Pupil Barrister

Tag: freedom of expression (Page 29 of 31)

Interviewed on 2ser 107.3

A protestor holds up a demand for Free Expression inside the 'market focus' area at the London Book Fair. Photo by yrstrly.

A protestor holds up a demand for Free Expression at the London Book Fair. Photo by yrstrly.


Both readers of my blog were subjected to a significant amount of London Book Fair comment and linkage last month.  I was asked to give opinions on the controversial China Market Focus programme.
During the Book Fair I gave an interview to an Australian radio station, 2ser 107.3, based in Sydney.  I’ve only just discovered the link to the archive of the interview – My contribution is the first segment of the show.  Hilariously, I was credited as John Sharp!

The Great Banner Wall of China

This week English PEN has been at the London Book Fair. China was the ‘Market Focus’ country and as such, there were a lot of Chinese state-run stands at the fair.
I joined with activists from the Tibet Society and the Independent Chinese PEN Centre to stage a poetry protest in front of the Chinese Government stands. The poetry we recited earned their authors a ten year prison sentence.
Later, GAPP officials used a load of pull-up conference banner stands to block the protest from view. “The Great Pull-Up Banner Wall of China”. Not a good look, in a trade fair designed to promote openness.
I was also reprimanded by the security guards for holding up a sign saying ‘Free Speech is not a crime’ on carpet owned (or at least, paid for) by the Chinese government.

Comments on Comment is Free: Gunter Grass

When I do a post for Comment is Free, I like to do a round-up here of pertinent and impertinent comments that appear below it.
My piece on Gunter Grass pulled in 298 comments, which is a record for me, but sadly nothing to do with my prose. They are the predictable result of writing anything about Israel – partisans of both sides come out in force.
One comment, from fellow Comment is Free contributor David Wearing of the New Left Project, stood out:

The equivalence drawn here with the Habima theatre situation is entirely spurious.
The Habima theatre has performed to illegal colonists in the West Bank. Those colonies are maintained through a system of brutal repression (including the denial of many democratic rights, such as free expression) of the indigenous population.
Individuals and institutions are 100% entitled, as a matter of conscience, to choose not to work with Habima for that reason, and to encourage others to take a similar position. There is no question of censorship. To decline to associate with someone on moral grounds is a democratic choice.
No one has suggested that Jews or Hebrew speakers should be excluded blanket-fashion. The insinuation that this is what the proposed cancellation of Habima amounts to is an outrageous slur. Would anyone object to a performance by a Hebrew speaking theatre group made up of people who had never and would never perform in the illegal colonies? Everyone knows the answer to that. Everyone knows that those calling for Habima to be cancelled would welcome such an alternative performance with absolute delight.

So there is no comparison here to the Grass case, where a state (the one which criminally maintains the colonies mentioned above) has declared an individual persona non grata because he has expressed an opinion that the state disapproves of. That is dictionary-definition undemocratic behaviour.

I think that’s true, and my piece should have taken more care not to draw direct equivalence. I was merely trying to make the point that it should be left to individuals as to whether to engage with any piece of art. User silverchain took issue with Wearing, pointing out that plenty of other languages in the Shakespeare festival are represented by countries such as China and Turkey who also abuse human rights.
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Trouble Looming over Burqa Ban

So, French MPs have voted to ban the burka.
We know where this story will go next.  Somewhere in France, a woman will engage in a piece of civil disobediance and enter a public space wearing her veil.  She will draw attention, crowds, the press.  She will be asked to leave, but she will not leave.  Eventually, she will be deported from the area by the gendarmerie or other state agency.  Worse, someone may try to pull off the offending strip of cloth.
This event will be photgraphed and videoed by more than one person, and the footage will be on YouTube within the hour.  It will then become a staple of anti-secular propaganda, proving the intolerance of the European mind and the inherent anti-Islamic sentiment sweeping the West.
Some might suggest that my worries about this inevitable end-point are purely pragmatic.  They might agree that the new French law is counter-productive in the PR war against fundamentalist Islam… but then go on to argue that sometimes, the right decisions are not popular and that we cannot allow short-term realpolitik to trump the principle of the thing.
Here, I have to disagree.  I think that the question over policing what people wear is the principle at stake here.  Dictating dress codes is an incursion on an individual’s free expression.  If we condemn a misogynistic religion or a patriarchal culture when it proscribes what women wear, then how can we support a government that intervenes (and sets prohibitions) in precisely the same arena?  It is appalling.
I often hear the argument that women who wear the veil are “brainwashed”, an assertion that certainly makes sense to me.1 But such a claim is unfalsifiable, impossible to verify.  It is therefore a useless and illegitimate argument to put forward in the political arena, and not a good enough reason to legislate.  If we are truly convinced that brainwashing has taken place, then we must engage in “reverse-brainwashing”, putting forward alternative arguments, explaining the theory and the history of patriarchy, in the hope that people make different choices.  We might begin by discussing the value of facial expressions in communication, while taking an honest look at the idea of the “male gaze” and the undoubted objectification and sexualisation of the female form that is endemic in all cultures.
This is a longer and more frustrating approach, but far better than one which says that you are empowered by being criminalised.  Unfortunately, such long-term thinking rarely appeals to politicians, who favour the heavy-hand of legislation over deeper, cultural approaches.  A burqa ban is also a convenient dog-whistle for the far-right groups, who mainstream politicians are happy to pander to at the expense of a minority with no discernible political power.
If the burqa and the niqab are oppressive to women, then the only people who can shrug off that oppression is the women themselves.  Ripping off that ‘oppression’, by force and at a time of our own choosing, does not look like liberation at all.  It merely substitutes one form of dictatorship for another, returns no autonomy to the women themselves, and unwittingly endorses intolerance.  The philosopher Alain Badiou has a great formulation:

Basically put: these girls or women are oppressed. Hence, they shall be punished. It’s a little like saying: “This woman has been raped: throw her in jail.”

Interesting articles taking a similar view at the F-Word and Oye Times.

'Her Eyes' by Ranoush on Flickr. Creative Commons Licence.

‘Her Eyes’ by Ranoush on Flickr. Creative Commons Licence.


1. One might also suggest that women who wear too little are similarly brainwashed. After all, are they not persuaded to do so by the diktats of the celebrity gossip magazines?
nothing-covered-but

Creativity in reading

Library Parabola

The original British Library reading room, now at the centre of the Great Court, British Museum. Photo by Sifter on Flickr


I just gatecrashed a meeting some of my colleagues were holding, about writers running workshops in UK prisons.  One of the authors made the point that the term ‘creative writing’ can actually have a negative effect on the people attending these workshops, because it implies that writing is the only creative act.
What needs to be emphasised, he said, is that reading is a creative act too – Using your imagination to reconstruct the story and fill in the blanks, between the words the author has sketched.  This is well worth remembering, lest we invest all our admiration in writers, and neglect the other half of the equation, readers.
There’s another kind of creativity in reading too, which is in choosing just what to read.  Making connections between authors, and between their stories, constructing a network of books, choosing which literary pathway to follow – these are supremely creative acts too.

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