Big Little Lies is an HBO TV show, based on the Liane Moriarty novel of the same name. It stars Nicole Kidman and Reese Witherspoon, and follows the woven lives of several families living in Monterrey, California.
It was first broadcast in the spring of 2017. Following huge recognition the Golden Globe Awards in January, I decided it was time for me to watch the box set.
Each family has a child attending the local Elementary School, and there’s a murder at a school fundraising gala. A death is announced in the very first scene of the very first episode, but neither the victim, the killer or their motive are revealed until the finale.
The show strikes me as being very much Of Its Time, an emblematic cultural artefact of Western culture at the end of the 2010s. I think it does this three different ways.
Continue reading “Big Little Lies, Of Its Time In Three Different Ways”
Watson: Sherlock, could it be…
Sherlock: It’s never twins.
I wrote a very short piece for Multiple Matters, the official magazine of TAMBA.
Twins are a irresistible plot device, particularly for science fiction and fantasy writers who can have their characters appear to be omnipresent, to teleport, or even return to life. The ploy works for the same reason that random people obsess over the multiples they meet at school or in a buggy at the shopping centre: twins are are part of our natural world, but they are also somehow magical. Continue reading “Multiple Matters: Twins in Fiction”
It is the Oscar’s this weekend and La La Land is favoured to win Best Picture.
In this op-ed piece for the Independent, Amrou Al-Kadhi laments the way Arab characters exist on the periphery of most Western cinema.
Stories onscreen have the rare ability to arouse empathy for diverse characters in audiences across the world, so leaving out Arab and Muslim voices in such a context of global Islamophobia is particularly damaging. With masterful directors, sublime works like Moonlight happen; now the story of gay black masculinity in the Miami ghetto has become that much more relatable and mainstream. It is my genuine belief that if the TV and film industry had been more diligent in representing Arab characters – with all our humane, complex, intersectional three-dimensionality – xenophobia would not be as pandemic as it is today.
Reading this challenge to the film industry, I naturally began to think of how the literary community measures up on the same issue. Although I don’t exactly work in the publishing industry, English PEN works closely with publishers and writers, and the debate over who gets published and what gets published is always close and loud. Continue reading “How Do We Make Diversity Scale?”
This week 59 Productions (the radical design and production company than I had a hand in setting up) announced their latest project. Its an adaptation of Paul Auster’s City of Glass by Duncan Macmillian, the acclaimed writer of People Places Things. The show is directed by my friend Leo Warner and is a co-production with Home and the Lyric Hammersmith.
City of Glass (part of Auster’s New York Triology) is an intriguing post-modern detective story that plays with ideas of reality, identity and imagination. I think its a perfect fit for the kind of art that Warner and the remarkable 59 Productions team create. In a recent interview with the Financial Times, he outlines their approach. Continue reading “59 Productions to produce City of Glass for the stage”
First published on the Huffington Post. After this was published I received some challenging, passionate and extremely useful discussions about it on Facebook. I will add some more thoughts about the video and my article in a separate post.
The Jehovah’s Witnesses are going viral. Social media users have discovered ‘One Man One Woman‘, a short animation about same-sex marriage.
In the clip, a mother tells her daughter, Sophia, that only straight marriage is in Jehovah’s ‘plan’ and that people should abide by those rules if they want to reach paradise. The sequence ends with the little girl revising bible quotes so she can explain to Carrie, her school-friend with two Moms, the true path to paradise. Continue reading “The Homophobic Jehovah’s Witness Video Teaches Us Lessons in Parenting and Pluralism”
I wonder what Lord Bell thinks of Sony’s decision to cancel screening of ‘The Interview’?
Earlier this year, the Tory peer said that author Hilary Mantel should be investigated by the police after she wrote a short story called (and about) ‘The Assassination of Margaret Thatcher – August 6th 1983’.
It was a silly thing to say but free speech groups like English PEN (for whom I work) expressed concern at his words. Artists should be free to imagine and to fantasise, and equating a fictional murder of a head of state with actual incitement is not only fallacious, but gives dictators around the world yet another reason to shut down any kind of expression that portrays them in an impregnable light.
Which brings us on to The Interview, a comedy film in which Seth Rogan and James Franco star as two journalists who set out to assassinate Kim Jong Un. The government of North Korea called the film “an act of war” and threatened “bitter reprisals”. This week, Sony pictures announced that it would be withdrawing the release of The Interview after pro-regime activists calling themselves Guardians of the Peace hacked Sony’s computer systems, leaked embarrassing e-mails, and threatened attacks on cinemas showing the film.
Now, Lord Bell’s suggestion that Mantel receive a visit from the police is not equivalent to North Korean activists threatening violence. But Lord Bell’s idea – that fictionalised assassination of an already dead Maggie Thatcher is incitement, is surely equivalent to the idea that ‘The Interview’ is incitement. Of course, I think both ideas are false… but when a member of the House of Lords peddles the first idea, it rather gives credence to the second. Continue reading “Fictionalised Assassinations”
Vladimir Putin has this week signed into a law some measures to ban swearing in films, books and music. Films with obscene content will not be granted a distribution certificate and exisiting books and music with foul language will have to be sold in special wrapping.
I spoke to Alison Flood of the Guardian about the new law, and what it says about the state of Russian politics:
Writers’ group English PEN has already condemned the move. Robert Sharp, its head of campaigns, says: “Swear words exist in every language and are part of everyday speech. Russian artists will no longer be able reflect genuine, everyday speech. Instead, they will have to sacrifice authenticity in order to please a committee of censors. This new law sends the signal that law-makers want to sanitise and silence the voice of ordinary Russians.”
In recent years, Sharp adds, we have witnessed Russia’s slow slide into authoritarianism, with impunity for the killers of Anna Politkovskaya, the prosecution of Pussy Riot, and the ban on discussing homosexuality. “These things have all squeezed the space for free speech in Russia. The government claims it is ‘protecting and developing culture’, but the effect will be to ensure that culture becomes staid, uniform and boring.”
Remember that anti-war cinefilm footage I posted to YouTube last year? I’m pleased to say that people are beginning to find a use for it. Film-maker Jack Brindelli included the footage in his fascinating video essay, The True Little Tramp. Continue reading “The True Little Tramp”
Something I have always found inspiring is the short acceptance speech made by Steven Soderberg in 2001, when he collected an Oscar for directing Traffic.
What I want to say is, I want to thank anyone who spends part of their day creating. I don’t care if its a book, a film, a painting, a dance, a piece of theatre, a piece of music… anybody who spends part of their day sharing their experience with us, I think this world would be unlivable without art, and I thank you…
Continue reading “Soderberg on Creativity, Movies, and Cinema”
The release today of The Reluctant Fundamentalist, based on Mohsin Hamed’s brilliant novel, reminded me to post this article I wrote for InPrint, the magazine of the Society of Young Publishers. It was published last month, in the issue timed to co-incide with the London Book Fair.
Who drives our culture? Conventional wisdom says it is Hollywood. After all, it is the ﬁlm industry that produces the most highly paid artistes and the most visible ‘A listers’. Film is a visual medium and it churns out icons at a steady, lucrative rate. The four-hour Oscars telecast is beamed live around the world.
By contrast, the announcement of the Man Booker Prize does not even get its own TV slot in schedules. The announcement is allowed to interrupt the news broadcasts, but the analysis and reactions are made to wait until a scheduled bulletin and it’s never the lead story.
Film claims global relevance, whereas publishing is parochial. Film claims to be popular, whereas publishing is elitist. Continue reading “Is publishing the true cultural engine of our time?”