Robert Sharp

Pupil Barrister

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I was using WordPress before it was cool

Yesterday was the 10th birthday of WordPress, the blogging platform from which these words that you are reading are delivered to your glowing rectangle.1 Here is an interesting infographic, showing how dominant the software has become.

WordPress founder Matt Mullenweg has typed a love letter to his anthropomorphised project.

I’ve been using WordPress since September 2005, or eighty percent of the platform’s lifetime.  I have used every version of the software since the antiquated version 1.5.  When I began blogging, WordPress had been downloaded 538,514 times.  According to the infographic, that number has risen to more than 66 million.  This puts me comfortably into the earliest 1% of users.  I was using WordPress before it was cool.

When I began, the default Kubrick design had only just been introduced, and there was even an option to activate an older ‘classic’ template.  There were no options for uploading images (you had to do that via FTP or ‘hotlink’ from an existing image online) or integration with social media, and there was no way to change the look and feel of the site unless you knew some CSS and PHP.

However, the two core pieces of functionality that make WordPress so useful were already in place back in 2005 – themes and plugins.  By uploading small pieces of stand-alone code, you could change the look (themes) or functionality (plugins) of the site without messing with the core code.  That was not a unique feature of WordPress, but I am sure that the simplicity of the way it was implemented contributed to its success.

That, and the fact that WordPress is OpenSource, meaning anyone can edit the code and create themes and plug-ins.  I was very impressed when, in 2010, Mullenweg transferred ownership of the WordPress trademark to a non-for-profit company, meaning the platform cannot be sold to an Internet giant, as Tumblr was last week.

Other sites in which I have a hand that use the WordPress platform include The LIP Magazine archive, The Word of an Insignificant Woman, Liberal Conspiracy, and English PEN.



1.  Unless, of course, you’re reading this at some point in the near or far future when I have, in an ironic twist, abandoned WordPress for some other software and imported all my old posts.

How start-ups build loyalty

One thing I have noticed recently is the premium that small internet start-ups place on interacting with their users.
The multi-layered phone menu systems employed by big corporations has become a staple comedic joke.  We have come to expect large corporations to be slow to respond to our questions and requests.
But most start-ups are very small.  It is often one or two or five people sitting in their office, doing the coding and responsing to queries on the fly.  In the past few days I’ve received quick and human responses from Medium, Marquee and IFTTT to my questions, and it makes me want to use their services all the more.

Meanwhile, an e-mail to ByPost last week, complaining about a difficulty I was having with the app, prompted a very quick out-of-hours e-mail response from the founder, Luke Heron. Interestingly, I was just about to download a competitor app to achieve the task at hand, but Luke’s prompt trouble-shooting response kept me loyal.

Notes on design trends for long-form and creative writing

My virtual meeting with Sam has prompted a meandering journey through a few websites dedicated to the stylish presentation of text. I thought I would note the links in one place: first, merely to note the trend; and second because it will aid discussions with colleagues over how to present our own literary content on the fantastic PEN Atlas.
First: Medium is a relatively new site created by Twitter founder Evan Williams. Writers can create beautiful looking stories and essays very quickly. The site has the clean and spacious aesthetic that has become fashionable recently. Design led by the need for readbility and usability on tablets, mobile phones, while also providing a reading experience on desktop and laptop monitors that is easy on the eye. I was delighted that my request for an early-bird account was granted by Medium’s Director of Content, Kate Lee, and I have just uploaded a story to the site to try out the composition features.
You can read ‘Northern Line Lovers‘ on Medium (and if you like the story, please hit the ‘recommend’ button below the text). I think I will post my other ‘Ficciones‘ there at some point. Continue reading

Good news for Afghani translators

Remember how I blogged about the Afgahni men and women who have acted as translators for British forces should be allowed asylum in the UK?
The Government has said that around 600 translators will be given the right to settle in Britain. That’s a bit of U-turn and its annoying that the media and the public had to mobilise on this issue… but at least the Government has now done the right thing.

Papercuts and Curses

Last year I uploaded a collection of Victorian portrait photographs to a set entitled ‘Harriet Bennett’s Photo Album‘.  Swollen with the sharing spirit of the Internet, I gave the images a permissive Creative Commons Licience.  My hope was that they might act as a prompt or support for other people’s creative projects.
The first instance of this hope being realised is ‘Papercuts and Curses‘ by Sam Meekings. It uses my scanned image of a young and now anonymous aquaintance of Harriet Bennett to illustrate a story about a young adventurer.  Sam begins his story with a liberating broadside against an old writing cliche:

The standard advice to those thinking of becoming writers is to write what you know. The fact that this is clearly the most ridiculous and restrictive piece of advice imaginable does not seem to put people off from repeating it again and again. Edward Gregory Charles was determined to follow it to the letter: with the pragmatism typical of the late nineteenth century, he made it his mission to fill up his mind with experiences.

Read the entire piece on Medium (Twitter founder Evan Williams‘ new project).
I would be delighted if other authors (on Medium or elsewhere) wrote stories based on other images in the Harriet Bennett collection.

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