Nick Barley, director of the Edinburgh International Book Festival, has warned that the UK visa system alienates cultural visitors and is in dire need of an overhaul. In recent years, participants in the EIBF and other major UK festivals have had trouble getting permission to enter the UK – a huge freedom of expression issue for them, and for British audiences who have a right to hear them speak.
I’m also quoted in the piece, noting the many ways in which the UK visa system conspires to discourage cultural visitors.
“Here, I’ve noticed that the issue with visa refusals is not just the culture of ‘suspicion’ which leads to some authors and writers, usually young and usually from countries that are poor or which have security or human rights issues, being refused. The visa application system itself is too complex and it’s too easy to make a mistake or to provide incomplete information, which can also lead to a refusal. And the Home Office never provides any opportunity for the applicant to clarify or amend an application.”
He added: “The system is a combination of hostility and complexity that turns people off as well as turns people away. That this is a case is absolutely a political choice – yet another way in which antipathy towards immigration hurts British culture.”
The name of piece by Jani Leinonen tells you exactly what it looks like and also gives heavy clues as to why it is controversial: it is the crucifixion of Ronald McDonald.
There have been angry protests against the sculpture by Israeli Christians who consider it offensive and blasphemous. There were threats of fire bombing.
The sculpture brings to mind another crucifixion mash-up, Immersion (Piss Christ) by Andreas Serrano (1987). I also think of The Holy Virgin Mary by Chris Ofili (1996), a picture painted using elephant dung and which features pornographic imagery. Rudi Giuliani, then mayor of New York, called it ‘sick’ when the painting was exhibited there in 1999.
I just noticed that the International Observatory for Human Rights put up a video last month, publicising the demonstration they did outside the Embassy of Myanmar in September. The ‘occasion’, so to speak, was the ridiculous jailing of Reuters journalists Wa Lone and Kyaw Soe Oo.
I was at the demo, representing English PEN, and am featured briefly in the video, calling on The British Foreign Secretary Jeremy Hunt to put pressure on Aung San Suu Kyi.
Darkness. Brazil elects a proud fascist. A gunman murders eleven people at a Pittsburgh synagogue. The EU is becoming unsafe: authoritarians are on the rise in Italy, Hungary, and Poland; Journalists have been murdered in Malta and Bulgaria. All around the world, politicians, the press and the people are asking themselves how and why things have declined so quickly and catastrophically.
Icing is a medium of expression. I think often of this marvellous interview with the musician Todd Trainer (drummer in Steve Albini’s band Shellac) with the music journalist Holly Day:
Yeah. Icing has definitely always been a part of the visual aspect of Brick Layer Cake. All four records have had icing on the covers, both front and back covers – literally all the artwork that has ever appeared on my records is icing, so that’s a theme, an aesthetic theme … Icing is a rather limited medium – I shouldn’t say “limited”. It’s an unforgiving medium to work with, because you only get once chance to really do it right.
Trainer’s album covers, with their naïf cursive, are a thing to behold, and I wonder if there are other modern artists working in the medium. There are probably similarities in technique to art made from neon tubing, as practiced by people like Bruce Nauman or Tracey Emin. And since icing is very much a craft, it is surely ready for a Grayson Perry subversion. Continue reading “Gayer Cake”
In debates about reproductive rights, a crucial concept is over ‘when life begins’ and when a complex collection of human cells starts to have a moral claim. Some people say this must be the ‘moment of conception’. Others talk about ‘viability’, when certain senses come online; or they talk about the moment of birth.
For a long time now, I have been meaning to write a post about the ‘free speech moment’, after which we have a moral duty to defend the right to freedom of expression, even if we find the speaker or their statements odious. During a free speech controversy, asking oneself when that moment might be is a useful exercise, which helps to clarify what one thinks.
The Free Speech Moment I refer to might be the point of publication. Or in other contexts: The clicking on the ‘tweet’ button; The curtain up; the the exhibitionopening; The opening notes of the first song; the speaker clearing their throat.
Jim Waterson of the Guardianreports a bizarre story of legal reputation managers at Schillings sending threatening letters to booksellers and independent book shops, in an effort to stop them stocking a book about an (allegedly) corrupt banker.
I’m quoted near the end of the story, expressing my dismay:
Robert Sharp of English PEN, the free speech campaign group that co-founded the Libel Reform Campaign, said the decision by Low’s lawyers to target booksellerswas deeply worrying. “This is surprising, concerning and sets a terrible precedent,” he said. He argued that by focussing on the synopses, “the effect of these legal letters is to short-circuit the legal process, by putting booksellers in an impossible position”.
On Tuesday 11th September, Lucy Powell MP introduced the Online Forums Bill to Parliament. It was a ‘Ten Minute Rule Bill’, a mechanism by which opposition and backbench members of parliament can introduce legislation. The text of Ms Powell’s speech may be found in Hansard and there is a video on Parliament.tv.
The speech makes some challenging points. How is it that Facebook groups can grow to tens of thousands of people in secret, with no oversight or scrutiny? One such group, which discussed autism, recommended that parents give their kids ‘bleach enemas’ to cure the condition.
Powell also points out that members of these groups often feel too intimidated to speak out against the most vocal and radical members of the group. This shifts the dynamics of such groups to ever more extreme positions, and is a very particular free speech issue in itself.