Pupil Barrister

Tag: Diary (Page 8 of 30)

Crowdsourcing Clegg Commentary

One perk of working for English PEN at the Free Word Centre is the annual festival, which includes the welcoming of a poet-in-residence.  Last year we had Ray Antrobus and Joshua Idehen dropping the rhymes. This year Kate Fox has been reciting poems to us at our desks.  Under the alternym Kate Fox News, she quickly writes and publishes poems about current affairs, such as the Pope’s visit and the party conferences.
Kate recited for us an experimental poem she wrote yesterday entitled “Nick Clegg’s Conference Speech Remixed“.  She has spliced some of Clegg’s soundbites together with realtime Twitter commentary.

Just imagine how different our country will be.
Not exactly a vision thing
Stick with us
It wasn’t a bad speech
Stick with us
Looks all so sincere
Stick with us
We’re stuck with U

I like this format.  For one, it includes a random, crowd-sourced element.  It is surprising how often the act of yeilding some control of your content to The Cloud or The Rabble yeilds something true and pleasing – Cybraphon and FOUND are the arch mongers of this type of art.  I also like the juxtaposition of the primary source material – the speech – with the commentary.  A poem that could not have been created before social media tools became ubiquitous.

Known Unknowns

At the Plain Blog About Politics, Jonathan Bernstein reminds us that, despite the oceans of political coverage that seems to saturate the media, many people do not take an active interest in politics outside of election time.

If you asked [my Father] to name a NASCAR driver he’d probably look at you as if you were nuts…but if you named some of them, he’d probably recognize the names. The idea is that lots and lots of people have about that level of knowledge about most of what happens in politics. It’s just background noise. We, the people who write and read political blogs, and watch debates, and pay attention to politics even in the off season –we’re the minority.

Bernstein is writing about US politics, discussing former Governors and presidential hopefuls Mitt Romney and Mike Huckabee, two people who I bet few in Britain would recognise.  Nevertheless, Bernstein’s cautionary tale is pertinent in the UK too – At election time, I remember being amazed that the Leaders’ debates could increase Nick Clegg’s popularity ratings so substantially.  How had so many people not heard of him, or see him perform?  In my world, he was on TV all the time!
Here’s Caitlin Moran on Twitter:

I’ve made a decision – I’m not going to find out who Justin Bieber is. He’s going to be the first “modern thing” I’m going to ignore.

This has stuck with me, because it was via this message that I discovered that a person called Justin Beiber existed.  Whenever I have mentioned this to other people, they have, without exception, replied: “Who’s Justin Beiber?” which reassures me somewhat.  If I am being culturally ignorant, then at least a lot of other people I know are too.  There is a Facebook group called I bet I can find 1 million people who hate Justin Bieber.  Perhaps I should start one called I bet I can find 1 million people who have never heard of Justin Bieber?
That Bieber is, in many circles, a hugely famous global phenomenon – worthy of single-serving sites, mash-ups and parodies – matters little to me.  The most cursory research quickly reveals that I am not his target market.  In such cases, admitting ignorance becomes something of a badge of sophistication.  However, in other cases, the sudden exposure of my own ignorance leaves me more concerned.  It is more embarrassing for me to admit that I had barely any knowledge of Alan Watkins’ career, or the output of Tony Judt, until people I follow began tweeting and blogging their RIPs.  As a fully paid up agent for the liberal left conspiracy, Watkins and Judt were guys I really, really should have known about before they died.  Instead, both names were part of the ambient noise around me (like Bernstein Snr and the NASCAR drivers).  I’m grateful that at least the news of their passing found its way into my ‘streams’, and I can now set about reading Postwar.
Of course, knowing that there are influential people out there who you have not heard of is not very helpful, because of course, you don’t know who they are!  This can be remedied by reading an entirely new or random blog, or just by picking up a weekly magazine that you might otherwise avoid.  What might me more interesting, however, is considering who or what currently exists on the penumbra of your consciousness?
The answer that springs to mind is Stephanie Meyer’s Twilight Saga, which I first became aware of when I began to see young teensm on trains reading improbably thick paperbacks.  Meyer’s series managed to become a global success story while I remained oblivious.  Again, this is easily explained by the fact that I am not the target market.  However, now that movies are being made and advertised on the public transport system, I would say that the saga, with its emo-vampire chic, is part of most people’s peripheral vision now.  It is no longer ‘background noise’ as Bernstein has it, but rather, a collective cultural happening that infiltrates our awareness via a kind of osmosis.
I would say that there are a whole class of public figures – people like Simon Cowell, Cheryl Cole, Huw Edwards, and John Terry – who enter our thoughts this way.  We know about them, and their notoriety before we even consider consuming their cultural oevres ourselves.  Certain politicians fall into this category too.  I would expect even the most uninterested and sullen of the lumpenproletariat to know who David Cameron was, and possibly George Osborne and Nick Clegg too.  However, if they aren’t clear who David Willets or Danny Alexander are… well, I think that’s forgivable.

