Pupil Barrister

Tag: Multiculturalism (Page 4 of 19)

Kunzru on Multiculturalism

Hari Kunzru is in Istanbul for the European Writers Parliament. He has just published the text of his speech, and the following passage is clear Sharp-bait:

It seems to me that multiculturalism, once a useful and progressive kind of politics, is no longer functioning as well as it did. The limits of identity politics are becoming clear. Instead of a playful, creative blending of the best of host and migrant cultures, the terms of multiculturalism are increasingly used by cultural conservatives of all stripes to police cultural boundaries. A liberal politics of absolute inclusivity, while presenting itself as pragmatic, has the disadvantage of obscuring genuine differences and antagonisms. Identity politics, which privileges categories like race and religion, is wilfully silent about class. Culture is, self-evidently, at the heart of this, and so we as writers have a central role to play. It sickens me to watch European bigots puffing up their chests about the values of the Enlightenment, as a badge of their superiority against poor and marginalised immigrant populations. Again, I say that opposition to this Enlightenment fundamentalism, isn’t moral relativism, but an ethical imperative. At this point, respecting difference is important, but so is asserting our common life across borders of race, class and religion. The fake pageantry of respect is no substitute for a genuine internationalism.

The phrase “the terms of multiculturalism are increasingly used by cultural conservatives of all stripes to police cultural boundaries” sticks out and rings true.  “Asserting our common life” is what the Dalai Lama suggested multiculturalsim means.  Nevertheless I’m very aware that I push the term to its limits when I reference it in these terms.  What Kunzru identifies seems to echo what Kenan Malik said at a South Asian Literary Festival event last month:  That ‘state’ multiculturalism is a different thing to simply living a multicultural life.  As I have said before on this blog, I fear to lose the word ‘multiculturalism’ to its detractors, because to do so would seem to concede defeat to the cultural conservatives Kunzru describes.

Hindi versus English

Last Thursday was International Translation Day, and I spent a little bit of time at a translation conference, hosted by English PEN and the Free Word Centre. Plenty of rabble-rousing for more international fiction to be translated into English. Our Director Jonathan Heawood did a great job noting the key points on Twitter, under the hashtag #ITD.
We know that the use language can be ideological. My Welsh grandmother told a story about how my great-grandmother was punished at school for speaking Welsh in the playground… by teachers for whom Welsh was the native tongue: an act of class oppression, for sure. At the opposite end of the spectrum, South Africa’s Constitution provides for eleven official languages. It is a clear attempt to negate previous forms of oppression-through-language (perhaps at the price of confusion and cohesion?).
Last week I watched an interview with Bollywood superstars Priyanka Chopra and Ranbir Kapoor on a programme called Buzz of the Week. It was a very casual and undemanding piece of promotional puffery on a big red sofa, but the two actors different approach to language was striking. Priyanka insisted in answering all questions in English, even those that were asked mainly in Hindi. Meanwhile, Ranbir spoke nothing but Hindi. This was odd – both are clearly bilingual and laughed at each others’ banter – and I assume they are native Hindi speakers, yet both steadfastly refused to respond to the other in the same language!  I am told that this has an ideological component too:  Priyanka was “showing off” and putting on airs; while Ranbir was trying to be more down-to-earth.
However, what really puzzled me was the interviewer, who jumped between Hindi and English with no apparent pattern – some clauses in one language, some in another.  Moreover, the phrases she was using were fairly simple: It was not as if she was forced to use English for a complicated concept for which there was no Hindi equivalent.  What was going on there?

Priyanka Chopra, English speaker

Priyanka Chopra, English speaker

Chimanmanda Adichie's Single Story

An interesting TED talk by the novellist Chimamanda Adichie on the power of stories, and how a multitude of stories are required in order to fully understand other people.

Key quote is thirteen minutes into the speech:

I have always felt that it is impossible to engage properly with a place or a person, without engaging with all the stories of that place and that person.  The consequence of the Single Story is this: It robs people of dignity.  It makes our recognition of our equal humanity difficult.  It emphasises how we are different, rather than how we are similar.

