Driverless Cars

The driverless cars developed by Stanford University are an innovation to behold:

It is easy to understand how driverless cars would be safer.  Maintaining a constant speed on the motorways will reduce chaotic braking, and the small variations in spaces and speed that create phantom traffic jams will be eliminated.  And with a little bit of linking technology between a group of driverless cars, hazards in one place can be communicated to the other cars on the road much quicker than human drivers with their relatively poor reaction times.
Koushik Dutta runs through some of the implications of a driverless car:

The operating percent of a car will go from 4% to that 96%. But back to my leading statement: there are unintended consequences. Parked cars will be a relic from the past. What happens to car insurance prices if a driver is no longer part of the equation? And if cars are receiving 20 times more actual use, that would imply that there would be 20 times less cars sold. This is the kind of disruptive change that can reshape the automotive industry. The recent GM/Chrysler bailout may have been for naught. … Of course, car companies realize this. And I can guarantee you, they will lobby against driverless cars.

Despite the clear benefits of such driverless technology, one can also see how winning changes in legislation to operate driverless cars may lag far behind the technology. Aside from the active lobbying against such schemes from car companies (and haulage unions, taxi drivers, &ct) I imagine people and legislators would be slightly squeamish about letting automated cars out onto the road.  Even though we know that auto-pilots do most of the commercial airline flying, there is something reassuring about the fact that the pilot is on board, sharing the ‘danger’ of flying with you.  Presumably, a passenger in a driverless car would be able to take control of the vehicle if they needed to… but the real benefit of such a car is precisely that it can drive itself home (or, come and pick you up), making a portion of the journey with no-one in the vehicle.
There is also the problem of mixing human driven cars, with driverless cars.  The safety benefit of the new technology is surely at its greatest when everyone is using the driverless technology.  All vehicles can travel at a constant speed and there would not be any crashes.  But in order to introduce such technology, and to get it widely adopted, you have to go through an intermediate stage where early adopters have to share the roads with the human muggles who still insist on actually driving their cars.  Perhaps legislators will demand that the driverless vehicles are specially painted, or have flashing lights on them, to warn other drivers that their is something on the road that will not behave in the way you might expect, much like ‘Long Vehicle’ and ‘Wide Load’ livery on haulage vehicles.
A related problem is that when there is no actual person in the vehicles we share the road with, the moral duty we feel we owe to other drivers to stay safe will dissipate.  Driverless vehicles will not be given right of way, and human drivers will cut in front of driverless cars more frequently.   Young joyriders on bikes or in cars could start ‘teasing’ the driverless vehicles, deliberately driving erratically to test the avoidance capabilities of the software.
There is also a civil liberties concern, in that driverless cars will presumably log every journey they make somewhere, for diagnostic and ‘learning’ purposes, but this information could be exploited by the state, companies or anyone else who wants to invade your privacy.  Governments or commercial interests could programme cars to refuse to take you to certain locations, or to drive you via advertising hoardings.  This would be undesirable… but appropriate technological checks could easily guard against such abuse.
The way to introduce such technology is in a closed system, where the entire road infrastructure can be controlled. The DLR operates without drivers, and a new pod system has been introduced at Heathrow Airport, where driverless pods operate on dedicated lanes. Perhaps Heathrow or another airport, one out of the city centre and with a spur road serving it, could invest in dedicated driverless lanes, plus detailed road mapping, and some sort of API for their traffic lights? This would allow driverless cars to operate efficiently to-and-from the airport, and provide a ‘proof of concept’ to legislators and regulators.
Finally, there will be car enthusiasts who insist that driving a car is one of the joys of life. Why surrender it to a machine? Well, yes, but even though horse riding was made obsolete as a system of mass transit when engines (steam, internal combustion) were invented, enthusiasts can still do it for fun. But for those who only drive out of necessity, driverless cars offer a tantalising glimpse of a congestion free future.

Long Photos

Earlier this week I commented on that photo of Obama and his advisors in the Situation Room:

The image in question is particularly good because it seems to portray a very long moment. If Souza had been filming the scene we imagine that it would not have looked very different from the still photograph… apart from some blinking.

Via Matt Haughey, I’ve discovered From Me To You, the work of Jamie, a photographer who takes photos and adds a little bit of movement into them as animated GIFs.  Its not clear at first glance that you’re looking at a manipulated photograph and not an actual movie.

Caught in the Fashion Jungle
Caught in the Fashion Jungle – http://fromme-toyou.tumblr.com

It reminds me of some comments made by technology thinker Chris Heathcote, who has written on the development of outdoor electronic billboards.  Hilariously, neither Chris nor I can locate the link to the post where he specificially discussed the idea that the best and most sophisticated use of moving images in billboards might be the most subtle.  Barely perceptible movements, blinks or slight gestures, may actually grab the attention of the target audience in a way that horrible flashing banners may not.  We know that modern brains can learn to mentally censor banner adverts and other obnoxious and ostentatious marketing.  Chris points to this bus shelter advert as an example of best practice.

