Cory Doctorow has been blogging for 20 years. In this marvellous post he reflects on how the process has helped his writing and thinking. A blog can be a commonplace book, an ‘annotated web history,’ nucleation, and a memex or brain-extension.
I’m sixteen years a blogger. Back when I started, meta-blogging (i.e. blogging about blogging) was a big chunk of the discourse, with everyone trying to justify their hobby to themselves, to other bloggers and, perhaps most importantly, to the naysayers who mocked us as freaks in pyjamas bashing away at our keyboards.
I have worked for (and with) some courageous people at English PEN. I am often struck by the personal cost of exercising your right to free expression, and how damaging to life and finances taking stand can be. For Banned Books Week, I was asked by Tor.com to write a piece on these people, the ‘Outliers’ who do the thing that most people would not.
Have you ever been stood up by Cory Doctorow? I have. Back in 2010 I was due to interview him at the London Book Fair about his latest novel For The Win. I read his entire back catalogue and planned loads of insightful questions, but when the time came for the interview in the PEN Literary cafe, he didn’t show up. Later, I received an e-mail from him with a preposterous and obviously made-up excuse about how his plane had been grounded by a volcano. So it was me on the stage with an empty chair. (My hastily written chat standard performance poem “The Empty Chair a.k.a Cory Doctorow Is Not Here Today” rocked YouTube, with literally dozens of views.) Continue reading “The Outliers”
I’ve just finished REAMDE, Neil Stephenson’s latest tome. It continues his tradition of book titles which look like words from the dictionary, but aren’t, like Cryptonomicon and Anathem. It also continues the welcome trope of being centred around geeky heroes: Lawrence Waterhouse (codebreaker) and Randy Waterhouse (programmer) in Cryptonomicon; Erasmus/Ras, the science-monk in Anathem. All three books have elements of the thriller genre about them. In all three stories the main characters find themselves forced to trek halfway across the globe (and beyond) to save the world and their own lives. Furthermore, the protagonists use their skills to affect the outcome of their adventure. However, REAMDE compares unfavourably to the other two books, in that these technical skills are secondary to the more worldly talents of gun fighting. It therefore reads much more like a Tom Clancy process thriller, than a book that examines the implications of new ideas and technologies on how we think. Continue reading “Neal Stephenson Misses a Trick”