Jim Waterson of the Guardian reports a bizarre story of legal reputation managers at Schillings sending threatening letters to booksellers and independent book shops, in an effort to stop them stocking a book about an (allegedly) corrupt banker.
I’m quoted near the end of the story, expressing my dismay:
Robert Sharp of English PEN, the free speech campaign group that co-founded the Libel Reform Campaign, said the decision by Low’s lawyers to target booksellerswas deeply worrying. “This is surprising, concerning and sets a terrible precedent,” he said. He argued that by focussing on the synopses, “the effect of these legal letters is to short-circuit the legal process, by putting booksellers in an impossible position”.
Continue reading “‘Surprising and concerning’ – Quoted in the Guardian, discussing legal threats to book sellers”
An Iranian childrens’ book illustrator Ehsan Abdollahi has been denied a visa to visit the Edinburgh International Book Festival. Publishers have branded the decision “disgusting”.
The Bookseller broke the story and I’m quoted in Heloise Wood’s report, commenting for English PEN. Continue reading “Quoted in The Bookseller Condeming a Visa Refusal”
It is the Oscar’s this weekend and La La Land is favoured to win Best Picture.
In this op-ed piece for the Independent, Amrou Al-Kadhi laments the way Arab characters exist on the periphery of most Western cinema.
Stories onscreen have the rare ability to arouse empathy for diverse characters in audiences across the world, so leaving out Arab and Muslim voices in such a context of global Islamophobia is particularly damaging. With masterful directors, sublime works like Moonlight happen; now the story of gay black masculinity in the Miami ghetto has become that much more relatable and mainstream. It is my genuine belief that if the TV and film industry had been more diligent in representing Arab characters – with all our humane, complex, intersectional three-dimensionality – xenophobia would not be as pandemic as it is today.
Reading this challenge to the film industry, I naturally began to think of how the literary community measures up on the same issue. Although I don’t exactly work in the publishing industry, English PEN works closely with publishers and writers, and the debate over who gets published and what gets published is always close and loud. Continue reading “How Do We Make Diversity Scale?”
I’m delighted to have a short story featured in Crises and Conflicts, a new anthology of space and military science fiction, just published by NewCon Press as part of their 10th Anniversary celebrations.
My piece, ‘Round Trip’ is a tale of loneliness, obsession, patience, and the tedious experience of waiting for a no-frills budget space shuttle to Jupiter (we’ve all be there).
The central science fiction idea in the story is that the universe is finite and curved, a theory developed by the cosmologist Professor Janna Levin. I can highly recommend her book How The Universe Got Its Spots and her beautiful Moth story ‘Life on a Mobius Strip‘. Continue reading “Crises and Conflicts from NewCon Press”
I’m delighted to have a story featured in the anthology We Need to Talk, launched yesterday. The publisher is Jurassic London—here’s the blurb from their website:
All of us, at some point, are involved in difficult conversations. Whether that’s tough talks with clients or bosses, or break-ups, or coming out, or telling someone you love them, or giving advice to that friend who just doesn’t want to hear it. Some conversations are even more difficult, as sufferers of any potentially serious illness will know.
But one thing’s for sure, these conversations are fascinating. So much so that we’ve teamed up with Kindred and The Eve Appeal, to launch a writing competition on the theme of difficult conversations.
My story is called ‘Frozen Out’, an awkward conversation between a husband and wife. Its inclusion in the anthology is all the sweeter because the other eighteen stories are uniformly excellent. Continue reading “We Need To Talk launched for The Eve Appeal”