Pupil Barrister

Tag: Literature (Page 9 of 18)

Why video games will never be 'culture'

Listening to the Overthinkers over-think video game culture (last week) and films (this week), I have begun to worry that video games will never be ‘culture’. More generously, I am concerned that video games will never attain the same cultural currency as other art forms.
This is because people do not absorb the culturally significant video games of the past, as they do with significant literature, film, and music. Continue reading

Synecdoche, New York and Directing our own lives

I watched Charlie Kaufmann’s Synecdoche, New York the other day. It is at times compelling, hilarious, and mysterious.
The story follows a theatre director, played by Philip Seymour Hoffman. Awarded a grant to produce a expansive artwork, he recreates scenes from his own life inside a huge warehouse. But of course, after a while, his own life revolves around producing the theatre piece… So that gets recreated inside the warehouse too. He has to recruit an actor to play himself, and eventually an actor to play the actor that plays himself! Likewise with the other important people in his life and the production. The play becomes more and more recursive, in the manner of Borges’ The Circular Ruins (a dream within a dream).
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The anti-solipsism of the London Underground

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I have only just got around to reading John Lanchester’s delightful meditation on the London Underground. I missed it when it was published in the newspaper, but enough people shared it on social media that Twitter saw fit to e-mail it to me as a recommended story.
The essay deals with the rich topic of how we manage to be ‘alone’ in public places. Lanchester describes of the masques we wear and the techniques we use to create mental space to dwell within even though our physical personal space is invaded by other people at rush-hour.
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The Kitschies and Progressive Fiction

Nick Harkaway with his Red Tentacle. Photo by Sarah McIntyre

Nick Harkaway with his Red Tentacle. Photo by Sarah McIntyre


This week I was at The Kitschies, a set of awards for “progressive, intelligent and entertaining genre literature.”  Its creators, Jared and Anne of the Pornokitsch website and Pandaemonium Fiction (my publishers, no less) rightly eschew the word ‘best’ when giving the awards.  ‘Best’ is a devalued term in when it comes to awards, as implies an objectivity that a judging panel cannot possibly hope to achieve.
I compiled a Storify summary of the event, pulling photos and comments from social media.
The winner of the Red Tentacle award for a novel was Nick Harkaway for his book Angelmaker.  On his blog, Nick has posted a long article on what he thinks ‘progressive’ might mean in terms of fiction in general, and sci-fi/fantasy genre literature in particular. He says that such progressive fiction “It is a fiction which connects the inner human future with everything it must have around it, and recognises that the two develop together.”
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On Borrowing and Buying e-Books

More on the trend towards the digitisation of books and what that means for culture, politics and society… this time, from George Orwell.

Given a good pitch and the right amount of capital, any educated person ought to be able to make a small secure living out of a bookshop…. Also it is a humane trade which is not capable of being vulgarized beyond a certain point. The combines can never squeeze the small independent bookseller out of existence as they have squeezed the grocer and the milkman.

Orwell did not forsee the rise of the Amazon behemoth!  Nevertheless, his 1936 essay ‘Bookshop Memories’ is still relevant today (indeed, one might argue that Orwell’s nack for remaining relevant is the source of his greatness).  Our current appeals to tactility-as-a-virtue are there, alongside concerns that the public generally has a taste for low-brow thriillers and romances, rather than classics from the canon.
Elsewhere, he mentions the fact that bookshops were also lending libraries.  In this, I wonder if there is a parallel with Amazon?  Since the early days of the Kindle, we have known that books one ‘buys’ for the machine are actually just licenced.  Three years ago, Amazon remotely deleted all copies of Nineteen Eighty-Four from Kindle devices, a manoever that was at once horrifying and hilarious.  Last month, a Norwegian woman was declared a persona non grata by the company, and all her purchases were deleted from her device without warning. Continue reading

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