger Raif Badawi.
Raif Badawi was arrested in June 2012 and charged with ‘setting up a liberal website’. He was sentenced to 1000 lashes and 10 years imprisonment. His case is one of the most egregious human rights abuses in the world right now… and yet the British Government maintains cordial relations with the Kingdom of Saudi Arabi. Continue reading “#FreeRaif: Ensaf Haidar visits London”
On 23rd March I was delighted to take part in a debate at Goldsmiths College, hosted by the Goldsmiths Student PEN society, on the subject of ‘safe spaces’. It was an opportunity for me to iterate an argument I have been putting forward for a while: that perhaps ‘safe spaces’ are not the anti-intellectual, anti-free speech innovations that many free speech advocates take them to be.
You can listen to a recording of my speech on the player below, or on SoundCloud. The Goldsmiths PEN Facebook group carries photos of the event and full audio.
I will append the text of what I said to this post when I get a chance. I also plan to write a short summary of the debate and where I think it takes us. Despite my arguing, on this occasion, for the principle of safe spaces, I think the other speakers’ critiques of the particular wording of the Goldsmiths SU Safe Space policy was very persuasive. Continue reading “A Room of One’s Own? Safe spaces as an enabler of free speech”
This is an edited transcript of my speech to the Leeds Beckett Festival of Politics and International Relations Festival, delivered on 15th November 2016. This first appeared on the Leeds Beckett University Politics and Applied Global Ethics (PAGE) blog. You can listen to the unalloyed version of the speech on SoundCloud or via the player below.
Some Arguments Against No Platform
I want to first set out my views on No Platform policies. In short, I think they’re bad for free speech and they’re bad for the people they seek to protect.
The idea of No Platform is that it seeks to avoid giving someone the credibility of speaking at a prestigious institution. Those who call for No Platform claim it is not a form of censorship, because the person is subjected to the No Platform rule can always take their words elsewhere. Moreover (they say), legal protections for free speech relate to the government, and since the government is not involved in choosing who speaks at a university there is no real issue. Why can’t we choose who does and does not speak on our campus? Continue reading “A Better Debate About No Platform? My Speech At the Leeds Beckett Festival of Politics and International Relations”
On 9th November, the morning after the U.S. Presidential election, my friend Mark posted this to Facebook.
This morning makes me understand what it must feel like for those people who look at the political landscape, look at the establishment, look at the leader and say, ‘I don’t recognise this; it doesn’t speak to me; it doesn’t represent my situation. It doesn’t represent anyone I know.’ It’s a feeling of despair and dislocation. It’s the same feeling that makes people crave something different. Choose anything that’s different. Even a man like Donald Trump.
In the week since the election there have been thousands of op-eds and ‘hot-takes’ published on why Trump won the electoral college and the mindset of his voters. But surprisingly, I have not seen this particular sentiment—empathising directly with how such people are feeling—anywhere else. At least, not expressed so clearly. Continue reading “Empathising With Trump Voters”
The Italian journalist Claudio Gatti has caused controversy this week, with the publication of an article that claims to reveal the true identiy of the celebrated novelist Elena Ferrante. Published in English on the New York Review of Books blog, and simultaneously in German, Italian and French, the article sets out the evidence Gatti has found that points to a particular woman, who he names.1
Anonymity and pseudonymity are often a pre-requisite for freedom of expression. Whistle-blowers usually need to keep their names away from whatever they have told journalists, lest they lose their jobs or even their liberty. This is the main reason why English PEN, for whom I work, campaigns so vigorously against draconian surveillance laws and for better protections for those handling journalistic material. Continue reading “The Exposure of Elena Ferrante: A Writer-on-Writer Attack on Free Speech”