WOMAD and Multiculturalism

Afro-Celt

Moussa Sissiokho, Johnny Kalsi and James McNally at WOMAD 2010. Photo by yrstrly


One of the highlights of WOMAD last weekend was watching a comeback performance by the Afro-Celt Sound System, who rocked the tent on Sunday evening with a tight blend of two cultures. The undoubted crowd-pleaser was a three-way drum duel between James McNally on the bodhran, Johnny Kalsi on the dhol, and Moussa Sissiokho on the tamma (‘talking drum’).  Underlay a little bit of electronica and some pipes, and the result is something that cannot fail to move you, both physically and emotionally. Its great to see musicians do that to an audience – and its even better to be a part of such primeval happenings yourself.  In such moments, the rising pace of the drums causes your mind to wander and wonder.
Here, I thought, we have a group of disparate musicians bringing their different traditions together to create something new.  Indeed, ‘fusion’ music is one of the festival’s specialities, and the Afro-Celt Soundsystem are very musch a creature of WOMAD.  But in watching the McNally/Kalsi/Sissiokho three-way, I was reminded that such music only works if the individual members have a (shall we say) traditional music upbringing.  Perhaps the discipline, and the distincitiveness of their separate musical heritages, are actually pre-requisites for their fusion music to work.
If true, it is an argument for a fairly rigourous form of multiculturalism.  Perhaps there is a value in encouraging not the fusion of cultures itself, but instead a promotion of the more traditional practices on which that fusion is based?  Only with a mature understanding of one’s culture can you confidently engage with others, and thereby play a proper part in creating something global, transcendental.
In a diverse country like Britain, this means supporting projects which pedestalise both the minority cultures, and the deeper roots of English and Celtic cultures.  This approach implies division, and the creation cultural silos, and has come in for much criticism in recent years.  But watching the talents of the musicians at WOMAD, you cannot help but percieve the long, accumulated embedded within each artist.  When you do, its natural to want to preserve and protect that history.
WOMAD flags by Wolfgang Haak on Flickr

WOMAD flags by Wolfgang Haak on Flickr

Doctorow/Mieville

Neither of my Twitter followers would have been in any doubt as to what I was up to on Tuesday evening – interviewing sci-fi authors China Mieville and Cory Doctorow for Clerkenwell Tales book shop.  I had relentlessly plugged the event and solicited questions.
Here is Dougal Wallace’s Flickr photoset for the event.

Tom Baynham will put up an audio podcast soon, and I will certainly write some afterthoughts on the discussion… including Mieville’s well-reasoned worry that blogging means we now have very few unpublished thoughts.

The Underground Project

A fascinating link that has been doing the rounds recently is the Live London Tube Map by Matthew SomervilleThe link is meant to be here, but at present (24/6/2010) it is not active… probably because so many people re-tweeted it and I guess it makes pretty heavy demands on the servers of Transport For London, who provide the raw location data.
I know many people share a fascination for watching or listening to events and processes that happen in real-time.  During the shuttle missions, I like to listen to the communications between the astronauts and Houston; ATC audio holds the same fascination, as does FlightRadar’s graphical representations of live air traffic around Europe.  Chris Heathcote has created a page of TFL cams, showing live images from London’s roads; and subscribers to the Shoreditch Digital Bridge project are just as keen to watch each other via CCTV as they are to watch actual programmes.
The appearance of Matt’s tube page inspires me to post a short concept for an urban game that I wrote a few years ago, uploaded to a wiki, and then failed to develop much further.  It is reproduced below.  I sense that Foursquare may actually perform many similar functions, though I haven’t used that platform yet.  Either way, it would be great to get some input from people like those who run LiveFiction and Hide&Seek.
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