Barrister

Author: Robert (Page 300 of 328)

Airport Angels

I was delighted to play a small part in the production of Roam, the latest offering from the Grid Iron Theatre Company. The show took place in Edinburgh Airport, with scenes taking place at the check-in desks, baggage reclaim, and even ‘Air Side’ at a departure gate. Our role as AV consultants was to take over the display screens for use in the show, conjuring up high-tech thought-bubbles for the characters.

“Nowhere is the appeal of the airport more concentrated than in the television screens which hang in rows from the terminal ceilings announcingthe departure and arrival of flights and whose absence of aesthetic self-consciousness, whose workman like casing and pedestrian typefaces do nothing to disguise their emotional charge of imaginative allure. Tokyo, Amsterdam, Istanbul, Warsaw, Seattle, Rio.”
Alain de Botton, The Art of Travel

The play is a meditation on the process of air travel. It takes in themes of citizenship and national identity, and how different passports mark out fellow humans as either ‘them’ or ‘us’. One entertaining scene stages a revolution in Scotland, with hapless refugees fleeing to the ‘Cathedrals of Hope’ – the airports – to catch planes to the safe havens of Beirut, Kigali, and Sarajevo. While the unfortunate Scots are made to wait and fester, those with Rwandan or Bosnian passports are allowed to pass unhindered.
Seeing scenes from the play several times over, it was interesting to eventually let my eyes wander away from the action, to actual passengers and airport staff, who went about their business as the actors represented them:

“What makes an airport especially curious is that its look-alike settings are the scenes for the most emotional moments… people break down at departure gates, in racking sobs…”
Pico Iyler The Global Soul

It was very bizarre to see such moments of emotion reconstructed by the cast, and then repeated by real travellers, who were often totally unaware that a group of seventy audience members were looking at them. It is actually very easy to be so oblivious: one does not expect a play to be in progress at an airport.
The two quotes above are lifted from director Ben Harrison’s notes in the programme. He also says:

Multi-culture is for me the only way forward. It is an inescapable fact…

In the age of cheap flights and global communications, this is so true. This the notion of multiculturalism needs to be embraced, not rejected, and indeed reclaimed from those who have misdefined it as something wholly negative.
The run has now finished, the actors dispersed back to Beirut, Spain, Holland, via the same airport that they had been performing in for three weeks. I make no apology for not plugging the show before now: It sold out without my help, and received some pretty good reviews.
The show has also been nominated for several critics awards, which is pleasing.

Amnesty Category

I’ve inaugurated a new category, a place to put letters to administrations around the world, on behalf of Amnesty International.
Since I’ll be writing about five or six letters at a time, I don’t want all the posts to show up on the front page, bumping everything else off. Instead, I shall write a digest/round-up post which can act as a sign-post to the most recent letters.
I’ve used a plug-in category_visibility by Keith McDuffee, to achieve this technical trickery.
The next step is to redesign the category template to include a reference to Amnesty’s highly effective candle logo.

Upgrade to WP2

I’m ashamed that it took me so long to upgrade to WordPress version 2. I’m not as much of an ‘early adopter’ as I would like.
I am pleased to say that my templates ported across properly, and the site looks exactly the same as it always did. No ambitious spring clean here.
I don’t think that either of my readers will need to update their RSS feeds.

Flight 93

I have always worried that a movie titled Twin Towers would become inevitable at some point. A woman working in Tower 1, say, with her fiance in Tower 2. Together with his brother the fireman, they hurry up the steps when everyone else is rushing down… starring Ben Affleck, and an array of computer generated reconstructions of the destruction.
Flight 93 is a different sort of film, I hope. It is the story of the people who overcame the hijackers of the plane which was on its way to Washington and the Capitol Building. However, The Daily Dish thinks it is too soon for a movies about their actions:

Sometimes, the greatest deeds, like the most monstrous acts, are best left unrepresented. They stand alone. They demand to be left alone. One day, commemmorate. But do not so swiftly represent. Shakespeare often left the greatest moments in his plays off-stage. They have more power there.

