So, voluntary self-isolation becomes a mandatory lock-down.
Plenty of people have been discussing relevant films, TV shows and literature that deal with pandemics, deadly diseases and the like. GIFs from Shaun of the Dead, and all the other zombie movies, fill my timeline.
As for me, I have found that my mind keeps wandering back to three books I read in recent years, which all include moments of apocalyptic lock-down.
Continue reading “Three Science Fiction and Fantasy Books I’ve Been Thinking About A Lot During The COVID19 Lockdown”
I’m pleased to report that I have written a book review for Tor.com, one of the world’s foremost science fiction / fantasy websites.
The book is Palestine +100, which (according to its publisher, Comma Press) is the first ever anthology of Palestinian science fiction. It features a dozen stories of speculative fiction, all set a century after the establishment of the state of Israel—an event that Palestinians call the Nakba (catastrophe).
The book’s authors seem to be in dialogue with each other. They ask, first, the extent to which their people must let go of their past in order to secure a future; and second, how much their past defines who they are. Moreover: how does the presence of the Israelis and their nation-building project impact on what it means to be Palestinian?
You can read the entire review on Tor.com, which I hope prompts you to read the book.
Nick Barley, director of the Edinburgh International Book Festival, has warned that the UK visa system alienates cultural visitors and is in dire need of an overhaul. In recent years, participants in the EIBF and other major UK festivals have had trouble getting permission to enter the UK – a huge freedom of expression issue for them, and for British audiences who have a right to hear them speak.
I’m also quoted in the piece, noting the many ways in which the UK visa system conspires to discourage cultural visitors.
“Here, I’ve noticed that the issue with visa refusals is not just the culture of ‘suspicion’ which leads to some authors and writers, usually young and usually from countries that are poor or which have security or human rights issues, being refused. The visa application system itself is too complex and it’s too easy to make a mistake or to provide incomplete information, which can also lead to a refusal. And the Home Office never provides any opportunity for the applicant to clarify or amend an application.”
He added: “The system is a combination of hostility and complexity that turns people off as well as turns people away. That this is a case is absolutely a political choice – yet another way in which antipathy towards immigration hurts British culture.”
Last month I was honoured to be in the audience as the Northern Irish poet Michael Longley received the 2017 PEN Pinter Prize, and to hear his address, ‘Songs for Dead Children: Poetry in Violent Times.’ The entire event, including Longley’s speech, is available to listen to online.
The speech is a generous and lyrical discussion of how poets and artists can respond, with the appropriate outrage and humanity, to violent acts. Longley makes a eloquent point about the importance of literature to the ideas of free speech and democracy: Continue reading “Michael Longley on Poetry and Propaganda”
Its Banned Books Week, a time for all the family to gather round the dinner table to discuss free speech and censorship. One book that often comes up in such conversations is Lady Chatterley’s Lover by D.H. Lawrence, which was the subject of a famous obscenity trial in the 1960s.
I have been reading the Wikipedia page for the trial, and found this marvellous section on the testimony of academic Richard Hoggart, who was subjected to a snide cross-examination by the prosecuting barrister, Mervyn Griffith-Jones: Continue reading “We’re All Puritans Now”
A few years ago the Russian government introduced a set of ridiculous regulations on how art can be produced in the country. It prohibited swearing in films and TV shows, and mandated that books containing LGBTQ content be sold in plastic wrappers.
Insisting that such books are packaged like this introduces a stigma. It places LGBTQ literature into the same conceptual category as pornography which makes it less likely that readers will buy the books, or that readers will have the books bought for them.
Naturally, this affects book sales for Russian publishers, and some have taken extreme steps to avoid having their books placed in the stigmatised category. Last week, fantasy author Victoria Schwab revealed that her Russian publisher had bowdlerised the translation of her Shades of Magic series. Continue reading “Quoted in the Guardian, condemning homophobic publishing laws in Russia”
Yesterday I was delighted to take receipt of my author’s copy of the US edition of The Mammoth Book of the Mummy. It’s edited by Paula Guran and published by Prime Books.
Writing on This Is Horror, Jake Marley says that Guran has “curated an anthology that could do more for mummy fiction than anything in the past decade, and is sure to bind and capture the imaginations of readers”. He also had this to say about my novella, which is included in the anthology:
Nominated for a Shirley Jackson Award, Robert Sharp’s The Good Shabti takes readers from a slave’s experiences in the court of King Mentuhotep to a Crichton-esque sci-fi future where science is being used to give new life to the dead. Fascinating in story and tone, Sharp carries readers through two fascinating worlds to an unexpected and deeply satisfying conclusion.
Thanks Jake! Continue reading “US edition of ‘The Mammoth Book of the Mummy’”
An Iranian childrens’ book illustrator Ehsan Abdollahi has been denied a visa to visit the Edinburgh International Book Festival. Publishers have branded the decision “disgusting”.
The Bookseller broke the story and I’m quoted in Heloise Wood’s report, commenting for English PEN. Continue reading “Quoted in The Bookseller Condeming a Visa Refusal”
In March, I was honoured and delighted to be asked to give the keynote speech at the University of Roehampton’s Creative Writing Soiree, an annual evening of fiction, memoir and poetry readings done by the English and Creative Writing students. The suggested title of my talk was ‘The Writer in the World’ which gave me the chance to speak about creativity, literature and the work of English PEN in broader and grander terms than the speeches I am usually asked to give.
I confess to being quite pleased with the end result. Not, I must stress, in the delivery, which comes across as extemporised rather than pre-planned. But rather, the broad idea of what it means to be a ‘writer in the world’ and the pragmatic suggestions for how one might go about living as such a writer.
The speech included a potted history of English PEN, some thoughts on the moral obligations of free speech, my earliest memories of learning to read, and the grind and grit required to be ‘creative’. Its a good statement of what I believe. Continue reading “The Writer in the World”
I’ve just made small donations to Kickstarter projects run by two UK-based, independent international publishers.
First: Make Influx Press Bigger and Better.
Influx are responsible for the sui generis creative non-fiction book Imaginary Cities by Darran Anderson, a sweeping take on how architecture affects our minds and how our minds affect architecture. The book is great and (with hindsight) it would have made money for whoever published it. But that was by no means apparrent before publication and it was the Influx team who took the risk. I’m supporting their funding drive so that they can put more literature like that into the world… and of course to get one of their forthcoming publications as a ‘reward’ for my support. Continue reading “I Supported These Two Publishers On Kickstarter And You Should Too”