I am fascinated with the Waterlogue app, which converts any image into a watercolour. Most apps and PhotoShop filters that purport to recreate a particular artistic style seem to do a poor job of it – mangling the image but without reproducing the essence of the art form.
Such ‘artistic’ filters are usually used to convey a sense of beauty. The examples from the Waterlogue community all have an extremely traditional subject matter: landscapes, portraits and still life, framed rather conventionally.
I put six of recent history’s most famous yet shocking images through the tool. The results are below. They are instantly recognisable, and although the paint removes detail from the images, I find them just as sad as the photographic versions.
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Category: Diary (Page 57 of 301)
Things that happen to me, or things I do
Yesterday, the Prime Minister re-announced that his Government had targeted British citizens with missiles fired from RAF drones. Two men are dead. The Sun and others have cheered the news. Others have expressed grave concern. Continue reading
Before I mire myself in questions of when and whether to publish shocking images, I should—must—begin by writing about the fact of Aylan Kurdi’s drowning and the refugee crisis in general. If the central argument for publishing an image of a dead boy is that it ‘gets people discussing the issues’ then I think I have an obligation to do so, even if these thoughts have been stated earlier and more eloquently, elsewhere. Continue reading
English PEN today received formal confirmation that all charges against the Syrian journalist and writer Mazen Darwish have been dropped. He is a free man.
Darwish is the founder of the Syrian Center for Media and Freedom of Expression (SCM), an organisation that has fearlessly campaigned for free speech in Syria despite the appalling civil war and associated human rights abuses. Darwish, along with his colleagues Hussein Gharir and Hani Al-Zitani, were detained in 2012 and held without trial until earlier this year.
Continue readingHere’s a timeline of Facebook censorship of breasts and other anatomical parts.
When I posted this to Facebook just now, I was going to add the abbreviation ‘NSFW’, Not Safe For Work. But that prompts two thoughts. The first is that my work actually involves looking at links and images like those displayed here! I often wonder if I have inadvertently shocked my colleagues who have accidentally wandered past my screen while I was reading some link about porn or violence or racism or something.
Second, its surely a problem that our culture, as reflected in the Facebook image usage policies, deems images such as masectomies, nude drawings, and breastfeeding as “NSFW” regardless of context. Why shouldn’t these images, undeniably in the public interest, be viewed at work?