Barrister

Category: Diary (Page 64 of 301)

Things that happen to me, or things I do

Saudi clichés on Raif Badawi


Last week the Kingdom of Saudi Arabia hit back at those who have been voicing their dismay at the hideous and inhuman sentence handed down to liberal blogger Raif Badawi.

The Kingdom cannot believe and strongly disapproves what has been addressed in some media outlets about the case of Citizen Rai’ef Mohammed Badowi and the judicial sentence he has received.

While we regret the aggressive attacks these media have leveled against the Kingdom and its Judiciary system, the Kingdom assures at the same time that it rejects in shape and form any interference in its internal affairs.

Blaming the ‘media’ is a well worn cliché that oppressive regimes like to deploy when seeking to play down their human rights abuses. In this case, however, it’s just flat out wrong.  Yes, the media have reported on the Raif Badawi case and published scathing op-eds from the likes of yrstrly.  But the bulk of the outcry has been on social media, where hundreds of thousands of people are voicing their distaste for Wahhabi justice.
There is also this:

… the Kingdom unequivocally rejects any aggression under the pretext of Human Rights; after all, the constitution of the Kingdom originates from the Islamic Sharia which enshrines one’s sacred rights to life, property, honor, and dignity.

The Kingdom of Saudi Arabia has been one of the first States to promote and support human rights and has on this regard respected all international conventions congruent with the Islamic Sharia. 

This is just delusional.  By no stretch of the imagination can flogging someone for peaceful political speech be considered a protection of “honour and dignity” or human rights.
Lest we forget, Article 5 of the Universal Declaration of Human Rights States:

No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.

A couple more points, if you please, about the swearing in Black Watch

In my essay for the Sunday Herald I made the case for the necessity of the swearing and offensive chatter that makes up much of the dialogue in Black Watch:

They are working class, inarticulate and insecure boys with no prospects other than the army. And when these men speak, they swear. It is integral to their vernacular. To sanitize their words would be to silence them.

Unfortunately the constraints of the page forbade me from elaborating on this point…. but luckily, I have a blog.
The swearing of the enlisted men is also important because of the contrast it presents with the officer class, and the politicians who have sent Scottish soldiers into harm’s way for centuries.  The show has a marvellous musical number where Lord Elgin, in full highland dress and regalia, prances around the stage, beckoning the young men to sign-up: “hurrah, hurrah!”  He speaks the Queen’s English, and he is as mendacious as they come (“did I mention it would be all over by Christmas” he says as he sends the soldiers off to Flanders in 1914).  In this context, the Fifer accents of the soldiers are a necessity. Homogenising the language would be an act of class warfare.
To my mind, the final genius of Black Watch lies in the juxtaposition between the coarse language and the stunning physical theatre.  One reason why Steven Hoggett’s choreography is so powerful is because the precise and often tender movements emerge from characters who have been f-ing and c-ing just moments before.  The combination jars the audience and is compelling, and it is the rude words that tee-up this possibility.

Building the Mythology of Jihadi John

Ever since the ISIS murderer and propagandist ‘Jihadi John’ was revealed to be a British engineering graduate called Mohammed Emwazi, our news media has been saturated with reports about his school days, his personality, and the possible causes of his radicalisation: he ran into a goalpost as a kid; he went to school with Tulisa…
The coverage grates.  Its full of cod-psychological comments from former pupils at his school, noting the fact that he was a ‘loner’.  Reading these quotes, I’m reminded of one of the insights from Serial, the podcast phenomenon about the murder of a Baltimore schoolgirl Hae Min Lee in 1999.  That series makes the point that people are susceptible to a confirmation bias in their memories.  When told that someone is a murderer, people naturally recall those incidents where the person acted weird or like a ‘loner’.  But alternatively, those who are convinced that the convicted person is innocent remember him as friendly and outgoing. Continue reading

Pop Pairs

I was listening Magic 105.4 earlier.  They played Papa Don’t Preach by Madonna.  The girl in the song pleads with her Dad to let her see someone he disapproves of.

Next in the playlist was Uptown Girl by Billy Joel.  A young man laments that the woman he has fallen for is from a different social class.

It occurs to me that these two songs are Pop Pairs.  They could be two views on the same relationship.
My sense is that you could probably make a Pop Pair out of any two songs where the singer declares their love for someone else.  But the really great pop pairs will be two songs that present two sides of a less conventional relationship.  For example, Young Girl by Gary Puckett, paired with Born Too Late by the Poni-Tails; or Money Money Money by ABBA, paired with Gold Digger by Kanye West.
Alternatively, where the sentiment is quite specific:  The particular question asked by the Shirelles in Will You Still Love Me Tomorrow is answered quite specifically by the Waterboys  in How Long Will I Love You?
Eternal Flame by the Bangles paired with Firestarter by Prodigy.

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