During my time working for English PEN I’ve often used the phrase ‘literary campaigning’ to describe our particular style of activism. Its a term that probably seems self evident: we use literature to draw attention to the situation of writers at risk. For example, we might read the writing of an imprisoned poet outside an embassy, or stage a world-wide reading at multiple locations around the world.
Its an approach that has value for several reasons. Not only is it non-violent, but it is also not particularly hostile or antagonistic to those who have imprisoned the writer or who are responsible for their persecution. So it has a diplomatic quality.
It also a fantastic act of solidarity for the embattled writer. Where they have been entirely censored through imprisonment (or even death) it is a way to give them a voice and restore to them some sort of expression. Continue reading “Literary Campaigning at its Best”
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