The Age of the Remix

I mentioned ‘mash-ups’ last week. It’s a term that seems to have only gained traction in the past year. To me it seems to mean something halfway between ‘collaboration’ and ‘remix’. I don’t know what it means to other people.
We live in the age of the Remix. Sure, sampling and cover versions have been around for decades. Simple, honest plagarism has been around even longer. But it is the current era, one of cheap recording technology and limitless storage space for content, that the Remix and the mash-up will come to dominate.
The most popular video clip on the Internet is not a famous speech, a TV moment, or even One Night In Paris. Instead, it is footage of a plump kid wielding a broom, pretending it is a light-sabre. In one sense, he was not really pretending – The clip is so ubiquitous because thousands of people have added special effects to the footage, giving the anonymous hero a proper Jedi weapon (one suspects that the video was originally made for just such a purpose). Filming something and adding special effects is technically a remix. When we see unadulterated video, we call it “raw” footage, which suggests the idea that it is incomplete and un-evolved. Only when it has been mixed does it take on a clear and proper meaning.
I think one of the reasons I enjoy the music of Will Oldham is his propensity to remix his own songs. Hearing an old tune sung in a new style forces you to think about how the original was put together. The differences between the two renditions bring out the best of both. This is also true of artist Tommy Perman’s project Chinese Whispers, where the mix that was remixed was remixed was remixed, by an ever-expanding group of producers. Real World Records run a similar ongoing project too, again facilitated by the Internet and accessible production software that simply was not available five or six years ago.
Tommy Perman is a member of the FOUND collective. A couple of years ago, they thought up an excellent tag-line to promote their ‘Stop Look Listen’ exhibition at the Royal Scottish Academy: Remix Our Poster. The results were quirky and highly entertaining. What the FOUND exhibition shows us is that an initial thought can take different people on very different journeys. The pleasure lies not in seeing one aesthetically pleasing image… but in seeing dozens. It is delightful to see how varied are the thought processes of our fellow human beings. When it comes to lateral thinking, human imagination expands into infinite dimesions. The idea of the remix gets better with each new pathway.
A more recent example is the Layer Tennis Tournament, currently in progress over at the Coudal Partners site. One artist remixes another artist’s work. The remix is then remixed once more by the first player (using Photoshop layers)… and so the ‘volleys’ continue. Last week, illustrator Kevin Cornell took on designer Shaun Inman. The individual images they created are very pretty, but it is the juxtaposition of two different minds that makes it entertaining.
The Remix allows dialogue between many minds, not the monologue of a single person sharing their experience with us. Technologies, which we humans have invented and perfected over the past generation, increasingly allow this kind of art to arise and develop. And why not? Human thoughts overlap, and our art should too.


From a good review of Waves (and British Theatre in general), courtesy of Ben Brantley in the New York Times.

At a time when the theater is often regarded as the quaint elderly relation of the art forms, it’s a pleasure to the see this alleged invalid flexing its muscles, turning cartwheels and generally showing off to the tune of “Anything you can do, I can do better.” Adaptation, at its best, is not mimicry; it’s rejuvenation.

New Year Honours

Happy New Year everyone. Time to announce some additions to the blogroll.
I am delighted that a few high profile sites I read regularly have added this site to their list of recommendations, and I am more than happy to return the favour. Chicken Yoghurt, and fellow Edin-bugger Devil’s Kitchen are pretty prolific hubs, of the type that have to post messages of apology if they do not post anything for more than 24 hours! I am not sure I will find a political soul mate at The Kitchen, but as one of his other endorsements declares: “I disagree with him quite a lot of the time but I actually have to use my brain to articulate why.”.
Stef at Famous for Fifteen Megapixels probably leans more my way. He presents articles that are thoughtful, amusing, or both.
The rise and development of the Internet is a subject that fascinates me. We are still at the beginning of the communication revolution, and those who campaign for good practice and good design deserve particular praise. A List Apart is a “website for people who make websites.” As well as carrying a fantastic design, it is impeccably coded and offers advice on how designers can mirror those traits on their own sites. Website design should be so much more than simply visual design for the screen, and these folk are the best advocates. Elsewhere, the simple site by Clay Shirky carries some concise and perceptive essays on the Internet and the digital revolution.
It is an oversight that two organisations I have collaborated with on a few projects are not present in my associates list. Radio Magnetic are a Glasgow based radio station, perennial nominees for online station of the year awards. Digital technology opens up whole new ways to communicate, for those with the confidence to try.
Radio Magnetic have commissioned a series of podcasts from Scottish artists, giving an insight into the process of creating new music. The FOUND Collective bring us the first podcast in the series. its quite funny.