The Underground Project

A fascinating link that has been doing the rounds recently is the Live London Tube Map by Matthew SomervilleThe link is meant to be here, but at present (24/6/2010) it is not active… probably because so many people re-tweeted it and I guess it makes pretty heavy demands on the servers of Transport For London, who provide the raw location data.
I know many people share a fascination for watching or listening to events and processes that happen in real-time.  During the shuttle missions, I like to listen to the communications between the astronauts and Houston; ATC audio holds the same fascination, as does FlightRadar’s graphical representations of live air traffic around Europe.  Chris Heathcote has created a page of TFL cams, showing live images from London’s roads; and subscribers to the Shoreditch Digital Bridge project are just as keen to watch each other via CCTV as they are to watch actual programmes.
The appearance of Matt’s tube page inspires me to post a short concept for an urban game that I wrote a few years ago, uploaded to a wiki, and then failed to develop much further.  It is reproduced below.  I sense that Foursquare may actually perform many similar functions, though I haven’t used that platform yet.  Either way, it would be great to get some input from people like those who run LiveFiction and Hide&Seek.
Continue reading “The Underground Project”

Moving Photography?

Jason Kottke thinks that the stills video camera will become obsolete in a few years time:

As resolution rises & prices fall on video cameras and hard drive space, memory, and video editing capabilities increase on PCs, I suspect that in 5-10 years, photography will largely involve pointing video cameras at things and finding the best images in the editing phase. Professional photographers already take hundreds or thousands of shots during the course of a shoot like this, so it’s not such a huge shift for them.

I think he underestimates the convenience that the traditional method provides.  Editing even a few moments of video is a lengthy process, and selecting a precise frame or three from a length of footage will be too time consuming for the average punter.  Granted, professional photographers do fire off dozens of snaps in quick succession, to increase their chances of capturing ‘the moment’.  But the ratio of wheat to chaf in this process must surely never approach that generated by 25 f.p.s. video (or film).  I don’t doubt that at the very high-end, photographers will continue to use this technique, but the act of editing, of post-production, will keep the time premium high, and restrain its use to a limited number of professionals.  Without devoting the time to inspect every single frame, how can you be sure the quality of the image would be any better than normal?  It is certainly not an appropriate technique for photojournalists on a deadline, or the amateur snapper with other things to do.

The clamour for the photo (AP Photo/Jose Luis Magana)
The clamour for the photo (AP Photo/Jose Luis Magana)

Photos in the Crowd

The buoyancy of the President’s daughters, Malia and Sasha, at the inauguration yesterday, was refreshing and delightful. Its fashionable to lament the fact that children “grow up too quickly these days.” Its becoming equally fashionable to note the innocence of the Obama girls in the midst of the overwhelming pomp of campaign, transition, and inauguration.

Malia gets her own snaps for the family album (Timothy A. Clary/AFP/Getty Images)
Malia gets her own snaps for the family album (Timothy A. Clary/AFP/Getty Images)

Especially noteworthy, bizarre yet endearing, was Malia’s insistence on taking digital photos of the event with her consumer camera (appallingly, though not unsurprisingly, E! Magazine has wondered aloud about how much those pictures would be worth). Most hilarious was the moment, right after her father’s speech, when she leant forward and asked the old man sitting in front to take a photo of the crowd, because he clearly had a better view. It was Joe Biden, the new Vice-President.
Meanwhile, a defining image of the inauguration for me was the sight of thousands of other citizens all stretching to capture the moment on their own cameras, phones and camcorders, something like this:
The clamour for the photo (AP Photo/Jose Luis Magana)
The clamour for the photo (AP Photo/Jose Luis Magana)

This sort of image will become, has become, commonplace.  I think this obsession with recording significant moments for ourselves is fascinating.  Malia and The Crowd had two utterly different viewpoints on the proceedings, yet both exhibited the same urge.  In both cases, there is an irrationality to their actions.  The inauguration was long known to be one of the most reported events in the history of news media.  On one level, its absurd that the First Daughter would need to actually press the shutter herself – the image of her father raising his hand will persist without her (I noted athletes doing a similar thing during the Olympics).  Likewise, its absurd that the grainy figure of Obama raising his hand in a wave, as he strolled down Pennsylvania Avenue, will not be similarly recorded in high-resolution, extreme close-up, by hundreds of professionals.
And yet, I’m as guilty of this as the next man.  For example, was my recently posted photo of Gordon Brown at all necessary?  To no-one but me, I would suggest.

And that, I suppose, is the answer.  Contrary to what the reporters at E! Magazine might hope, Malia’s photos are not for public consumption.  They are a personal aide memoir (much like this blog).  The camera-phone photos, poor quality, though they may be, server as a document to one’s presence of the event, a self-generated certificate of attendance.  The grainier the better, to the extent that poor picture quality actually becomes a mark of authenticity.

Update

ChicagoSuz, a commenter at Huffington post:

Weegee (my favorite photographer) would go to a fire and while all the other photogs were taking pictures of the flames, he would take pictures of the fire’s victims watching their homes burn. That seems to be what Malia is doing. While the media focuses on her Dad, she seems to be focusing on the people who came to see him. It’s a whole different perspective.

Update II

Here’s the sort of image I mean.  The glow from the digital camera screens looks like fireflies:

President and First Lady at the Washington Hilton. Photo by Kevin Mazur/WireImage.com
President and First Lady at the Washington Hilton. Photo by Kevin Mazur/WireImage.com