Robert Sharp

Pupil Barrister

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What's the Arabic for..?

The campaign grows to grant asylum for all those Iraqis who have worked for the British Armed Forces in Iraq. Bloggerheads publishes a list of bloggers who support the campaign, while Chicken Yoghurt and Pickled Politics have been keeping track of MPs who have responded to the letter writing campaign.
Over at The Ministry of Truth, Unity has produced some blog banners that you can add to your own site, linking to an appropriate explanatory article such as the one published by Dan. My favourite is this one:
What is the Arabic for We'll stand by you?

What’s the Arabic for “We’ll stand by you?” – We can’t turn them away

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St John's Church

stjohns_august

Mural outside St John's Church, Edinburgh, August 2007


This is the latest in a long series of murals to appear outside St John’s Church in Edinburgh. Positioned at the corner of Lothian Road and Princes Street, the church and its paintings are a memorable sight for anyone who has lived in, or visited the city.
I’m not quite sure what Ahmadinejad is doing in the picture. I think maybe he is walking towards the table that Rev Paisley and Mr Adams have already reached.
It is because of places like St John’s that I can never quite get behind the likes of Richard Dawkins and Christopher Hitchens as they denounce religion. These authors rail against the intolerance and the dogma of religion… but the people who run St John’s church seem to be of a different ilk. When they campaign, their objections are not related to heavenly crimes like blaspheme, but against more human ills such as poverty and injustice. And where some fundamentalists encourage a divisive mentality, St John’s is a centre for interfaith dialogue and multiculturalism. It has a Fair Trade café, a bookshop, and a hall for meetings. It is a place where civil society actually happens.

Robert is Blogging about Facebook

Clive Thompson in Wired, on How Twitter Creates a Social Sixth Sense:

Individually, most Twitter messages are stupefyingly trivial. But the true value of Twitter is cumulative. … When I see that my friend Misha is “waiting at Genius Bar to send my MacBook to the shop,” that’s not much information. But when I get such granular updates every day for a month, I know a lot more about her. And when my four closest friends and worldmates send me dozens of updates a week for five months, I begin to develop an almost telepathic awareness of the people most important to me.

Twitter is a kind of mini-blogging, where you can post message via text message. Thompson predicts that this feature will be incorporated into other applications… and indeed, a similar feature exists in Facebook, which incorporates a “status” field that you can fill in with whatever you wish.
Facebook welcome screen
One feature of the Facebook feature is that the site automatically adds the word “is” to the start of the sentence (i.e. “Robert is…”). This can be frustrating when one’s status (whatever it may be) does not lend itself well to an “is”. I have to write “Robert is wanting…” instead of “Robert wants…”, and “Robert is thinking…” instead of “Robert thinks…”
Some people have been agitating to have this little quirk removed from the site. However, I think this would be a mistake. Sometimes, real creativity arises when one has to overcome constraints. Some of the best Facebook statuses (stati?) I’ve seen, have caused the obligatory “is” to be integral. When you realise that the first two words of a sentence are mandatory, a cliche suddenly seems inspired.
My recent favourites are both very much the epitome of 21st century urban life:

Gill is like, so, whatever.

and

Mike is just popping out to the shops, do you want anything?

Fuerzabruta

fuerzabruta
Last night I was lucky enough to see the astonishing Fuerzabruta, a kinetic dance/circus show down at Ocean Terminal in Edinburgh. Men running along treadmills, ballerinas chasing each other up walls, dusty cast members smashing pieces of set over the audience members’ heads, and a huge transparent paddling pool lowered to just a foot above the audience member’s heads! Each set piece presents a new thrill that challenges one’s perception of space and one’s relationship to the performers.
From the shocking opening to the wet finale, Fuerzabruta feels more like a concert than a theatre show. Never have I been to a Fringe show (or circus for that matter) that creates such a sense of communality in the audience. It is that visceral pleasure of being simply a part of the moment, that human moment, when everyone is moving to the same beat.
It will quickly become the talk of the festival – book now!

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