Pupil Barrister

Month: June 2009 (Page 1 of 2)

Infinite Jest and Attempts on Her Life

David Foster Wallace in San Francisco, 2006. Photo by Steve Rhodes

David Foster Wallace in San Francisco, 2006. Photo by Steve Rhodes


I’ve taken the plunge and started reading Infinite Jest by David Foster Wallace, using the Infinite Summer blog as a handy pacemaker and reading aide to what I am beginning to understand is a supremely complex book.

It’s only annoying if you look at the novel as a code to crack, if you see everything as a clue.
Marcus Sakey: ‘Decoding Infinite Jest; or, Don’t’

The first similarity I’ve noticed is between Infinite Jest, and Attempts on Her Life by Martin Crimp, a play I know intimiately after working on it at the National Theatre back in the ’07.  The chapter beginning on page 27 of the book is written in a style highly reminiscent of several of scenes in Crimp’s play.  I noticed it when the phrase “quote-unquote” popped up in the dialogue.  It is utilised in a similar manner in both pieces, to convey a certain official or professional manner, a style of speaking that prentends to be disinterested, but it actually quite hostile.  From there, it was pleasing to see that the chapter follows a similar structure to a couple of scenes from Attempts.  The characters actually present describe another by means of a list that becomes an incantation of sorts, who said x or who did y:

“Who requires only daily evidence that you speak…
“Who used to pray daily for the day his own dear late father would sit, cough, open that bloody issue of the Tuscon Citizen, and not turn that newspaper into the room’s fifth wall. “

Compared with Attempts on Her Life:

Is this the same little Anne who now has witnesses breaking down in tears? …
Who screwed tiny mechanisms and mercury tilt switches to a mercury circuit board, with a mouth of deep pan pizza?

Another major parallel is in the structure.  Like Infinite Jest, Crimp’s Attempts is not a code to be cracked.  The seventeen or so ‘attempts’ are not related to each other, plotwise, although certain refrains and themes return more than once.  It remains to be seen whether this happens with Foster Wallace’s book, but from what I have read (no spoilers, I’ve made sure of that) I am assuming this will be a feature, to some degree.   Marcus Sakey confirms its not a code to be cracked, at least.
And finally, I sense several themes emerging in Infinite Jest that are shared with Attempts:  A satire on commercialism and product placement; pretensiousness in modern art; women attempting suicide;  and above all, an attempt to describe a dissociation brought about by modern society.

Martin Crimp. Photo by Graeme Robertson

Martin Crimp. Photo by Graeme Robertson

#MichaelJacksonRIP vs #IranElection

Evenin’ all. I wanted to make a quick point about certain global news stories, and the relative amount of news coverage given to each.
Its fashionable, yet incredibly easy to complain that the Michael Jackson death has crowded out news of other more pressing matters. Shawn Micallef sounded an early word of warning about this attitude:

There is no need to compare MJ & Iran – completely dif, just intersect on same medium, not a social/moral lesson to be learned.

Then (again via Twitter, though the link is now lost in the maelstrom) I came across this MJ/Election mash-up, and it occurred to me that coverage (be it on Twitter, blogs or the international MSM) is not a zero-sum game, and that coverage of one piece of news could promote awareness of another.

If you consider Jackson’s output, there are actually loads of other songs that could fit a revolutionary template. Songs like “Heal The World” and “You Are Not Alone” seemed (to me) quite sanctimonious and irritating when they were released. But with the passing of Michael Jackson, the self-congratulatory element to those tracks seems to dissipate. They’re now ripe for the picking as a backing track to some feel-good montages of the peaceful demonstrations in Tehran. “Earth Song”, “Black or White” and (going back a little bit further) “Man in the Mirror” also carry that We-Are-The-World vibe… as does, of course, “We Are The World”! They could all fill the role of unofficial theme-tune to a non-violent protest movement.
Too cheesy? Not one bit of it: The “Yes We Can” generation of political campaigners are unafraid of such accusations. Meanwhile, tracks like “Beat It” could accompany comedic images of Ahmedinejad and Khameni and Keyboard Cat.
I meant to post this last week, so I feel sure I am behind the curve on this one. Yet a quick search through YouTube doesn’t yield further examples. Let us know your favourites, either in the comments, or via the tips form, and maybe we’ll do a round-up or something.
+posted at Liberal Conspiracy. Comment there.