That’s my kind of multiculturalism.

Defending the Cordoba Mosque

Over in New York, an argument is blazing over the Cordoba Initiative, an Islamic cultural and community centre planned for downtown New York.  Shrill critics have labelled it the ‘Ground Zero Mosque’ and called for the project to be cancelled, due to it offending the sensibilities of the families of 9/11 victims.  However, a calmer look at the proposed centre reveals although it is in the vicinity of the World Trade Centre site, its hardly on top of it.  Other mosques exist in the downtown area, and Feisal Abdul Rauf, the leader of the project, has been praised for his interfaith work.
This controversy has clearly been manufactured by those who seek to polarise American political debate.  It is depressing and astonishing that the arguments against the centre have gained any traction at all.  One might expect this in Europe, with its muddled and inconsistent relationship with secular ideals.  Or in theocracies like Saudi Arabia and Iran, with their blanket intolerance of other faiths.  But for a country which explicitly enshrines human rights such as free expression and freedom of religion in its constitution, it is bizarre that the debate has advanced so far.  Most ironic is that the Anti-Defamation League, an organisation set-up specifically to combat religious prejudice and anti-semitism, has led the calls for the plans to be scrapped.  Their statement prioritises public outrage and ‘offence’ over freedom of expression, assembly, and religion – A dubious position indeed.
Thankfully, the principles of tolerance appear to be waxing.  Mayor Michael Bloomberg recently gave a fantastic speech where he reaffirmed the principles upon which the United States was founded.  As a Jewish New Yorker, his words have a certain ‘rhetorical authority’ (as David Foster Wallace would call it).  Let’s hope this argument becomes another ‘teaching moment’, a step away from the global war that Osama Bin Laden sought to provoke when he planned the September 11 attacks.

“The attack was an act of war, and our first responders defended not only our city, but our country and our constitution. We do not honor their lives by denying the very constitutional rights they died protecting. We honor their lives by defending those rights and the freedoms that the terrorists attacked.

Update

Daily Dish has some great commentary.

WOMAD and Multiculturalism

Afro-Celt

Moussa Sissiokho, Johnny Kalsi and James McNally at WOMAD 2010. Photo by yrstrly


One of the highlights of WOMAD last weekend was watching a comeback performance by the Afro-Celt Sound System, who rocked the tent on Sunday evening with a tight blend of two cultures. The undoubted crowd-pleaser was a three-way drum duel between James McNally on the bodhran, Johnny Kalsi on the dhol, and Moussa Sissiokho on the tamma (‘talking drum’).  Underlay a little bit of electronica and some pipes, and the result is something that cannot fail to move you, both physically and emotionally. Its great to see musicians do that to an audience – and its even better to be a part of such primeval happenings yourself.  In such moments, the rising pace of the drums causes your mind to wander and wonder.
Here, I thought, we have a group of disparate musicians bringing their different traditions together to create something new.  Indeed, ‘fusion’ music is one of the festival’s specialities, and the Afro-Celt Soundsystem are very musch a creature of WOMAD.  But in watching the McNally/Kalsi/Sissiokho three-way, I was reminded that such music only works if the individual members have a (shall we say) traditional music upbringing.  Perhaps the discipline, and the distincitiveness of their separate musical heritages, are actually pre-requisites for their fusion music to work.
If true, it is an argument for a fairly rigourous form of multiculturalism.  Perhaps there is a value in encouraging not the fusion of cultures itself, but instead a promotion of the more traditional practices on which that fusion is based?  Only with a mature understanding of one’s culture can you confidently engage with others, and thereby play a proper part in creating something global, transcendental.
In a diverse country like Britain, this means supporting projects which pedestalise both the minority cultures, and the deeper roots of English and Celtic cultures.  This approach implies division, and the creation cultural silos, and has come in for much criticism in recent years.  But watching the talents of the musicians at WOMAD, you cannot help but percieve the long, accumulated embedded within each artist.  When you do, its natural to want to preserve and protect that history.
WOMAD flags by Wolfgang Haak on Flickr

WOMAD flags by Wolfgang Haak on Flickr

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