Pupil Barrister

Tag: Art and Cultures (Page 5 of 11)

Reviews etc…

Tinkering with Computers

The ramming through of the Digital Economy Bill in Parliament’s “wash up” period is a set-back for remix culture. Worse, because copying and sharing of digital content is so widespread, the new laws provide a sinister excuse for both corporations and the state to persecute people they don’t like.
Mike Butcher of Techcrunch calls the Bill a “Nightmare of Unintended Consequences”. He says that filesharing will continue, only this time it will be encrypted:

In April last year, Sweden’s internet traffic took a dramatic 30 per cent dip as the country’s new anti-file sharing law came into effect. … But several months later traffic levels started to surpass the old levels. Consultancy firm Mediavision found that the accessing of illegally shared movies, TV shows and music simply recovered. But there was one crucial difference. Much of the internet traffic was now encrypted.
In other words, the very laws the entertainment industries had lobbied politicians to pass in order to protect their industry had created the even bigger headache of untraceable file sharing.

I have been meaning to experiment with encryption for a while now. My three inspirations for this are Neal Stephenson and his doorstop Cryptonomicon; Cory Doctorow and his Young Adult thought-experiment Little Brother; and Simon Singh (he of the celebrated libel battle) and his non-fiction Code Book. Stephenson and Doctorow’s books are novels which justify the paranoia that inspires many people to encrypt their every communication, while Singh’s book is a fantastic explanation of the mathematics and history of cryptography.
So in (ahem) “celebration” of the Digital Economy Bill, I’ve got ahold of an old laptop and have installed Linux onto it, the operating system of choice for programmers, hobbyists and hardcore sysadmin‘s the world over. I’ve chosen Ubuntu, the most user-friendly flavour of Linux, but nevertheless there is a steep learning curve to climb. I’m slowly building my system and soon hope to send my first encrypted e-mail (if only I can find someone who can read it when it reaches them). I have spend a bit of time on the Tactical Technology Collective site, pulling off programmes from their ‘Security in a Box’ project.
“So you’re doing all this so you can steal copyright media again?” says a colleague.
I am most certainly not.
Rather, I am doing it to be prepared. First, in my working for PEN, there is a good chance I may have to use such technology for real when corresponding with cyber-dissidents from around the world. I want to have the technology and expertise on hand for them.
Moreover, I think a deeper knowledge of compter systems is an important insurance against the collapse of our current, highly complex communications network. In Cory Doctorow’s When Sysadmins Ruled the World he imagines a worldwide catastrophe which kills most people and leaves a few computer geeks corresponding over a crippled internet…
That would be an extreme scenario. More likely is that the status quo becomes broken in other ways. Apple, with the release of their iPad, are establishing a system whereby all interactions with, and all software for their machines are mediated through the AppStore/iTunes store to the exclusion of everything else. Amazon takes unprecedented control over people’s digital book collections. And legislation which builds on the Digital Economy Bill (soon to be Act) may well seal off vast tracts of cyberspace for many people. For example, if you live outside the USA, it is already extremely difficult to watch The Daily Show and South Park, two of the most important sources of satire, via the Internet. A standard IP address set-up will give you away and block your access. So, compartmentalisation of our current system is possible, even probable, and its good to have the tools to hand to mitigate the problems for freedom of information that this will cause.
Clay Shirky says more about the problem of complex systems in his latest essay.

Complex societies collapse because, when some stress comes, those societies have become too inflexible to respond. In retrospect, this can seem mystifying. Why didn’t these societies just re-tool in less complex ways? The answer Tainter gives is the simplest one: When societies fail to respond to reduced circumstances through orderly downsizing, it isn’t because they don’t want to, it’s because they can’t. In such systems, there is no way to make things a little bit simpler – the whole edifice becomes a huge, interlocking system not readily amenable to change.

The realisation that the same is true of our machines is also beginning to dawn. Time was when a car or a blender was a mechanical thing that could be fixed out on the road or on the kitchen table (or in the shed, if your wife wants to keep grease out of the house). This is becoming less possible with each passing month.
Cory Doctorow complained about this phenomenon recently with regards to Apple’s new shiny thing:

The way you improve your iPad isn’t to figure out how it works and making it better. The way you improve the iPad is to buy iApps. Buying an iPad for your kids isn’t a means of jump-starting the realization that the world is yours to take apart and reassemble; it’s a way of telling your offspring that even changing the batteries is something you have to leave to the professionals.

