Barrister

Author: Robert (Page 277 of 328)

The True Meaning of Christmas?

Daylie Chainmayle
The use of a Nativity scene on the CRE’s Christmas Card is an interesting and contemporary choice. It is at this time of the year, every year, that the ‘Political Correctness’ phoenix rears its ugly head, and indeed Jamie Doward’s article about the card in The Observer veers onto precisely that reserve. We hear from the Archbishop of York, who complains that “crib is in danger of being thrown out of Christmas” and it is secularists who are being blamed for this decline. On Saturday, The Daily Mail found that only 3% of Christmas cards now carry a ‘traditional’ message – that is, some depcition of the Christian Nativity:

Religious groups and MPs last night warned that the multi-million pound Christmas card industry was losing sight of the real reason for celebrating the festive period. … Conservative MP Philip Davies said card manufacturers who ditched Christmas symbols were falling victim to “politically correct madness”.

No. It is the MPs who are falling victim to the propaganda put out by the religious groups. In fact, it is the Christian establishment who are peddling the politically correct line here. And, just like the worst examples of ‘PC gone mad’ which infuriates so many people, they frame themselves as the victims of prejudice. Then they demand everyone else make changes to fit their (Christian) agenda.
And so we endure this sanctimonious talk about Christmas, and its “true meaning”. The complainers forget that a Winter Festival long pre-dates the celebration of Christ’s birth. There were pagan, ‘Yuletide’ festivals held in the winter anyway. Indeed, a feast period during the coldest days of the year is hardly an innovation unique to the followers of the Nazarene! I tell you what: If I was the founding father of some cult or culture, then I reckon this month would be ideal for a festival of some sort. Now is the perfectly logical time to take stock of the year gone by, (and in agricultural communities, literally ‘take stock’), make plans and resolutions for the year to come, and, with my family, welcome the light and prosperity promised by spring.
And, Lo! In this age of technology, mass communication and commercialisation, this is precisely what we do. For all the whines about us ignoring that Bethlehem story, we still see most people in this country spending time with their family, feasting, and spending some of the hard earned fruits of their labour. Sure, in pagan times, these were actual fruits and other farm produce. That in today’s world, the fruits happen to take the form of, say, a Nintendo Wii is, I think, merely a matter of detail… I wish people would stop forcing upon us the lie that this is, in itself, a bad thing.
We should remember that for the past thousand years or so, the dominant religion has succeeded in labelling “The Winter Festival” with the brand-name “Christmas”. On the surface, the focus was narrowed to just the Nativity… but all the while, up-and-down the continent, ordinary people also retained the wider traditions of family, feasting, and welcoming the new season. Festivals can and do have more than one meaning.
In the twenty-first century, we see the older meanings bubble back up to the surface. Some will sneer, and label these values ‘secularist’; I call these values simply ‘human’ and inclusive. The pious, exclusive dogma is marginalised. No wonder those who see their power, influence and world-view on the wane are beginning to complain. Their own re-branding excercise, imposed by the Christian Roman Emperors, is now being reversed, and “Christmas” once again becomes “Winter Festival”.
It is nevertheless ironic that they complain about this. By lobbying to retain the Christian label for what has clearly become a secular festival, it is Christianity that is undermined. “Christ Mass” is obviously a word invented by Christians, with a specific meaning. If people really want to celebrate this ‘true’ meaning (i.e. The Birth of their Saviour, Jesus Christ) then perhaps they should do so on December 7th, along with their friends in the Orthodox Church. Free of the guilt that their chosen religion inexplicably ladles onto their heads, they could then celebrate a more generic festive season on 25th December with the rest of us.
Adherents of minority religions have been doing this for centuries. Jewish people celebrate Hannukah at some point in December (this year, I believe it begins this Saturday, 16th December). This observance does not stop them enjoying the festive season with the rest of us, indulging in an excessive feast just like everyone else. They do not winge that their neighbours’ conception of this time of year might be diffferent from theirs.
So, it is actually all these MPs, Bishops, and Stephen Greens who miss the point of these imminent celebrations. Worse, they seek to hi-jack it, by trying to define for everyone else what the winter festival is for. This impedes and bores the rest of us, who are just trying to have a bit of fun with our family and friends.
Update: Pickled Politics points out a couple of good links on this subject. Oliver Burkeman at The Guardian explodes the ‘War on Christmas’ myth, while Wordblog says that the shrill campaigns for Christmas fosters division and Islamophobia at a time that is supposed to mean ‘goodwill to all men’…

Hideously White

There is an amusing story in The Observer about the Commission of Racial Equality’s Christmas card. It features a traditional nativity scene, with a set of scribbles over it, suggesting ‘politically correct’ ways it could be improved:

‘Three wise men can’t be all men’ suggests one scribble. ‘The snow looks hideously white’ notes another. ‘Sheep should look more diverse’ reads another doodle.

