Last week, the award-winning Indian playwright Abhishek Majumdar posted a disconcerting message on Facebook, regarding his play Pah-la.
My dear Tibetan Friends, in Tibet and in exile, who have contributed extensively to the writing of Pah-la, I regret to inform you that the play has hit a roadblock again.
It was supposed to open on 4th October 2017, at the Royal Court Theatre, in London, with its poster printed and rehearsals fixed, when the British Council China pressurised the theatre to withdraw it from opening because of a program in China that they were running together.
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The factory in Guangdong had been completing overseas orders for the flag of the Tibetan government-in-exile.
Workers said they thought they were just making colourful flags and did not realise their meaning.
But then some of them saw TV images of protesters holding the emblem and they alerted the authorities, according to Hong Kong’s Ming Pao newspaper.
Which is odd, because it means that footage of the Free Tibet Olympic torch harassing in London, Paris or San Francisco must have squeezed past Chinese censors.