That rings true. During an idle chat with my insurance company last year, following an accident (not my fault, by the way), I discovered that merely setting off the airbags makes your car a write-off, so hidden and complex are the workings.
However, there was plenty of backlash to Doctorow’s analysis. Nicholas Carr suggested Cory was behaving like something of a luddite::

But I’m not under any illusion that progress gives a damn about what I want. While progress may be spurred by the hobbyist, it does not share the hobbyist’s ethic. One of the keynotes of technological advance is its tendency, as it refines a tool, to remove real human agency from the workings of that tool.

While technology has a tendency towards refinement and the removal of human agency (e.g Doctorow’s batteries or my airbags) this is not inevitable or desirable. The path of progress doe not always lead to more complicated technolgies. Nor does our retreat back to simplicity necessarily have to be a catastrophic, civilisation-ending event that Clay Shirky warns against.
Think of our changing attitudes to food. The growing envrionmental movement has made us aware of how dependent we are on the supply chain, and how difficult it would be for us to fend for ourselves in the event of a crisis. In response, we see that schools are eager to teach basic gardening, growing vegetables in your city yard is becoming fashionable, and self-sufficiency at home is the new black. While few people achieve complete sustainability, attitudes are changing and there is more interest, and incentives, to reconnect with a more bespoke, less commodified way of living.
Let us hope a similar attitude emerges for computing. The same long-term thinking that inspires environmentalism should also provoke an interest in the software and machines that can take us beyond the five-year-plans of the NASDAQ players and the Big Four music labels. The Digital Economy Bill is an unpleasant travesty, a victory for insider lobbying… but if it inspires more people to look deeper at open-source software and alternatives to Microsoft and Apple, then that would at least be something. Based on a sample size of one (i.e. just me) I forsee a growing vogue for hobbism, tinkering, and repurposed machines.

Update

@Documentally agrees (I think):

After learning a little about Linux today & then reading how Steve Jobs is going insane.. makes me want t boycott apple.

Fortress Academy

My speech at Goldsmiths was part of a wider campaign to make life easier for visiting artists and academics.  The Manifesto Club, who produced the report ‘UK Arts and Culture – Cancelled, by Order of the Home Office‘ have today published a sequel: ‘Fortress Academy‘. This new report looks specifically at the impact of the points-based visa system on universities and their students.

Students were rejected by the UKBA for a variety of trivial reasons, including having written ‘Malaysian’ instead of ‘Malaysia’ under country, or for the colour of the background used in their photograph.

A Jeremiad on UK Visas

Goldsmiths

The view from the panel


Last Monday night I spoke on behalf of English PEN alongside Tony Benn at a meeting a Goldsmiths College Student Union, on the problem of the UK’s new points-based visa system.  The system has caused hundreds of writers and artists to be refused entry to the UK, even for short-term visits such as a one-off gig or book launch.  Academics and university support staff are particularly concerned with how the system affects relationships with their students:  The system places new monitoring requirements on professors to log attendance at individual lectures and inform the UK Border Agency of any ‘suspicious behaviour’.
It was clear that, at Goldsmiths at least, neither staff nor students support the new measures.  The general mood is that staff should boycott any extra tasks that the UKBA demands they perform.  Many were frustrated that such a boycott is not already in operation.  However, co-ordinating such action – which really amounts to a simple work-to-rule action, because there is nothing about surveillance of students in any staff contract – nevertheless requires organisation and a sense of momentum.
From the floor, we heard the story of a student who has been harassed and harried at every turn in her bid to stay and study at the college.  She has spend over £2,600 in legal costs and ‘fees’ for processing various immigration applications.  The university cannot give her much help, since they do not want to “act as solicitors”, and she even had to represent herself and an immigration tribunal.  The ‘helpline’ she has been given to assist with her problems costs £1.20 per minute to call… and she is frequently put on hold whenver she calls.
Belle Ribeiro, the NUS Black Students officer, said that in general, international students do not get enough support when they come to study in the UK, despite contributing a huge amount in fees.  The new rules that insist that foreign student carry an ID card will mean that BME students are likely to be disproportionately hassled to identify and justify themselves.  And when ID card fraud inevitably occurs, it will be the overseas students who suffer.
My own speech was a jeremiad (hat-tip James Fallows for that word) on how this country was sending itself into a horrible cultural decline.  The approximate text, corrected for grammar and general semantic sense, is reproduced below.   You can check it against an recording.  The Rt. Hon. Tony Benn was also on the panel:  I’ve put an MP3 of his remarks online too. Continue reading