Its good to see those who are often accused of having no sense of humour, satirizing themselves. Jamie Doward in The Observer worries that “liberal sensibilities” will once again be upset by the CRE. On the contrary, I think it is more likely that those already critical of Political Correctness will be the ones who get annoyed: If you already find the concept infuriating, then the sight of one of its primary purveyors sniggering about it might be even more annoying. Personally, I do believe there is some value in ‘Political Correctness’, but it is a tool which needs to be used in a more careful and nuanced fashion. The stereotypical ‘gone mad’ usage, as lampooned on the CRE Christmas card, we can do without.
The Pub Philosopher has a picture of the actual card, which I could not find earlier. Meanwhile, Cleanthes at The Select Society is unsurprised that some people on The Left do not get the joke. I hope my above post goes some way to reminding him that not everyone has had a senseofhumourotomy.

Deny the obvious

From UKIP Home:

It’s well known that you should not create a political frame that creates a positive view of your opposition.
For example, no political leader would ever publicly say they believe their rivals will win even if the rival has 60% poll share rating.
The reason is obvious; by stating the possibility of your rival winning, you add strength to that frame because you do not want it to happen.

Yes, yes, a well known Machiavellian strategy. But one that is also highly irritating and patronising to the average punter. We voters know very well how the opinion polls rate the parties; and we are no less able than a politician to understand, say, concepts of percentage swing. When one party is massively ahead of the other in the polls, denial is just stupid. No-one wants an ostritch as their representative.
Why do politicians believe that denying the obvious somehow wins them votes? How about trying to win votes by the power of argument, rather losing votes with these school-boy mind-tricks?

Multimedia theatre: a new art form?

Yesterday, The Guardian blog published a delightfully complimentary article by Lyn Gardner on Waves, the show currently playing in The Cottesloe Theatre at The National. As I’ve written previously, our company Fifty Nine worked as video designers for the show, with my colleague Leo Warner working with the director, cast and crew to create something that I thought was extraordinary. Clearly Lyn Gardner agrees:

It is as if Mitchell, her actors and video artist Leo Warner have created an entirely new art form …

We have been focusing on how to effectively integrate new digital technologies (primarily video and projection) into theatre shows for several years now, so it is satisfying when someone echos our thoughts in print:

A split second later you are in yet another person’s head as the multi-stranded, non-linear, non-narrative stream of consciousness unfolds with the fluidity of running water. It feels shockingly intimate and oddly dispassionate, and neither film nor live action alone could come anywhere close to achieving this curious and disconcerting split sensation

The challenge at the outset is to match the message and the medium. We have focused on ideas of non-linearity and streams of consciousness because they can be better expressed using these new technologies.
At Fifty Nine, we are busy finalising an experimental, non-linear online film, Sweet Fanny Adams in Eden, by the playwright Judith Adams. The play was written in HTML, and orginally perfomed promenade style, in the Scottish Plant Collectors Garden in Pitlochry in 2003. The audience and actors wandered around the garden, choosing which scenes to watch. For more on the use of multimedia in theatrical production, I humbly recommend my short essay on the play, written in November 2003. One passage compliments Garnder’s review, above:

.. non-linearity better reflects the human mind, thoughts, history. We are constantly affected by the actions of others, and each thought (indeed, each life) is affected not by one, but several narratives that have gone before. A scene has two meanings, one for each character. A scene may have two meanings, depending on what has preceded it. There is circularity to our lives and our history that is ideally represented by a non-linear medium…

I’ve added a copy of that essay to this blog too – I hope you enjoy reading the whole thing. When the online film is launched, I shall certainly announce it on this site too. In the meantime, please do go and see Waves, and let me know what you thought of it here in the comments!

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