I’m pleased to report that I have written a book review for Tor.com, one of the world’s foremost science fiction / fantasy websites.
The book is Palestine +100, which (according to its publisher, Comma Press) is the first ever anthology of Palestinian science fiction. It features a dozen stories of speculative fiction, all set a century after the establishment of the state of Israel—an event that Palestinians call the Nakba (catastrophe).
The book’s authors seem to be in dialogue with each other. They ask, first, the extent to which their people must let go of their past in order to secure a future; and second, how much their past defines who they are. Moreover: how does the presence of the Israelis and their nation-building project impact on what it means to be Palestinian?
You can read the entire review on Tor.com, which I hope prompts you to read the book.
I gatecrashed the Hugo-nominated Pornokitsch blog to post this review of my competitor novellas. I also put this on Medium, just because.
I’m delighted and honoured to have been nominated for the Shirley Jackson Award, for my novella The Good Shabti, published by Jurassic London. However, there are four good reasons why I probably won’t win.
The first reason is the Ceremony of Flies by Kate Jonez (DarkFuse). Our protagonist, who calls herself Emily, is an unreliable cocktail waitress, an unreliable road-trip buddy and definitely an unreliable narrator. We meet her serving drinks in a Las Vegas casino, but before long she is on the run in a 1971 Pontiac Convertible, driven by an equally dubious gambler named Rex. Their journey takes them from the bright lights of Sin City, via suburban Barstow, to ever more remote and decaying locales, until she arrives at what might just be the end of the world.
Jonez’s parched descriptions of this doomed trajectory are fantastic. There are Joshua Trees and Stucco churches, and flies everywhere. The soaring temperature is evoked so well I thought my Kindle might overheat. And there is no let up—Every apparent relief, every opportunity for a cool breeze or a quenching of thirst, is just a further heightening of the characters desperate plight. Is this Emily’s personal hell for the many crimes she has committed? Or some wider vengeance? Continue reading “Four reasons why I probably won't win the Shirley Jackson Award”