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Tag: Sport (Page 2 of 5)

How the BBC Could Help Increase Participation in Sports

Fleet Half Marathon

Fleet Half Marathon 2010. Photo by yrstrly on Flickr.


One thing that should be analysed when thinking about success of the Olympics is the broadcast. We should remember that for most people, the entire Olympic experience was mediated by the BBC. I think there is general agreement that they did excellent job – at least, a much better performance than during the Jubilee celebrations! This is obviously because it plays to the BBC’s strengths, reporting breaking news as it happened. Listening to the Olympic coverage on Radio 5 Live was not that different from listening to their usual Saturday afternoon coverage of Football League matches – and I mean that as a conpliment. That broadcast team in particular are already very experienced at juggling several outside broadcast units and reporters on location.
The corporation also did a good job at explaining the rules of many of the obscure sports to novice viewers.
Let us not forget that the BBC did have help from the Olympic Broadcast Service. This is a group of international broadcasters who together deliver the actual Olympic coverage (i.e. making sure we see people cross the line, not making sure Clare Balding interviews them afterwards).  Apparently the BBC was directly responsible for the rowing coverage, but the athletics was actually project managed by the Finnish broadcasters!
All this coverage was enhanced by some fantastic advances in digital technology. There were under water cameras in the swimming pool, boom cameras sweeping over action in the stadia, and cameras on wires tracking the action from above. There were ultra slow motion replays too, all of which led to an immersive experience.
So, what should we learn from all this? Well, obviously we can hope that TV sports coverage will improve across the board. Many of the clever techniques used during the Olympics should be deployed in other, domestic coverage.
But that is not what interests me. I am more interested in how the BBC (as by far the biggest broadcaster in the UK) can help to facilitate grassroots sport. If we accept the premise that much of the enthusiasm for previously obscure sports has come due to increase broadcast exposure, then the BBC could give those same sports a permanent structural boost by simply devoting more coverage to them all year round.
They can do this in two ways: first they can simply send cameras and reporters to cover major sporting events (they may need to do this anyway, to fill the airtime gaps left in the schedules as Premiership football and other highly popular sporting events are snapped up by Sky, Setanta, and ESPN).
Second, they can also do this by improving their online presence, to allow greater crowd sourcing and audience reporting of sporting events. This would enable them to provide coverage of regional and local sports – not just athletics and gymnastics, but non-league football and youth football as well. This will link the broadcaster’s output with communities and the localities that BBC is meant to serve, and should also inspire greater participation, and more people coming out to spectate. In this way, the Olympic spirit that the BBC generated over the past two weeks may be bottled and disseminated to local sports fields and even schools. Continue reading

Thoughts on the Olympics II: Legacy and Grassroots

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Another popular comment on the London Olympics is the idea that we should host them every year! That would certainly give a boost to team GB athletes but I am not sure other countries would agree!
this sentiment actually misses the point. The Olympics are about internationalism. Part of the reason London 2012 has been so delightful is because the event is part of a larger narrative: We are sandwiched between the might of Beijing and the sexiness of Rio.
We do host major international sporting events every year, for example, the Premier League or the London Marathon. These contests are televised globally and draw an audience, but the particular atmosphere generated by the Olympics is founded on the fact they are a one off.
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The Fate of My Namesakes

It’s Wednesday evening and we’re on the Victoria Line. A young man strums a guitar and sings while his friend harmonises. Their refrain is “You mean the world to me” and I don’t know whether that’s a popular song in the charts that I have never heard, or of it is their own composition. I hope the latter.
The train pulls into Stockwell Station, where Jean Charles De Menezes was shot dead by CO5 officers. It is also the interchange with the Northern Line, so we get up to leave.
In quick succession, two images drift into my eye-line and draw my attention for the same reason. First, there is a photograph in the Evening Standard of an athlete in Team GB colours, her surname pinned to her chest. It is Lynsey Sharp, the Scot who has qualified for the final of the 800 metres.

Lynsey Sharp at Loindon 2012

Lynsey Sharp at Loindon 2012, after qualifying for the 800 metre final.


Then, as I step off the train and walk towards the tunnel to the other platforms, I double-take at a crude A4 photocopy taped to the tiles. It announces the disappearance of 12 year old Tia Sharp. She is a Londoner and has been missing for six days, but these facts have not penetrated my consciousness until now.
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On The Censorship of Cricket

The thing that caught my ear this morning was the cricket scores. England are on tour, playing Pakistan… in Abu Dhabi. The English cricketers cannot travel to play in actual Pakistan due to security threats.
This echoes the problems experienced by delegates to the Jaipur Literary Festival last weekend. Threats of violence (real and imagined) kept Salman Rushdie away from the podium, and even derailed a planned video-link appearance.
In both cases, the threats of a few reactionaries are spoiling the chances of ordinary people to enjoy their preferred leisure activities. In both these cases they are Islamists, although Hindu Nationalists are guilty of similar ad hoc censorship of artists such as the late M.F. Hussain.
But anyway, my half-formed thought is this: I wonder to what degree the practice of sport might be considered ‘expression’ in the same way as we think of writing as expression? The elegance of Sport is often likened to dance, which undeniably a form of artistic expression. And dancers are routinely referred to as ‘athletes’ with similar fitness regimes. The need for an audience is common to both groups too. If an audience is barred from a performance, then that is an infringement of the artist’s freedom of expression. Is not the barring the Pakistani cricket fans from the games (by virtue of the games being played in another country) a similar infringement?
The problem is not experienced by the players. Since Pakistan has a proud cricketing heritage, with millions of enthusiasts. Denying these fans the ritual of test matches feels like a denial of their cultural expression too. The Islamic fundamentalists are demanding that their conception of Pakistan trumps any other ideas of what is important.
This is probably an old conversation for Pakistani cricket fans. Yet it is seldom discussed here in the UK. The fact that the Test Match venue has been moved to Dubai is not remarked upon by the sports reporters. I think it is a useful issue to highlight, because if these similarities between art and sport hold up, then that would be a very useful point for free expression campaigners to insert into the campaigning rhetoric. One assumes there are more sport-lovers than literature-lovers.

Evolution of Skydiving Videos

In my youth, I would go skydiving at weekends.  My take-up of the sport was round about the time that digital video was coming onto the consumer market and into the world of freefall.  Most electronics shops sold high-end mini-DV units for four figure sums alongside VHS camcorders.  All units were relatively bulky and you required a homemade helmet with a camera-mount bracket on the front.
The films we produced then were rudimentary.  They were washed out and a bit shaky, and any that were edited were typically very basic montages set to some kind of dance-music sound-track.  Here’s an example I made earlier.
Compare that with this beautiful thing from design studio Betty Wants In, advertising a skydive centre in Melbourne. Its in a different league to what I saw being produced a decade ago, even from the professionals. Chief amongst its virtues is the focus on stillness and calm, and the relative stasis that you achieve in freefall (relative being the operative word). By contrast, when I was doing this sort of thing, the entire culture revolved around speed and the iconography was all cliched lightning bolts and flames. It shows how the practitioners of this relatively new genre have evolved, helped of course by the reduced price and size of HD video.

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