I imagine that one impact of their actions is that it is now virtually impossible to use a passenger aircraft to perpetrate an act of mass terrorism. This is not because of increased security on the planes, or better, tougher surveillance at the airports. Rather, it is because the fact of 9/11 changes the attitudes of the people on board hijacked planes. While the passengers of Flights 11, 175 and 77 believed that they might escape unharmed if they sat tight, the passengers on Flight 93 were under no illusion as to their fate. Using aeroplanes as a weapon of mass destruction became obsolete at half past nine that morning, while Flight 93 was still in the air.

Voter responsibility

Last week we heard that a large proportion of voters in the UK are considering voting for the BNP (as many as eighty percent in Margaret Hodge’s constituency, she warns us). This prompted the following quip from the highly entertaining Pigdogfucker:

25% of English voters “might be” terrible cunts.

Meanwhile, Tim Newman comments on the nature of democracy in Palestine, and suggests that the Palestinians are stuck with their choice of government. If that has negative consequences for their international funding, as a result of electing a terrorist group to power, then that is their problem. (Via Devil’s Kitchen, who agrees.)
Whenever I hear someone make a throwaway remark of the format “God, I hate Americans,” I point out that actually, they probably don’t. In fact (I say), what they mean is that aspects of American culture annoy them. Those aspects are probably caricatures (gas-guzzlers, homogenising fast-food chains, the NRA, preposeterous statistics about how few Americans have passports) that are not representative of most citizens. At worst, I tell them, they actually hate exactly half the people in America (usually but not exclusively those who voted red). And moreover, they have no way of knowing who those people are, so to hate them seems rather counter-productive, not to mention a bit racist.
Surely the same applies to extreme national or local governments that may be voted in elsewhere. If the BNP do win council seats during the UK local elections, few will follow the Pigdogfucker lead and say “well obviously the people of Barking are… barking,” because for a large proportion of the population that will simply not be true. Not only will it definitely not be true for those who voted for someone other than the BNP… but we will be inclined to extend the courtesy to many of those who did. Rather than blame the voters for being generally racist and ignorant of what is actually good for them, we will instead cite the rise in racist politics as somehow a failure of the incumbent parties on a national and local level.
We do not extend this ‘courtesy’ to the Palestinians. Instead we write them off as people not interested in peace, forgetting that there are plenty of their number who did not vote for terrorism (only one third of the total electorate voted for Hamas, for example). Nor do we seem willing to appreciate any subtlety or difference of opinion within American politics: “God, I hate Americans…”
Remember the old saying, about how an Opposition never wins an elections, but Governments lose them? This is important with regards to how much responsibility the electorate must take for their government. The adage above implies that people vote retrospectively, casting their ballot not on what they expect the new government to do, but on what the old government has done. If extremists are elected to power, this analysis would place a much of the responsibility on the shoulders of the outgoing government! Only when we consider the electorate to be voting prospectively and not retrospectively, does the balance seem to tip in favour of blaming the voters themselves for a poor choice.
Clearly, people vote for a mixture of prospective and retrospective reasons. But the notion of blaming an electorate for the government it has chosen remains problematic. Personally (and I suspect, in common with many others) find it difficult to take any personal responsibility for the recent actions of my own government, because I did not vote for them. Likewise, pointing at a random Palestinian and saying “sorry mate, you brought it on yourself” seems spectacularly unfair, as is calling anyone from Barking a racist.
Democracy is a bizarre thing. Because governments take their legitimacy from the voters, we are encouraged (especially immediately after an election) to ascribe the policies and beliefs of certain sections of the population, to everyone within that population. In actual fact, we know next-to-nothing about the particular individual at the other end of our finger, other than where he lives. He is damned by the tyranny of the majority, and suffers our prejudice as a result.

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