An effective speech by comedian Sacha Baron Cohen on how social media companies have become “the greatest propaganda machine in history.”
On Twitter, the author Tom Chatfield shares some charming photographs of the menu for his son’s new ‘restaurant’…
Starting the day with breakfast at my son's new restaurant. pic.twitter.com/6iROxGdfgl
— Tom Chatfield (@TomChatfield) October 16, 2019
I just love the way that children misspell words. I think that the particular mistakes they make are actually very hard for adults to fake. Continue reading “Rudimentary Creativity and the Nature of Intelligence”
Last year I posted some notes about the famous free speech formulation “I hate what you say, but defend your right to say it” which is erroneously attributed to Voltaire. I think the fact that it was actually written by Evelyn Beatrice Hall about Voltaire’s philosophy is now quite widely known, as evidenced by the extent of the gleeful crowing of ‘well actually’ every time some-one prominent (like education minister Sam Gimyah MP in The Times last year) gets the attribution wrong.
While writing my post about Hall (whose pen-name was S. G. Tallentyre) I naturally searched for a picture of her online. A Google image search for ‘Evelyn Beatrice Hall’ throws up dozens of versions of the image below: a young, determined looking woman with a sword. Many of the images that the search yields include the famous free speech quote, properly attributed to Hall. Continue reading “The Misattribution of Evelyn Beatrice Hall”
The news that conspiracy theorist and inciter-to-violence Alex Jones had been simultaneously banned from several social media platforms sparked several days of debate and comment – on both mainstream and social media. At stake were questions about the wisdom and efficacy of such a ban, and the acceptable limits of free speech.
A common argument trotted out in several quarters, including by me, was the ‘slippery slope’ argument. It might seem acceptable to ban someone unpleasant like Alex Jones, but who might they ban next? First they came for Alex Jones, but I was not a dangerous snake-oil salesman, so I did not speak up… Continue reading “For Alex Jones, The Slippery Slope Argument Doesn’t Work The Way You Think It Does”
I have recently been teaching myself to solve a Rubik’s Cube. This is mainly because my self-image as an intelligent, analytical geek suggests that it’s the sort of thing I should be able to do.
I also want to be able to show off, and in my warped world-view, being able to ‘do the cube’ is something that one can boast about.
Solving the Rubik’s Cube is the International Genius Symbol. Screenwriters use a character’s ability to solve the cube as a shorthand for high intelligence. But as this clip from one such film shows, there is actually a method to solving the cube that can be learnt. Continue reading “Analogue Apps”
Big Little Lies is an HBO TV show, based on the Liane Moriarty novel of the same name. It stars Nicole Kidman and Reese Witherspoon, and follows the woven lives of several families living in Monterrey, California.
It was first broadcast in the spring of 2017. Following huge recognition the Golden Globe Awards in January, I decided it was time for me to watch the box set.
Each family has a child attending the local Elementary School, and there’s a murder at a school fundraising gala. A death is announced in the very first scene of the very first episode, but neither the victim, the killer or their motive are revealed until the finale.
The show strikes me as being very much Of Its Time, an emblematic cultural artefact of Western culture at the end of the 2010s. I think it does this three different ways.
Writing in the Guardian last week, Carole Cadwalladr lamented the way in which Twitter catalyses and facilitates global bullying. This prompted a short exchange between me David Heinemann from Index on Censorship. We noted the betrayed promise of free speech for all that social media offers, and what—or rather, who—might solve the problem.
Continue reading “Twitter Betrays The Promise of Free Speech For All”
There’s a new social nework on the block: Mastodon.
Or rather, it’s a social media technology. When we funnel all our conversations through the servers of a big company like Facebook or Twitter, we grant them enormous power. They control the extent of our privacy and of our free speech, and that power can be abused in ways that are both legal and not. The companies can sell our data to third parties (a process made much easier by the US Congress last week); they can reveal our data to the security agencies of nefarious regimes; and they can throttle or shut down our free speech if they so desire, without going via a court.
Decentralising the way in which we converse online means we can reclaim some of that power. A few years ago I posted a link to a blog post on Dave Winter’s Scripting News which sets out the practical and political importance of this idea: by spreading out, we’re harder to stop.
Mastodon is an open source project, so anyone can install it on a server and run a Mastodon ‘instance’. The software uses a principle called ‘federation’ to allow users to see messages posted on other instances of the software. So people who signed up on (say) mastodon.social can view and respond to messages posted to octagon.social (which is the version I signed up to with the username @robertsharp).
Problem solved, then? Not really. Continue reading “Free Speech, Identity and Mastodon”
New York Magazine has a long feature on the eight years of Obama’s America.
The first illustration in the piece is a compelling diptych of President Obama: two portraits taken eight years apart. The difference is stark. His hair has turned grey and his face is rumpled.
However, the photograph that really brought home for me the changes of the past eight years was one taken on inauguration day in January 2009. Its a version of an image that I’ve commented on before.
At first glance, the image looks modern. People mediating their own experience of the moment via a glowing rectangle. Taking their very own version of a famous photograph.
But when you compare it to the photograph below, taken in 2016, the inauguration image suddenly looks horribly dated.
But what if we could restart the body after it shuts down?
The ReAnima Project, a project to assess the possibility of regenerating the brains of dead people, has just received approval from an Institutional Review Board at the National Institutes of Health in the US and in India.
Bioquark Inc., the brains behind ReAnima (sorry, bad pun), was given the go-ahead to work with 20 patients already declared clinically dead from traumatic brain injury to test whether parts of their central nervous system can be brought back to life.
Through the use of different therapies, the company will try to revive patients who are only kept alive through life support. These therapies include injecting the brain with stem cells and a cocktail of peptides, as well as deploying lasers and nerve stimulation techniques that have been shown to bring patients out of comas.