Why do any of us read anything? I have been meaning to read the Arabian Nights, or The Thousand and One Nights, for many years. Whenever I tell anyone that I have an interest in non-linear fiction, they usually mention the nested, story-within-a-story structure for which the tales are famous. In response, I have always said that I would get around to reading the collection “at some point.” Continue reading “My Introduction to 'A Thousand and One Recaps'”
I’m pleased to announce that a new short story of mine has been published over on Pornokitsch, the genre-loving, BFS Award-winning, Hugo-nominated and entirely-safe-for-work-despite-the-name online magazine. My story is titled ‘01001001 01000011 01000101’. Its inspired in equal parts by Ray Bradbury, Tom Stoppard, Shelley’s ‘Ozymandias’ and the 2004 Dennis Quaid / Jake Gyllenhaal disaster movie The Day After Tomorrow. It begins like this:
The book was big and heavy, which meant it would burn well.
In March, I was honoured and delighted to be asked to give the keynote speech at the University of Roehampton’s Creative Writing Soiree, an annual evening of fiction, memoir and poetry readings done by the English and Creative Writing students. The suggested title of my talk was ‘The Writer in the World’ which gave me the chance to speak about creativity, literature and the work of English PEN in broader and grander terms than the speeches I am usually asked to give. I confess to being quite pleased with the end result. Not, I must stress, in the delivery, which comes across as extemporised rather than pre-planned. But rather, the broad idea of what it means to be a ‘writer in the world’ and the pragmatic suggestions for how one might go about living as such a writer. The speech included a potted history of English PEN, some thoughts on the moral obligations of free speech, my earliest memories of learning to read, and the grind and grit required to be ‘creative’. Its a good statement of what I believe. Continue reading “The Writer in the World”
Exciting news: Jurassic London have just announced the forthcoming publication of my novella, The Good Shabti. Here’s the beuatiful and incredibly scary cover art by award winning artist Jeffrey Alan Love. From the publisher’s description:
The Good Shabti is a story that spans thousands of years. In the twilight days of Pharoah Mentuhotep, a slave stumbles into the path of imperial ambitions. And in contemporary times, a brilliant scientist and her ruthless companions come close to achieving the impossible: the revivification of an ancient mummy. The two stories weave together in a tale that combines science and myth, anticipation and horror…
I will almost certainly post some commentary and little nuggets of extra information about Pharaoh Mentuhotep IV or the writing process or something, between now and the launch in September. You know, to create a buzz… Those who have been really paying attention will recall that Jurassic London published a short story by me a little while ago. if you wanted to read that story for free, well, if you subscribed to the Pornokitsch Weekly Fiction mailing list, then maybe , just maybe, something to your advantage will materialise in your inbox tomorrow morning.
This week I was at The Kitschies, a set of awards for “progressive, intelligent and entertaining genre literature.” Its creators, Jared and Anne of the Pornokitsch website and Pandaemonium Fiction (my publishers, no less) rightly eschew the word ‘best’ when giving the awards. ‘Best’ is a devalued term in when it comes to awards, as implies an objectivity that a judging panel cannot possibly hope to achieve. I compiled a Storify summary of the event, pulling photos and comments from social media. The winner of the Red Tentacle award for a novel was Nick Harkaway for his book Angelmaker. On his blog, Nick has posted a long article on what he thinks ‘progressive’ might mean in terms of fiction in general, and sci-fi/fantasy genre literature in particular. He says that such progressive fiction “It is a fiction which connects the inner human future with everything it must have around it, and recognises that the two develop together.” Continue reading “The Kitschies and Progressive Fiction”