Barrister

Author: Robert (Page 110 of 328)

Media Fail

Over at the Spectator, Alex Massie analyses an Ipsos-Mori poll on some of the beliefs the British people hold about our country and the way the Government operates.
To pick just one statistic:

Then there’s this doozy: 29% of respondents think the government spends more on unemployment benefits – the Job Seekers’ Allowance – than on pensions. In fact, pensions cost 15 times as much (rightly so!).

Apparently the British public is similarly misinformed about the propoertion of Muslims in the country, the number of immigrants, the budget of the Department for International Development, the rate of teenaged pregancies, and the crime rate.
Massie shies away from calling the British people stupid, though the headline to his post ‘Abandon All Hope’ suggests this is what he thinks.  And clearly this poll shows that we are, indeed, a highly ignorant bunch.
But I think it would be wrong for we the public to take the blame.  To my mind, this poll shows that we are being failed by our media.  Their primary purpose is surely to keep us informed about what is going on in our democracy, and clearly they are not doing that job effectively.  That’s not something that Alex Massie cares to consider in his article.

A Meeting By The River

Over on Medium, I have posted a short satire on the PRISM programme:

When he arrived, my agency source was out of breath. He had clearly been running to make our appointment.
“Busy day at the office?” I asked, keeping my eyes on the river.
“You have no idea,” he panted, as he slumped onto the other end of the bench.
I dropped the newspaper into the space between us, and slid it towards him. Edward Snowden’s righteous face blinked out from the front page.
“He looks like something out of one of those vampire movies for girls” said my contact.
I ignored the diversion and got straight to the point.“Why didn’t you tell me?”

You can read the whole thing on Medium.
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An Enclosures Act of the Mind? Libel and the NHS

Here’s an article I posted yesterday on the OurNHS section of OpenDemocracy.


In many ways, the Defamation Act 2013 was good for medicine. During the course of the Libel Reform Campaign, English PEN met dozens of doctors and medical journalists who had been silenced by the famously restrictive English libel law. Pharmaceutical companies used the archaic law to prevent the publication of valid criticism by medical professionals. Fiona Godlee, editor of the British Medical Journal, told a Libel Reform rally how factual reports on medical treatments had been ‘softened’ or even spiked because of libel fears.
The Defamation Act 2013, which English PEN and the Libel Reform Campaign spent three years fighting for, gives strong legal protections to peer reviewed articles. Patients and commissioners should be able to learn of any doubts that doctors have about pharmaceuticals and new treatments. The Act also includes measures to limit the progress of trivial claims, and a new public interest defence. In 2007 Goldacre faced a libel claim from vitamin pill manufacturer Matthias Rath after he used his ‘Bad Science’ column to critique claims that these pills could cure AIDS. Although Goldacre eventually won the case brought against him, the battle left him significantly out of pocket. The new Act should help journalists like Dr Ben Goldacre see off the pharmaceutical libel bullies.
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Cinefilm Footage of the 2003 anti-war protests

I have just uploaded some digitised super 8mm cinefilm footage I took in 2003, of the anti-war demonstrations in London.

I sent the original reels to the producers of the We Are Many documentary. They have crowd-sourced footage of the biggest mobilisation of people in history. Sadly, my footage did not make it into the final cut (too much panning, maybe!?) but they provided me with the digitised footage anyway. I am making it available online under a Creative Commons Licence.
Watching the footage a decade after I took it, I am amused by how the vintage cinefilm adds an extra sheen of history to the images. Its also serendipitous that I received this footage back just as Instagram launched its video service. The quick cuts and grainy film in my clips are mirrored in the new content being produced today by social media enthusiasts. I was using Instagram Video before it was cool!
I am also reminded of these wonderful lines from Karo Kilfeather in her essay ‘The Art of Narcissism‘:

The impulse to create art is as powerful as any other thing that drives us because art connects us to experiences and to one another. Good is besides the point when the need behind it is to create something honest and true to the way we see the world. It’s not about realism. The vintage-tinted Instagram filters are derided for adding a nostalgic cast to the mundane, but what they do is allow users to share their world in the same emotional shades they see. The photo becomes not just a document of a moment, but a story told from a point of view.

This speaks to why I chose to document the protest with Super 8mm cine-film in the first place. The political mobilisation of early 2003 felt historic, and I wanted to convey that in my personal record of the day.

Discussing Assange in Politiken

I was quoted in the Danish newspaper Politiken yesterday, commenting on Julian Assange’s choice to seek political asylum in Ecuador (or at least, its London Embassy):

»Det kan virke som et lidt … bizart valg, når man ser på Ecuadors egen situation på området for ytringsfrihed«, siger kommunikationsdirektør Robert Sharp fra English PEN: »Det er mildest talt ikke et land, der normalt er kendt for at gå i brechen for ytringsfrihed«, siger Robert Sharp.

Essentially:  Its a bizarre choice when you look at Ecuador’s record on free expression issues.  At the very least, its not a country that has a reputation for standing up for free expression.

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