Robert Sharp

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Papercuts and Curses

Last year I uploaded a collection of Victorian portrait photographs to a set entitled ‘Harriet Bennett’s Photo Album‘.  Swollen with the sharing spirit of the Internet, I gave the images a permissive Creative Commons Licience.  My hope was that they might act as a prompt or support for other people’s creative projects.
The first instance of this hope being realised is ‘Papercuts and Curses‘ by Sam Meekings. It uses my scanned image of a young and now anonymous aquaintance of Harriet Bennett to illustrate a story about a young adventurer.  Sam begins his story with a liberating broadside against an old writing cliche:

The standard advice to those thinking of becoming writers is to write what you know. The fact that this is clearly the most ridiculous and restrictive piece of advice imaginable does not seem to put people off from repeating it again and again. Edward Gregory Charles was determined to follow it to the letter: with the pragmatism typical of the late nineteenth century, he made it his mission to fill up his mind with experiences.

Read the entire piece on Medium (Twitter founder Evan Williams‘ new project).
I would be delighted if other authors (on Medium or elsewhere) wrote stories based on other images in the Harriet Bennett collection.

Joannah Lumley on Human Rights Campaigning

After my panel discussion at the Liberty Conference, I stayed around to hear Joannah Lumley interviewed by Liberty director Shami Chakrabarti.
Lumley was engaging and hilarious when recounting her famous lobbying of Phil Woolas on the subject of immigration rights for Gurkhas in 2009. She is a purveyor of a kind of Occam’s Razor form of political campaigning, scything through civil service obfuscation and demanding politicians stop delaying, and act. She says this is the reason why she would never go into politics herself – idealistic people with fire and passion are swallowed up, and begin to speak like apparatchiks.
Continue reading

Liberty Annual Conference: Is Speech Free Online?

I was delighted to be asked to speak on a panel at the Liberty Annual Conference yesterday. I took part in the ‘Is Speech Free Online?’ discussion with Ian Dunt of politics.co.uk and the Erotic Review, and Bella Sankey, Liberty’s policy director. Martin Howe was the chair.
Speaking first, my co-panellist Ian Dunt made a pertinent point about how the low financial barriers to free speech online are also the reason that online speech may be threatened. People do not need financial reserves in order to publish online – It is cheap and quick. However, this lack of money also means they are more vulnerable to being sued by those who do have money and power. The publishing divide is not between online/offline, but between those with lawyers, and those without.
I began own my remarks by noting that speech was most certainly not free online in other parts of the world. I cited the recent manoeuvrings to criminalise online dissent by the Azerbaijan parliament; China shutting down dissident Sina Weibo accounts; and Fazil Say’s suspended sentence in Turkey.
I spoke about the recent prosecutions from remarks made on social media, and the fact that current laws include the word ‘offensive’ as a trigger for prosecution, which is open to abuse. I noted how the immediacy of social media messaging meant that immature political views follow you around long after they should have been discarded, but that Tweeting and Facebooking are forms of publishing and could never be cordoned off as some special type of speech that is subjected to different laws. Parents and teachers need to help the young ‘uns be savvier about what they choose to publish online. I finished by warning that we cannot take our free expression for granted when we use social media spaces that feel public, but are in fact owned by corporations with a profit motive to censor if it is in their financial interests to do so.
The player is below or you can listen on SoundCloud.

During the Q&A I also managed to slip in a few re-tweetables about the nature of free speech and ‘counter-speech’.

Here’s the view from the panel just before the start of the session, as people began to filter in.
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Alan Turing Pardon: Why So Narrow?

https://twitter.com/Eastmad/status/332828506474037248
The Alan Turing Statutory Pardon Bill has been published on the Houses of Parliament website.
Turing was a mathematician and philosopher who cracked the Nazi Enigma code and invented electronic computing. He was also a homosexual, and was convicted of ‘Gross indecency between men’ in 1952. As a result he lost his security clearance, was subjected to chemical castration, and committed suicide when he was only 42.
This statutory pardon seeks to atone for the Government’s appalling treatment of a national hero.
Nevertheless, the idea of such a narrow pardon worries me a little. The implication seems to be that Turing gets a pardon because he achieved so much. But that should not be how the law and justice works. What about all those under-achievers and ordinary men who were convicted under the same iilliberal and unjust law? Why do they not get a pardon too?

Alan Turing

Alan Turing

Is publishing the true cultural engine of our time?

The release today of The Reluctant Fundamentalist, based on Mohsin Hamed’s brilliant novel, reminded me to post this article I wrote for InPrint, the magazine of the Society of Young Publishers.  It was published last month, in the issue timed to co-incide with the London Book Fair.


Who drives our culture? Conventional wisdom says it is Hollywood. After all, it is the film industry that produces the most highly paid artistes and the most visible ‘A listers’. Film is a visual medium and it churns out icons at a steady, lucrative rate. The four-hour Oscars telecast is beamed live around the world.
By contrast, the announcement of the Man Booker Prize does not even get its own TV slot in schedules. The announcement is allowed to interrupt the news broadcasts, but the analysis and reactions are made to wait until a scheduled bulletin and it’s never the lead story.
Film claims global relevance, whereas publishing is parochial. Film claims to be popular, whereas publishing is elitist. Continue reading

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