Jacko

Apparently Twitter was pretty much overloaded with the news that Michael Jackson had died.  From Toronto, Shawn gets in an early word of warning:

There is no need to compare MJ & Iran – completely dif, just intersect on same medium, not a social/moral lesson to be learned.

Guy captures the mood:

im feeling weird about Jacko dying. he was too weird and too great and it feels strange.

Was surprises me, is that somehow I am not more surprised.  By the time I got to know his music in the late 1980s, he had Thriller behind him and was already stratospheric, categorized alongside other immortals like Elvis Presley. Horrible to think it, but a premature death seems somehow appropriate for the narrative, the modern folklore.

Michael Jackson

Votes and Violence in Iran

Its frustrating to maintain a blog, yet fail to comment on some of the most potent stories of the moment.  Nothing doing here on the expenses row or the election of a new speaker.
Worse still, nothing on the ongoing protests and violence, following the recent disputed elections in Iran.  That’s not to say I’m not engaged with what is happening.  I’ve been following the pleas for help via the #iranelection tag on Twitter, and looking various photostreams on Flickr.
During the street protests that followed the Mumbai attacks, I said that social media has come of age.  But now, looking at the Iranian events, I worry about that.  First, we have seen that the network is still vulnerable to interference from governments.  And second, raising awareness of an event is not the same as establishing consensus, much less ensuring there is a critical mass of people for effective action.
I discussed this briefly in a post about the Burmese Monks protest (the short-lived “Saffron Revolution”) in September 2007.  Despite the use of the Internet as a co-ordination tool, it seems that critical mass – or, to be more precise, the right kind of critical mass – is still an elusive Pot of Gold.

Protesters assist a riot policeman in distress in Tehran Protesters assist a riot policeman in distress in Tehran

Protesters assist a riot policeman in distress in Tehran

Update (13th July)

The image above, of protesters helping a battered policeman detatched from his riot-unit, was removed from Flickr a few days after being posted. It returned a few days later, with the faces of the protesters blurred. Apparently, the authorities have been using social networking sites to identify protesters and target them for arrest (or worse). That’s the dark side of new media.

Vegetarianism and Religion

Seth Freedman posts a bolshy defence of vegetarianism, railing against fellow veggies who meekly apologise for their choice.  He takes no prisoners:

While vegetarianism is, of course, good for humanity in purely selfish terms (the land required to feed cattle bred for meat can be used to feed far more humans per square foot), the bare bones of the matter is that there is a serious moral deficiency in anyone who has no problem taking a creature’s life in order to fill their own stomach.

(Via Sunny on Twitter).
Hilariously, the article has gleaned a total of 648 comments and counting, with many a proud carnivore taking issue with Seth’s uncomprimising moral stance.
Their responses, while valid, stumble into a pitfall that is common in the bloggy landscape, that of a failure to ask the question who is the article for? Freedman makes it clear that he is complaining about the timidity of his fellow vegetarians, Hadley Freeman in particular, for whom calling meat-eating a “serious moral deficiency” is a persuasive and motivating argument.
One a separate note, is there not an analogy between arguments for carnivorism, and for religion? Carnivores often accept Freedman’s argument that the land required to feed cattle bred for meat can be used to feed far more humans per square foot, yet they still assert that they have a right to eat meat due to historical and cultural reasons: its always been this way, why should we change? Similarly, social conservatives give historical and cultural reasons to argue that religion should play a part, and have a moral claim over society, even though it is accepted that there are actually no factual basis for these claims: its always been this way, why should we change?
What’s interesting here is that the ‘no-nonsense’ types who scoff at vegetarians are often the same atheists who condescend to religious folk.  In one case, they think that the historical and cultural argument holds water; while in the other case they call it invalid.
I have to admit that I am an infuriating agnostic in both cases!  For domestic reasons, I’m a de facto veggie, without having actually made a firm and binding committment to myself!  And while I also consider myself an aetheist, offended and afraid of organised religion, I still think that faith, spirituality and even tradition serve a valuable purpose.

« Older posts

© 2026 Robert Sharp

Theme by Anders NorenUp ↑