Barrister

Author: Robert (Page 143 of 328)

The Visual Grammar of Big Royal Events

There has been much discussion over the past few days about the BBC’s coverage of the Queen’s Diamond Jubilee Weekend. There were a lot of spectacles and public events to cover, and not everyone thinks Auntie Beeb got the coverage right.
Its now a fact that our observations of any big public event such as the #RoyalWedding or the Diamond Jubilee largely mediated by TV. This is also largely true even if you were there. Jumbo TV screens show you what’s happening a few hundred yards away.

@Cllr_MikeHarris: I’m one of hundreds of 1000s of Londoners witnessing the historic sight of the back of a slightly taller person’s head #Jubilee

In eras past, one assumes that very few people actually witnessed the big events they had come to watch. I expect that a large proportion of the people who claim to have lined the streets for the Queen’s coronation in 1953 saw very little, and their memories of being there are mingled with memories of watching subsequent footage of the coronation on all those newly purchased TVs.
The way events are covered therefore matters a great deal to the message that event carries.
Instead of criticizing the BBC, its worth simply comparing their coverage of the different Jubilee events on offer. The truly unique event was the water pageant. There has been nothing like this for centuries. What was unsurprising about the BBC’s coverage was that they chose to cover it like a sporting event where one doesn’t quite know what will happen, and therefore all angles had to be covered. (The irony is, of course, that sporting events are remarkably similar to one another, and most sporting coverage is actually false hyperbole, emphasizing a uniqueness that is often missing. This Mitchell & Webb sketch perfectly satirizes this tendency amongst the broadcasters).
Contrast with religious and State ceremonies, which are all about ritual. Their value lies precisely in their repetition. All you need here is a presenter telling us, “this is the bit where…”
The Queen is the only monarch to have reigned during the TV age, so we cannot compare here performance to that of other British monarchs. But my feeling is that the monarchy in general, and this Royal Family in particular, always seem to come across better in moments of ritual, when they stand outside the contemporary. If they have any value, then it lies in this. So I always find that images of the Royals (especially Heir-to-The-Throne Prince William) in photographs with celebrities to be particularly discordant. And it was positively ridiculous to see the Queen standing next to Cheryl Cole on the night of the Jubilee Concert at Buckingham Palace: The permanent icon of Britain, whose hairstyle has not changed in 60 years, alongside the perfect representative of intransigence and fleeting fame.
I think it is this clash which accounts for some of the dissatisfaction with the BBC’s Jubilee Coverage. It wasn’t that the broadcaster covered it particularly badly, it was just that some events lend themselves to dignified, ritualistic coverage, and some do not.

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Interviewed on 2ser 107.3

A protestor holds up a demand for Free Expression inside the 'market focus' area at the London Book Fair.  Photo by yrstrly.

A protestor holds up a demand for Free Expression at the London Book Fair. Photo by yrstrly.


Both readers of my blog were subjected to a significant amount of London Book Fair comment and linkage last month.  I was asked to give opinions on the controversial China Market Focus programme.
During the Book Fair I gave an interview to an Australian radio station, 2ser 107.3, based in Sydney.  I’ve only just discovered the link to the archive of the interview – My contribution is the first segment of the show.  Hilariously, I was credited as John Sharp!

Azerbaijan's Terrible Record on Free Speech #Eurovison

More crossposting with the English PEN site.
Azerbaijan Protest
The state of free expression in Azerbaijan has be a major focus for English PEN in recent years. In 2009, we sent two of our members, Eva Hoffman and Alev Adil, to Baku to meet the writers there and to ask what the literary community in the UK can do to help. On their return, Eva filed a report for our OPEN magazine:

Such freedoms, however, are regularly violated in Azerbaijan. During our few days in Baku, we hear detailed and distressing stories of writers and journalists who have been imprisoned, or who have been persecuted in flagrantly unjust ways.
…
I must say that my writerly self felt a twinge of anxiety constricting my chest as I heard this story. To lose the fruit of so much work, which must have relieved the ghastliness of unjust incarceration — even while that incarceration continues! And yet, the spirits of our interlocutors seemed undampened.

We are now assisting some of those writers in the creation of a new Azerbaijan PEN Centre.
PEN has also worked closely with our colleagues at Index on Censorship, Article 19 and Amnesty International on a series of demonstrations and campaign actions for imprisoned writers in Azerbaijan, including Eynulla Fatullayev, Emin Milli and Adnan Hajizade (all of whom have since been released). The video below records one such demonstration, and you can view our photo galleries from other actions.

This weekend, Azerbaijan will host the Eurovision Song Contest – a concept predicated on their idea of free expression. The arrival in Baku of the kitsch, glitz and music must inspire an improvement in the Azerbaijan Government’s approach to free expression.
Our colleagues at Article 19, have run extensive programmes in Azerbaijan and provided crucial documentation of the abuse and harassment experienced by journalists who are critical of those in power. Their compelling report Running Scared: Azerbaijan’s Silenced Voices described the attacks and jailing of journalists, the ban on protests, and lack of independent broadcasting.

Take Action

Index on Censorship (who share offices with both Article 19 and English PEN) have launched a petition for a Guilt Free Eurovison. We urge all PEN members and supporters to sign the petition, demanding that President Ilham Aliyev takes positive action to end the harassment against the writers, activists and musicians who are being attacked.

Click here to sign the petition.

 

Moments


The Vimeo Awards and Festival are coming up. I’m in London and the awards are in New York, so my participation is limited to watching some of the shortlisted films on Vimeo.
I think the above ‘Moments‘ video will begin a trend in both amateur and professional production. There is always something so unsatisfactory about the way a conventional video renders, especially camera phone videos. While the scene you are beholding is panoramic, the resulting shot is boxed and restrictive. Even panning doesn’t quite capture the expanse of the view provided by the human eye. Few of us have access to IMAX projection screens.
These Hockney like clips by Ian Gamester manage to capture a little bit more detail and are a little bit more like panoramas. I know that split screen effects have been around for generations, but these renderings feel very new (part of The New Aesthetic, even?) I think this is perhaps because the constituent shots are all filmed portrait (probably off an iPhone), which is unusual for video.
Most of my public filming these days is for literary events or family gatherings. I think this technique may just work for those kinds of documentation. I hope the guys at Fifty Nine Productions, who use multiple projection surfaces in much of their work, watch this too.

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