Free speech furores now happen on a weekly basis. The latest iteration concerns the ITN newsreader Alastair Stewart, who has stepped down from his duties following some regrettable posts on social media.
At the centre of the controversy is a quote from Shakespeare’s Measure for Measure, which he posted during an argument with activist Martin Shapland. It includes the line “His glassy essence, like an angry ape.” Shapland is black, so the post attracted accusations of racism (comparing black people to apes is an undeniable racist trope).
In that respect, it echoes a controversy last year, when Danny Baker posted a picture of a chimpanzee and likened it to the Duke and Duchess of Sussex’s new baby Archie (who, like his mother, is mixed-race).
The Stewart resignation caused consternation among his fellow journalists. All the comments I saw paid tribute to his career; and many said that the offence taken at his tweets was misplaced.
This was similar to my own, initial reaction. It seemed to me that the outrage was overblown. The Isabella quote from the play talks about humanity in general, rather than describing an individual as monkey-like.
However, reading comments from other people online have made me rethink that position. Those who saw the discussion unfold in real-time say that it was not just a single Shakespeare quote, but a mean-spirited and out-of-character pile-on. And when someone else wryly drew attention to the ‘ape’ slur embedded with the quote, Mr Stewart posted an emoji in response, suggesting he was aware of, and indifferent to, the offence he might cause. Continue reading “What We Talk About When We Talk About Alastair Stewart”
Review: THE ELECTION (ITV)
2nd May 2019
The chattering classes just love to compare the low turnouts at local and general elections, with the fact that people actually choose to pay money to vote for reality TV contestants. So it is surprising that the Television executives took so long to produce The Election.
It was doubly surprising that it was commercial ITV that gazumped the BBC in what should have been an open-goal commission for our public service broadcaster, and triply surprising that ITV, after being spectacularly dumped by Simon Cowell at the end of 2017, should have chosen to replace their flagship musical talent show with political programming.
We should be glad that they did so, because The Election has proved to be one of the best things on TV on this political cycle, and I’m going to go out on a limb and say we’ll still be talking about the show a decade from now… if it isn’t still on the air, a dozen series older. Continue reading “Review: THE ELECTION (ITV)”
#Britawards vs #BBCFolkAwards
How to describe the particular type of nausea induced by last might’s Brit Awards? It was not so much the music itself – bands like Bastille and Rudimental are producing catchy, modern pop, and I loved the choreography in Bruno Mars’ performance of ‘Treasure’. Rather, it was everything else about the event itself: The arrogant, cursory acceptance speech by Arctic Monkeys’ Alex Turner; Harry Styles’ joke “what did we win” when he arrived late on stage to collect an award; and presenter James Corden’s constant references to people taking cocaine in the loos. The entire programme seemed to be channelling a drug bore, who thinks he is being the life of the party when in fact he is rambling and obnoxious.
Continue reading “#Britawards vs #BBCFolkAwards”
Was John Sargeant right to use the 'N-word' on the BBC?
John Sargeant: if you weren't the original target of a racial epithet, you can't be the one to reclaim it. #reviewshow
— Robert Sharp रॉबर्ट शार्प (@robertsharp59) January 18, 2013
John Sargeant’s performance on the BBC Newsnight Review show yesterday was bizarre. He managed to say the n-word twice during a discussion of Django Unchained, and later described parts of a TV programme as “American bullshit”.
Among those watching the show, some wondered whether the BBC would receive complaints. Others applauded Sargeant’s no-nonsense approach. I found his language tiresome.
Continue reading “Was John Sargeant right to use the 'N-word' on the BBC?”
British Humour, Under Achievement, and the Sports Personality of the Year
Love how all twitter commentary treats global sporting success as merely a means to #SPOTY end. Uniquely British irony?
— Robert Sharp रॉबर्ट शार्प (@robertsharp59) December 16, 2012
I want to draw attention to something particular regarding the BBC Sports Personality of the Year Award 2012. It’s best encapsulated in this tweet from Sunder Katwala, who is director of the British Future thinktank:
Difficult to see what more Rory McIlroy could have done for #SPOTY bid; apart from doing it in a non-Olympic year
— Sunder Katwala (@sundersays) December 16, 2012
I love the suggestion that sports people might ‘bid’ for the Sports Personality of the Year trophy, as if it is an Oscar nomination or Presidential campaign that must be plotted and strategised years in advance. The humour lies in the idea that winning a world championship or a gold medal is simply a false peak, a means to an end, with the ultimate pinnacle actually being that little trophy of an old-style TV camera, on a polished wooden stand. Continue reading “British Humour, Under Achievement, and the Sports Personality of the Year”