A Corrupt and Complicit Culture

The problem of extra-judicial killings of journalists in Mexico is one of the major threats to free expression around the world.  News of fresh violence seems to drop into my PEN inbox with increasing frequency.  In November, I mentioned the case of Bladimir Antuna García, who was “killed for writing too much.”
In The Independent, Terence Blacker warns that complacency in rich countries can help sustain this violence:

Only some of this nastiness can be explained by the poisonous air of the blogosphere. There is now a genuine confusion in the minds of many between the tawdry journalistic froth of our own decadent celebrity society and the courageous investigative reporting happening in countries such as Mexico.
It is vain and self-deluding to believe that the killing of writers in other parts of the world has nothing to do with our own lives and attitudes. As Cacho herself has said, “a corrupt political system is only sustained by a corrupt and complicit culture“.

The New Sincerity

A few things that I have been reading and listening to recently have got me thinking about sincerity.  Here’s Hopi Sen, talking about the Labour Party Conference, and channelling David Foster Wallace in the process:

The next real literary “rebels” in this country [USA] might well emerge as some weird bunch of anti-rebels, born oglers who dare somehow to back away from ironic watching, who have the childish gall actually to endorse and instantiate single-entendre principles. …
These anti-rebels would be outdated, of course, before they even started. Dead on the page. Too sincere. Clearly repressed. Backward, quaint, naive, anachronistic. Maybe that’ll be the point. Maybe that’s why they’ll be the next real rebels. Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today’s risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the “Oh how banal.”

Every time I read those closing lines, I think that he could just as easily be talking about modern politics, and that to succeed, to connect with people once more, politicians will have to tear away the protective masks they’ve placed on themselves … if the mask isn’t working any more, then the cause has to be worth risking the shame and embarrassment that will ensue when seen without it.

As I noted a couple of weeks ago, the triumph of hope over cynicism can be found in Foster Wallace’s Infinite Jest, too.  Matthew Baldwin writes:

Infinite Jest provides is a 13 week irony detox program, designed to reduce the cynicism in your system at a slow enough rate that you don’t go all P.T.-Kraus-on-a-subway. …
As we reach the end of Infinite Jest the question becomes: can we retain the message that DFW struggled so mightily to impart, or is a relapse inevitable?

Hopi Sen goes on to suggest that David Cameron and Tony Blair are Martin Amis type politicians, and notes the emergence of Brett Easton Ellis types.  When will we see the rise of the David Foster Wallace-type politico!?  Could such a person exist?  Who comes the closest in the modern era?
Meanwhile at the Free Word Centre, we’ve been treated to the talent of two poets-in-residence, Ray Antrobus (@theeducatedfool) and Joshua Idehen (@benincitizen).  They’ve been writing poetry in the cafe and performing it at our desks.  What was especially striking about their performances was the sincerity.  We heard poems about despressing relationships with parents; expressions of love; and brutal break-ups with lovers (Ray’s “Hit Me” is particularly challenging).
I’m preparing a speech for a presentation I am doing in a couple of weeks, and the temptation, given the subject matter and audience, is to go in for point scoring.  However, now I’m thinking I will try the sincere route instead.  We shall see what happens.

Poet Joshua Idehen gives a farewell performance of his poem "My Love" at the Free Word Centre, Farringdon.

Poet Joshua Idehen gives a farewell performance of his poem "My Love" at the Free Word Centre, Farringdon.

« Older posts Newer posts »

© 2026 Robert Sharp

Theme by Anders NorenUp ↑