The recent EU parliamentary election campaign saw the birth of a particular form of political expression: milkshaking. The practice began when a man in Leeds, irate at having to talk to UKIP candidate and race-baiter Tommy Robinson, threw milkshake over him. Other people started throwing milkshakes at other right wing candidates. Nigel Farage refused to disembark his campaign bus in one location, having been ‘milkshaked’ at a previous stop. The phenomenon prompted a wave of political discussion, hot-takes ans hang-wringing. Was it akin to ‘punching a Nazi’ or other types of political violence? Or was it in the tradition of that time-honoured tradition of throwing eggs at politicians? Continue reading “On Milkshaking”
Today is the third anniversary of Saudi blogger Raif Badawi’s arrest, and thousands of activists around the world are demanding the reversal of his conviction on charges of blasphemy and ‘setting up a liberal website’. Many gathered at Downing Street today as a letter signed by hundreds of writers and politicians was delivered to Prime Minister David Cameron. But the Royal Embassy of the Kingdom of Saudi Arabia in London is not amused. Last week, it issued an indignant response to the ongoing campaign for Badawi’s release. ‘…the Royal Embassy of Saudi Arabia wishes to state that it has no tolerance for foreign entities meddling in the Kingdom’s internal affairs,’ said the statement. ‘The Kingdom will not tolerate such outrageous, ridiculous interference in its sovereign criminal justice system.’ Continue reading “No, Ambassador: It's Not 'Meddling' to Call for Free Speech in Saudi Arabia”
I have just uploaded some digitised super 8mm cinefilm footage I took in 2003, of the anti-war demonstrations in London.
I sent the original reels to the producers of the We Are Many documentary. They have crowd-sourced footage of the biggest mobilisation of people in history. Sadly, my footage did not make it into the final cut (too much panning, maybe!?) but they provided me with the digitised footage anyway. I am making it available online under a Creative Commons Licence. Watching the footage a decade after I took it, I am amused by how the vintage cinefilm adds an extra sheen of history to the images. Its also serendipitous that I received this footage back just as Instagram launched its video service. The quick cuts and grainy film in my clips are mirrored in the new content being produced today by social media enthusiasts. I was using Instagram Video before it was cool! I am also reminded of these wonderful lines from Karo Kilfeather in her essay ‘The Art of Narcissism‘:
The impulse to create art is as powerful as any other thing that drives us because art connects us to experiences and to one another. Good is besides the point when the need behind it is to create something honest and true to the way we see the world. It’s not about realism. The vintage-tinted Instagram filters are derided for adding a nostalgic cast to the mundane, but what they do is allow users to share their world in the same emotional shades they see. The photo becomes not just a document of a moment, but a story told from a point of view.
This speaks to why I chose to document the protest with Super 8mm cine-film in the first place. The political mobilisation of early 2003 felt historic, and I wanted to convey that in my personal record of the day.
I really shouldn’t let the weekend start without jotting a few notes about the ongoing unrest in the Middle East, provoked by the YouTube video “The Innocence of Muslims” and fuelled by the French magazine Charlie Hebdo. The protests have sparked another round of analysis of the the Muslim faith, with the predictable indictment of Islam as uniquely intolerant. The Onion published a very funny NSFW cartoon, blasphemous to all religions except Islam, with the headline ‘No-one Murdered Because of This Image’. Funny, yes, but not actually accurate as satire. The fundamentalist Hindus of India are not above threats and riots when their sacred images are appropriated. The internationally acclaimed artist MF Hussain spent his twilight years in exile because of threats made by his own countrymen, such was their dislike of his Mother India paintings. And Richard Gere’s effigy was burned by an angry mob after he kissed Shilpa Shetty. The fact that Hindus riot too is instructive. When they do, it is at the encouragement of nationalists groups like Shiv Sena, who seek political power through demonisation and division. When Muslims riot, it is similarly due to local leaders seeking to win political support. Even the Salman Rushdie fatwā (also in the news this week due to the publication of Rushdie’s autobiography, Joseph Anton) was raised by Ayatollah Khomeini as part of a power-play. The old Ayatollah had been losing political support in the months leading up to Valentine’s Day 1989, when the infamous decree was issued. Continue reading “Blasphemy and Cynical Plays for Power”